Religion Is The Backbone Of Cultures Around The World

Religious artwork has been prevalent throughout all of history. Christian artwork has been ever changing and evolving based on what it going on during the time period in which the work was created. In Romanesque artwork, art was imaginative and involved mysticism along with themes that represented their fears of the end of the world. In Gothic artwork, the art turned away from evoking fear and instead had the goal of bringing people into the church. In the fourteenth century, the religious art responded to the crises of the time period. During the Renaissance, artwork shifted to an interest in realism, which can be seen in Raphael’s Madonna and Child with the Young Saint John. The medium for this work of art is oil paint. it was painted in 1500 and is 47 inches in diameter.

Christian art and iconography began, about two hundred years after the birth of Christ. Western Christian art and religious iconography was based on the classical art styles and imagery by the Ancient Romans. Medieval art iconography began to relate more to text of the Bible. Religious Christian art was created in the form of illuminated manuscripts, mosaics, and fresco paintings adorned churches. The colors of art were generally muted except those used in manuscripts and stained glass windows. Figures varied in sizes in relation their importance. Unlike artists in the Byzantine period who avoided making sculptures at all costs, Romanesque artists made sculptures which were often large, made of stone, and

The Christian Church was absolutely instrumental in the art of the Renaissance. It was the driving force behind every inspiration; without the Church, there would have been no art. The Church was the only institution powerful enough to be able to support the commissions of all of the artwork, and it was the only institution, in which people had enough faith and devotion to spend so much of their time and money creating pieces that—although beautiful—were not necessities. The role of religion in art actually began during the Byzantine era. During this time, all artwork was religious in nature, and most of it was done in a consistently similar style so that figures from the Bible could be easily recognized by everyone and so that people

Art with biblical themes were popular in the Middle Ages because the artists were also focused on theology. Jesus and Mary were usually the main focus in most paintings. The people in the Middle Ages really appreciated godly looks and tried to incorporate the catholic religion in most if not all of their paintings (class notes). For example, Giotto’s painting Madonna and child displays Mary and Jesus in the center of the painting. Not only are Mary and Jesus in the center, they are also illustrated to be a lot bigger than the angels around them. Giotto wasn’t the only artist to place Mary and Jesus in the center and larger, this was very normal for the Middle Ages. Most artists were very influenced by the church because the church had the highest role in government.

Karen Armstrong, author of “Homo Religiosus,” claimed that without the physical rituals and traditions, religion morphed into a belief. Simply put, Armstrong argued that religion requires not only blind faith but also customs and practices that affect one’s physical and mental behaviors. It is through these rituals and taboos that the religions grows and forms, and yet also changes when deemed necessary. Additionally, Armstrong constantly compares religion to different art forms. She does this to convey the message that much like art, one must focus and study religion for lengthy periods of time to be properly understood. However, this connection also suggests that art and religion can perform an analogous role to humankind when required, as they both evolve and change when a society 's infrastructure does. Throughout her essay “Homo Religiosus,” Armstrong focuses on the similar role that both art and religion play in society to discuss her claim that religion is not just a belief, but rather has to do with changes in physical and mental behaviors that in return create change in society and the religion one needs.

The motivation and history of art is partly due to religion. Religions have been passed down and interpreted to this day, and a way to recollect these stories is through art. Also the creations of churches, mosques, etc are works of art in themselves. Buildings were comprised of pillars and ribbed structures, are considered a technological beauty because they were designed to be visually appealing, but had a functional purpose.

The art was more realistic and 3D. These changes in art are displayed in works like the Mona Lisa shown on Doc A. Humanism was more included in art too. These differences show that they grew to love themselves and each other. The loss of religion in art shows they grew away from God and began to question their beliefs.

During this time was The Reformation of the church and this influenced a lot of artists of that time. The basis of The Reformation was that people began opposing the practices of the church. This relates to current times also. In the United States lately, there has been a revolt against the government. There have already been multiple works of art depicting these current events including artwork, music, videos, etc. This artwork shows that no matter what the message is, if it is based on biblical scripture, it will always be relevant to current

When Christians first began to use art within the church it was to defend and communicate the truth about God and the world. Throughout time a lot of controversies began to form about art being used to describe Christianity. The visual culture of the early church was very modest and until about 200 A.D most visual imagery was found in catacombs, the burial places of Christians. So the only art that was known was symbols such as fishes and only the people who were intended to know them. Art was not intended like it is today, it was exclusive and misunderstood.

The paintings of Michelangelo had figures that were nude and caused an uproar. The Bible states that Adam and Eve were naked until they knew sin, then they were ashamed. The nakedness of the bodies could have been a scene of a time before sin. It helped to open the minds of some of the church members. To show them that the Bible should be the authority to which they live by and not the church. Michelangelo's painting went against what the church wanted, however it still stayed within the realm of the Bible. By doing this, it showed how the church would try to overstep its boundaries, while trying to place itself above the Bible.

Art during The Renaissance brought about a style of realism that led into the portrayal of perfection and movement associated with the Baroque art of the 17th century while continuing the undertones of religion affiliated with the Middle Ages. While people who share beliefs with Burckhardt would say that the perfection of the Renaissance style art was a drastic shift from the crude gothic art of Medieval Times, it still contained much of the religious overtones prevalent in its predecessors, depicting saints and Jesus Christ himself in much of it. There were several statues depicting David, from the biblical story of David and Goliath, and entire chapel ceiling painted by Michelangelo, and one

When looking at a work of art what comes to mind? Here are just a few things to start: why did the artist decide to paint this art work, what style is it, and what was its inspiration? To really understand this piece, St Matthews in the Ebbo Gospels, this was a painting done for the Archbishop Ebbo of Reims who had a painting of the evangelist St Matthews, who was receiving word from God. The painting depicts more specifically the message coming from a cherub that’s reading a from a scroll and St Matthew is writing furiously. Do you think that political influence a work of art? During this era, many Bishops only want to show their wealth and are not really focused on spreading the word of Christianity. By looking at St. Matthew from the Ebbo

During the Middle Ages, symbolism was a big part of the current day art because of the major focus on the church and theology. Jesus and Mary were big symbols during that time, which is evident in the numerous paintings of them from the Middle Ages (Class Notes). During the Middle Ages, Jesus, Mary, Angels, the devil and the cross were huge symbols. In the painting Duccio, Jesus

During the Renaissance period of history, religious icons were a popular theme. Often churches and other religious organizations would pay artists to recreate famous scenes from the Bible which could then be hung in private homes are in churches and cathedrals. Many paintings were done on the very walls of the church, painted into the plaster in a style known as fresco. Religious paintings were also frequently purchased for the home by wealthy patrons. Each artistic work was used to tell a different story and presented in a way which would reflect the ideas and opinions of the church and the surrounding community. Two paintings from the period, the Mèrode Altarpiece by Campin and the Holy Trinity by Masaccio, are both religious works which have a similar purpose, and can be compared by their specific time period and content, the artist who created the pieces and their intentions, and the techniques which were used in creating it.

Let's take a look at a little history in medieval art. There was a movement towards the end of the first millennium called Iconoclasm. This factor hated images and icons which were believed to be endowed with mysterious powers that could work miracles by intervention from the saints. This Iconoclastic Controversy defined and declined the creation of