Essay about Religion’s Profound Effect on Musical Development

21.  Composers began to write polyphonic songs that were not always based on chant, what were they based on instead?

In the sixteenth century, the Protestant Church of England was using new music and hymns that would still be used today. According to “Elizabethan”, this time was the “high point in the English Liturgical Style”. The Mass Ordinary was created in the fifteenth century. There are five sections that go in a cycle basing each movement on the same musical material. The five sections, according to Raeburn, include Kyrie, Gloria, Credo, Sanctus, and Agnus Dei (11). For more somber religious events, such as funerals, a requiem mass would be used. This mass was relatively peaceful and the melody would tend to wander. Ongaro tells un in his book “Music of the Renaissance” that choirs in this era had up to sixteen members that would dance, sing, and act (32). Religious music was the work of many composers that would give us hymns and musical works that we use

1.     Gregorian chant consists of a single-lined melody and is monophonic in texture. This piece also consists of these basic structures as well as not having any harmory or counterpoint. This piece performed by U of I faculty member Steven Rickards, is sung a cappella.

   music was so much a part of life that they did not consider it a separate activity.

These different mindsets concerning the music caused a division to occur in the church. This example ties in with another point addressed in the Declaration and Address. And that is the point concerning what to do with doctrinal differences that are not based on clear and exact teachings in the New Testament and how that leads to division. There are a lot of things that come about in life that we can clearly read in the Bible is right or is wrong. With that being said it is simple to make definite rules and it is also simple to clear up arguments and disagreements when the answer is clearly seen in the Bible, because it is really hard to argue with a clear answer in the Bible when you are trying to use the Bible to back you up. However, what happens when there is not a clear teaching in the Bible? That is what happened with the

From the beginning of times, music has played an important role in everyone’s life. At first, it started with drum-based and percussion instruments made out of what was available as rocks and sticks. Our ancestors proved that human beings have an innate need of music. Nowadays, no one teaches a baby to follow the beat of a song, he just naturally lets his body get involved with the rhythm. Since the prehistoric era to Christian times, several forms of music have developed leaving a trail to new genres of music. For Christianity, hymns and plainchants were the first forms of music considered as a worship to God. As time passed by, Christian music has evolved giving way to new and fresh sounds.

Music has evolved too many different forms that we recognize today. We trace this development throughout time. Beginning in the middle ages, we have seen advancement from the Gregorian chant all the way to the Jazz of the 20th century. The current events, politics, religion, technology and composers can shape musical eras during time. Here I will look at the middle ages, renaissance, baroque, classical, romantic and twentieth century periods. I hope that a better understanding can be reached to why, when, where and who are the reasons for musical evolution.

African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.

The Medieval period began in 500 A.D. and ended in 1450 A.D. During this time in particular, the Catholic Church had significant influence on how music was used and created. Sacred music, for example, was most prevalent because of this. Due to the religious nature of this period, music in the church had to adhere to very specific regulations, some of which included prayers such as plainchants or Gregorian chants. A single melody without harmony, or one musical part sung together in unison, is called a Monophonic melody, which was sung primarily by monks. Some time later, around 900 A.D., the using of two melodic lines was permitted by the church, this music was called organum. A low, continuous note called a drone, was sung at the same time as the main melody. The two melodies were often moving in contrasting motion to each other. By the Late-Medieval period, 1100 A.D., the music of the church had shifted from monophonic to more polyphonic, often two or more varying parts.

Rather than having a theme for their concert, the nine singers of Noteworthy performed a wide variety of songs from different eras and genres of music. The one thing these pieces did have in common was their instrumentation: that is to say, they had none. All of the noises needed to recreate each piece, whether it was jazz or pop, were produced from the singers themselves. This style of music is called a capella. As with many types of music, a capella found its start in a religious setting. Around the year seventy A.D., rabbis prohibited the use of instruments in synagogues in order to distinguish their rituals from those of the pagans. Then, in the first century, monks created Gregorian chants, which were sung in monasteries and lacked instrumentation. They steadily rose in popularity through the eleventh century, being spread throughout the world by the Catholic Church. Later on, during the colonization of the America’s, African slaves took to singing their native songs without instruments, as they were not permitted any. This tradition inspired the barbershop quartets of the early 1900’s, which often

​ A woman named Hildegard of Bingen wrote a Gregorian chant piece called” O Rubor Sanguinis (O Redness of Blood). As the tenth child of her parents, they gave her as a tithe to the church. In turn, she received a great education especially learning to write and note music as well as founded her own convent. Gregorian chants were either composed by men or women, it was a rule of the church that both gender wasn’t allowed to sing together. Men could sing in the church or monasteries while women were more to convents. So, in Hildegard’s O Rubor Sanguinis, you hear only women voices as was the case with most of her music. Listening to the song, I can hear the women’s voices in unison which makes it easy to follow the melody. I can’t clap to find a beat to it which is understandable because it’s sacred music and meant for prayer and meditation. You also hear multiple notes being sung to one syllable or

1. Discuss the use of music in Catholic and Protestant worship practice, from the development of polyphony, through the music of J.S. Bach. In so doing, discuss the shift in responsibility for musical development from the Catholic Church to the Lutheran Church.

Music not only has issues in discrimination and racism but also in religion. In an article by Lake State Publications (2002), the transformation of music started during the early Christian era. It said that only Gregorian Chants were recognized in sacred ceremonies. However, secular and non-religious songs became rampant when the church had an unlikely encounter with the French Nobles called troubadours causing them to write the very first secular songs and ask the ministers to sing them to the public. Secular music continued to gain importance to the masses and vocal music became more important

The masses in the religious services had to be sung a cappella in this specific order or it was considered a disgrace and ruined the sacred pieces. The high priests of the Catholic churches were very strict on how the sacred music was sung and preserved.

Beginning at around 476 AD, the medieval era is mostly related to the church as most music from this era is sacred. The style of this era, the Gregorian chant is monophonic only comprising of the plainchant (or the single- line melodies of early church music) in texture only comprising of the plainchant (or the single- line melodies of early church music). It is not until the arrival of the French composers Léonin and Pèrotin in 1100 and 1200 respectively that polyphony would be incorporated into musical worship with the “decoration” of Gregorian chant with one or more simultaneous musical lines, thus transitioning from Gregorian chant to Organum. During this era, most of the music and roles for musicians belonged to the church except for the troubadours of southern France and the trouvères of northern France. The music was responsorial between the mass and the father during church and was