Religion Throughout British Literature

​In the beginning of Sir Gawain and the Green Knight, Gawain is introduced as a courtly knight with a sense of perfection. The author does this to compare it to his failures, which are later displayed through Gawain’s acts at Morgan le Fay’s castle. Gawain is portrayed to be a chivalrous knight with honor and courage. Gawain is presented with a challenge: accept the game to cut off the Green Knight’s head, and in a test of courage and honor, set out to allow the Green Knight to return the favor to him in a year and a day. This initially shows the knightly characteristics of Gawain which presents him as noble and honorable, which allows the author to shock the audience when Gawain falls under pressure to actions that contradict the chivalrous code. The first of these actions taken by Gawain in opposition to his morals is the temptation

Essay with Outline  Loyalty, courage, honor, purity, and courtesy are all attributes of a knight that displays chivalry. Sir Gawain and the Green Knight is truly a story of the test of these attributes. In order to have a true test of these attributes, there must first be a knight worthy of being tested, meaning that the knight must possess chivalric attributes to begin with. Sir Gawain is self admittedly not the best knight around. He says "I am the weakest, well I know, and of wit feeblest; / and the loss of my life [will] be least of any" (Sir Gawain, l. 354-355). To continue on testing a knight that does not seem worthy certainly will not result in much of a story, or in

 Sir Gawain and the Green Knight is one of the most intriguing Middle English chivalric romances known today. The poem is a delicately written balancing act between two cultures, clashing in a time of unease between the religion of tradition, (paganism) and the new religion, (Christianity). The poem is also one of the best known Arthurian tales, with its plot combining two types of folklore patterns, the beheading game and the exchange of winnings. The Green Knight is interpreted by many as a representation of the Green Man of folklore and by others as an allusion to Christ. The story is told in stanzas of alliterative verse, ending in a bob and wheel. Sir Gawain and the Green Knight is an important poem in the Middle English romance genre, because it involves all the typical plot progression of a hero who goes on a quest to prove himself. Yet what sets Sir Gawain apart from heroes of lore is his inability to finish his quest. The aspect which makes Sir Gawain and the Green Knight different is Sir Gawain’s failure. Sir Gawain and the Green Knight is a perfect example of the struggle between enduring Paganism and newfound Christianity.

    Gawain’s loyalty to King Arthur is unquestionable. To begin this story, there is a Green knight who proposes a game to a room full of Arthur’s knights. When no man volunteers to play with the Green Knight, Gawain steps in to save his king’s life and reputation. Before accepting the Green Knight's challenge, Gawain asks Arthur to “...command me to step from the dias and stand with you there, / That I might without bad manners make down from my place…” (From Sir Gawain…, ln. 121-122). By doing so, not only does Gawain step up to the green knight for his king, but he also goes about it in a very chivalrous, respectful way to his king above all of us. By respecting his king and being the only man to step up to the challenge and risk his life for his king, Gawain shows loyalty, which in turn follows chivalry, putting his honor above his life.

Sir Gawain shows a lot of honor by staying true to his word and following through with his deal with the Green Knight. He mentally prepares himself for the year leading up to his journey to seek out the Green Knight, braves through the forest, is met with the temptations of the lady of the castle, and holds true to his deal with the

In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.

Sir Gawain is reluctant to accept the Green Knight’s challenge. He fears for his life. In the end he only accepts the challenge to protect King Arthur’s life and honor. He knows it is his duty to protect King Arthur, but only volunteers to do so at the last second. Sir Gawain also breaks his oath to the Lord of the castle he is staying in. He broke their vow to trade whatever they had earned during the day when he keeps a sash the Lady of the castle gives him because he believes it will protect him during his battle with the Green Knight.

In Sir Gawain and the Green Knight, Sir Gawain courageously steps up to play the green knight’s game. The green knight clearly lays out the terms of the game to Sir Gawain: Sir Gawain can give the green knight any blow with any weapon and a year later the green knight will return the same blow. A year passes and Sir Gawain boldly puts on his armor and embarks on his journey to receive his return blow. After traveling for months, Sir Gawain stumbles upon a castle where he is graciously welcomed. The significant change in clothing of Sir Gawain from armor to soft clothing suggests a failure to the expectations placed upon him by his pentangle and allegiance to Camelot.

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

Sir Gawain finally moves on from the castle and goes to the Green chapel, which happens to be a mound. He gets there, and is admittedly scared, but ready to die. The Green knight goes to strike Sir Gawain with his axe, but does not. The Green knight notices Sir Gawain flinches and begins to mock him. Sir Gawain proceeds to tell the Green knight that he will not be able to pick up his head like the Green knight did. The Green Knight goes to strike Sir Gawain a second time and Sir Gawain does not flinch this time. Sir Gawain is ready to die now after the first flinch. The Green knight then went to strike Sir Gawain a third time and he began to get frustrated, the Green knight began to talk with Sir

The Green Knight agrees if Gawain will come to wherever he thinks the Green Knight will be. Of course, Gawain has no clue where he would find him, so the Green Knight says that he will tell him if Gawain can hit him square on the neck. Then Sir Gawain strikes him directly on his neck, and the Green Knights head rolls off. The Green Knight proceeds to pick up his head and leave, while bleeding terribly from the neck as if he were unharmed. Before he leaves, he tells Sir Gawain to come to the Green Chapel when they agreed. So then a year passes before Gawain comes across his second trial. It occurs while Gawain stays in the castle of a hospitable lord before he is to meet again with the Green Knight. During his stay, the lord and Sir Gawain agree to "exchange what each has won during the day" (Ponsor 128). For three days the lord brings back what he has hunted, and Gawain gives him the kisses he has received from the lady of the castle. However, he also received a magical green scarf from the lady on the third day, but fails to exchange it for it is a token of good luck. When Sir Gawain finally meets with the Green Knight, he prepares to be struck with a scythe, but the Green Knight ends up only giving him a minor scratch on the neck. This is because the knight was testing his honor, and he scratched him because he did not maintain his honor on that third day. He was supposed to hand over

Sir Gawain deals a savage blow to the Green Knight’s neck severing his head, only

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the Green Knight one must make special emphasis on it. In color and imagery itself, the unknown author paints the very fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green Knight is as simple as ones quest toward himself. Through acute awareness of the physical world he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the source of truth. He learns, chivalry, like a machine, will always function properly, but in order to derive meaning from its product he must allow nature to affect him.

Upon first Reading Sir Gawain and the Green Knight, I noticed that it comes off as a romantic normative poem about chivalric ideals and traditions of the ruling class with covertly Christian Images. The protagonist character Sir Gawain stands out as the role model of the chivalric ideals of the 14th century while displaying Christian images on his armor. The combination of Gawain’s armor and actions throughout the poem exemplify his characteristics of Christian perfection and chivalric ideals. The very first scene with Bertilak of Hautdesert known as the Green Knight begins to mold your perception of how chivalrous Sir Gawain is by portraying him as valiant, humble, and virtuous knight to Arthur. I felt that the interruption of Arthur