Religious Barriers In Allen Ginsberg's Poem 'HOWL'

In the poem Howl part one, Allen Ginsberg travels all over the world and describes his life and the “ best minds of his generation” (1) the beat poets. Ginsberg expresses his tone with emptiness, darkness, and depression. Part two; the word Moloch represents war, governments, psychiatric hospital, universities and any other social authorities. Ginsberg conveys that Moloch is responsible for war and sorrows; this ties to the first part of Ginsberg poem. In part three; “I’m with you in Rockland”, where Rockland represents the mental hospital. With the calmer tone, he addresses his friend from “Rockland” Carl Solomon. He conveys how Solomon suffers from delusions, and compares Solomon with his mother. “I’m with you in Rockland

Similar to Marx, Ginsberg is against the idea of a small fraction of the people having significant control and power. Even though the poem is harsh on America, the goal of the author is not to shun or shame the country but try to better it. He is an extremely critical patriot trying to correct America’s flaws.

Ginsberg addressed the inner workings of his complicated mind through his poetry, but he also inspired his readers to do so as well. Ginsberg was notorious for representing a variety of controversial issues, but he was also a part of the drug scene as a means of expanding personal exploration towards questioning the human condition. In his travels alongside his partner, Peter Orlovsky, Ginsberg was inspired by a variety of psychedelic drugs and the peaceful acceptance of Eastern religions to develop a “global consciousness” that challenged his native society (Schumacher). In the same way rock music of the counterculture combined different types of music, Ginsberg's poetry uniquely combined styles of poetry, religious influences, and drug-induced creative thought processes to question his reality living in a Christian-dominated society. One passage of “Howl” in particular reads, “I’m with

descriptive language to express his journey in life and love. It is the journey itself that transpires from

Poet Allen Ginsberg composed "Howl" in 1955 and it was published by City Lights Books of San Francisco, CA the following year. He composed the poem in the middle of the 1950s, one of the greatest decades in history for mainstream America. It had been a decade since the American and Allied victory in the second world war. Numerous American men returned home to a country in much better shape than expected, with many women having entered the workforce to keep the economy and industry alive in their absence. The spoils of war were great and America saw a great era of prosperity and domestic, suburban bliss. More interstate highways were constructed. Many more cars were produced and bought. It was a classic era for mainstream American culture in the 1950s. Yet in the haze of the suburbs, expansion of television, growth of Hollywood, and cars, present here were the seeds of rebellion and counterculture that was more indicative of the following decade, 1960s. One such seed is the poem

Century apart, Allen Ginsberg and Walt Whitman share similar cultural, political and moral values, which they express in their literary work. Whitman’s writing is considered controversial for the eighteen hundreds. He sets the stage for generations to come breaking way from the strict Victorian poetic tradition by writing in free verse. Ginsberg follows his footsteps when composing his poem “Howl” by writing in long lines almost resembling prose and subdividing the poem into several parts. Likewise, he uses numerous repetitions to achieve rhythmicity of his verse. Ginsberg’s poem is heavily influenced by Whitman’s philosophy. The works “Song of myself” and “Howl” are similar in ideas, structure and underling themes. The two authors protest against old traditions imposed on the individual by corrupt society, stand against conformity and put emphasis on the need for change. They identify with their generation and dwell on themes such as sexuality, religion and the state of American society.

Allen Ginsberg started his infamous life as a revolutionary and poet of the beat generation when he began attending Colombia University. While at Colombia Ginsberg met friend and mentor Jack Kerouac whom he would later join to form the School of Disembodied Poets. During his education at Colombia University Ginsberg started his highly political and opinionated poems, which would become his signature for the beat

Emotional Bullshit Or, Something More? “Howl” the explicit, “Howl” the horrendous, and “Howl” the banned. Howl by Allen Ginsburg is the everyday life of a man and his colleagues living in a time and place where they are plagued by the isolation of society. Ginsberg was born on June 3, 1926, in Newark, New Jersey, and later became a founding father of the “Beat Generation” with his poem "Howl." The Beat Generation was a group of writers post World War II who documented events and inspired a culture.

In Amy Newman’s “Howl”, she alludes to Sylvia Plath, an American female poet, who is acknowledged for her hardships as a outcasted female in the poetry world due to her oppressive marriage. Newman illustrates Plath as, “[a] star-spangled lost in her housebound Eden curse with orchards and a million gossipy daffodils, writing and nursing and not on the lists...” (Newman). In Allen Ginsberg’s original “Howl” he adverts to male poets he admires of his time, opposingly Newman emulates Ginsberg’s technique and alludes to a feminist iconic poet Sylvia Plath. Newman implements a biblical allusion referencing The Garden of Eden to depict Plath as a successful female poet who was metaphorically locked in her household; where a woman's place

In his second question, “America when will you be angelic?” the speaker asks America to be like an angel. The reference to angels can also be taken as a religious symbol or a symbol of peace and purity. This question is posed because the speaker believes that America is not pure and has no religious values or beliefs and therefore, needs to become pure and pious, hence angelic. Ginsberg’s diction in this verse also demonstrates the speaker’s frustration as if he has been waiting for America to “be angelic” and has been disappointed. Disappointment seems to be the cause of anger displayed by the speaker throughout the poem.

It is evident from the very beginning that Ginsberg is disillusioned with American society, and he is ready to turn his back on what he feels has been oppressing him. "America I've given you all and now I'm

Ginsberg’s work often represents a struggle for spiritual survival in a dehumanized, repressive society. This can be seen in his writing of “Howl”:

The form of Ginsberg’s poem challenges the American culture by resistance from “best minds”. Howl is separated to three sections that include long lines, which look like paragraphs. Resisting

Allen Ginsberg’s revolutionary poem, Howl, is a powerful portrayal of life degraded. It represents the harsh life of the beat generation and chronicles the struggles of the repressed. Howl is a poem of destruction. Destruction of mind, body, and soul through the oppression of the individual. Using powerful diction, Allen Ginsberg describes this abolition of life and its implications through our human understanding of abstractions like Time, Eternity, and self. The poem’s jumbled phrasing and drastic emotion seems to correspond with the minds of the people it describes. Ginsberg uses surprisingly precise and purposeful writing to weave the complex

There are many similarities between Whitman’s “Song of Myself” and Ginsberg’s “Howl”. Whitman’s influence can be noticed in Ginsberg’s work which range from a similar style of format, structure, a concern with the general population of America, and the impact that these two great writers had on the rest of the literary world. Another significant influence that Whitman has for Ginsberg is the fact that Whitman had been considered an outcast from the literary world of his era. Whitman appeared as a plainly dressed working man rather than a fancy high societal poet. His long winded style, free verse, and sexual exposure made Whitman stand out from the rest of the other poets. Ginsberg was also not accepted among the poets of his generation. His literary works were banned from the public’s eye. Another similarity was between the two was their subject matter. In the introduction of leaves of grass, Malcolm Cowley said, “Its subject is a state of illumination induced by two (or three) separate moments of ecstasy”.