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Religion In Romeo And Juliet

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Religion is predominant throughout Shakespeare’s Romeo and Juliet displaying the domination of the Church. The play displays some of the characters' commitment to the Church, but also the lawless disregard for the Church's ordinances. Luhrmann has re-revealed this theme through religious iconography pervading his film, commenting on how religion is no longer an effective means of maintaining peace and harmony in modern society. The two feuding companies/families of the Montagues and Capulets display religious images on everything, ranging from their guns to their limousines, through which Luhrmann ostensibly aims to convey the power of religion to motivate and escalate the violence that characterises the film’s conflict. However Luhrman also …show more content…

In trying to make his films accessible and understandable to teenagers, Luhrmann made Friar Lawrence into a figure whom modern teenagers might understand Romeo seeking help and advice from, thereby maintaining his accepted status as the trusted confidant and helper of Romeo and …show more content…

The camera zooms forward to scenes of Verona, with the words "IN FAIR VERONA" flashing on the screen. Luhrmann presents Verona as a modern city, dominated by scenes of chaotic urban violence. Aerial shots pan across the cityscape as police cars and helicopters dart about, and human casualties are strewn across the ground. Watching impassively is an enormous statue of Jesus. These opening shots of a city divided by violence sets the scene for the subsequent action of the film. The feud shows how the two opposed families dominate Verona Beach from the way skyscrapers bearing the names Montague and Capulet overshadow the city's horizon. Luhrmann follows this image with photographs of the two families on the front of the newspaper separated by a photograph of the statue of Jesus commenting on how wealth and money reigns supreme over

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