Religious Laws In Antigone

Creon enforcing unreasonable laws with the consequences as death does not make him a good ruler. In this quote said by the chorus,” Only the crazy man is in love with death,” they are referring to what happens to whoever break the laws. It is Creon's prideful way of ruling the city of Thebes that such laws exist. He isolates his mind from others opinions. Creon does not care for what

Creon is a man who has just become the king of Thebes and has a flaw of having too much pride. He can’t control the power of being over other people and he lets the power go to his head. “ I now possess the throne and all its powers. No, he must be left unburied, his corpse carrion for the birds and dogs

Creon is a man of principles, who is devoted to the state as well as upholding the law in a dominant and control freak type of manner. Creon uses his first speech as a way to explain his ideas, expectations of the people, and his first law regarding the body of Polynices. Knowing the people of Thebes will disregard his word, he explains to the populace that, “Whoever places a friend above the good of his own country, he is nothing”(67). He brings up the threat of death due to the uncertainty of future rebellion and clearly states, “Our country is our safety”(68). This type of indoctrination starts from the head and trickles its way down to the people regardless of whether they want it or not. Bribery is another one of his major concerns. Knowing that corruption leads to dysfunction, rebellion, and torment, Creon poetically makes another law regarding, “Money! Nothing worse in our lives, so current, rampant, so corrupting… No limit, you make them adept at every kind of outrage, every godless crime-money!...

Creon orders the guards to take Antigone away not caring for his son's feelings, since she is his fiancée. Creon feels the law should stand despite the fact that Antigone was his niece or how moral her act was. "Bring her [Antigone] out! Let her die before his eyes..." (Scene 3, 130). This quotes shows that Creon took his position as king seriously to the point where in he was willing to sacrifice the feelings of his own son. He was willing to be the cause of son's destruction just to prove that he is the king and always right. "I will go... I buried her, I will set her free" (scene 5, 102,104). Not only does this quote show leadership but also stubbornness he was risking his relationship with his son to prove that he was the leader of Thebes. Creon says another quote which shows his loyalty to his kingdom, "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26). It shows his strong sense of leadership which catches up with him in the end causing destruction.

Standing for what you believe in and know what's right and wrong is important . In the play, Antigone, Sophocles demonstrates that through the conflict of the character. The play is a well-known tragic drama about the conflict between Antigone and her uncle Creon who is king of Thebes.Both character have different believes, idea and opinions regarding divine law and civil law. In Antigone the author Sophocles demonstrates the how important one's moral beliefs is, through the actions of the characters and how the beliefs impact the outcome of the play.The conflict between civil and divine law through Antigone and Creon, shows the important one's beliefs and how it impacts the outcome of the play. A reader can Identifying which law is more important in the play by looking at how the laws impact the characters and the outcome of the play. Both Antigone and Creon go at it expressing each others believes and whether one is right or wrong.Throughout the play civil law is more significant and powerful.

The play entitled Antigone was written by a man named Sophocles, a scholarly author of philosophy and logic. The play Antigone is probably one of the most prominent interpretations of a tragic drama. The two main characters of the play are Antigone and Creon. There is much conflict between Antigone and Creon throughout the play, both of them having their own ideas and opinions regarding divine law versus human law. The theme that I am going to analyze is the conflict of divine law vs. human law. The reason for this is because this theme seems to control the whole play. It is an issue of which law is the "right" law, and if Creon's and Antigone's acts were justifiable.<br><br>The play Antigone can be summarized by the following: King Creon

Furthermore, Creon going against the gods leads up to the tragic events which later take place and make him a tragic hero. Although Creon was the King of Thebes, he had no power to disobey the gods. However, despite knowing this, Creon defies the gods when stating that Polynecies will have no burial. In the article, “The Wrath of Creon: Withholding Burial In Homer And Sophocles”, the author confirms this when he states, “…Creon is guilty of overstepping the bounds of appropriate behavior for mortals, by presuming to give burial to one hero and deny to another the rights that are due to every mortal in the eyes of the gods, regardless of the circumstances of his death” (Shapiro 2).

Creon’s was used to being the hero of Thebes after repairing the damage Oedipus’ horrifying end had caused, now he was faced with an uncomfortable choice. Being the new reigning monarch of Thebes, his morals were centered around keeping himself monarch. As a result, Creon’s selfishness tipped his internal scales3 of what was just and what was not. His pride was so great that he not only refused to bury the revolutionary, Polyneices, but declared, “he’ll have no burial mound, no

Many people try to warn him and beg him to reconsider. First, Haemon tries to appeal to his father’s sense of reason when he says, “The gods have given men the gift of reason, greatest of all things that we call our own…do not feel your word, and yours alone, must be correct” (line 625). Creon, because of his pride, becomes furious with his young son for trying to teach him wisdom, and says, “One thing is certain: You are going to pay for taunting and insulting me” (line 709). Next, Tiresias comes to warn him that he “stands upon the brink of ruin” (line 918). But Creon refuses to heed his warning and accuses Tiresias of profiteering. Finally, after Tiresias’s doomful prophecy, the Chorus tries to change the King’s mind. At first Creon resists the advisement of the chorus by stating “To yield is bitter. But to resist and bring a curse on my pride is no less bitter” (line

Creon is first portrayed as a leader with rational laws and consequences for breaking them. But by the end of the play, Creon is a completely different character; he has let his excessive pride and hubris take over him. He doesn’t realize his change in character until it is brought to him through the prophecy of Teiresias, when it is already too late. Creon can be identified as a tragic hero because he shows great signs of stubbornness and pride. Considering he is the King of Thebes, he follows his rules and laws without listening to his citizen’s concerns, nor does he care about the gods wishes. His role as a hubris influences many of his choices, he believes in only his own thoughts and wishes. Creon abuses his power just because he can, without thinking of the consequences.

Before advancing to the throne, Oedipus had unknowingly killed Laius, his father and the king of Thebes. Shortly after killing the king, he married the dead king’s wife, his mother. He had committed incest by marrying and having children with his own mother. As a result he became father of Polyneices, Eteocles, Antigone, and Ismene. Oedipus stabs his eyes out and his sons, Polyneices and Eteocles killed themselves in combat, over the power of the throne. Creon was in the process of reconstructing Thebes from the ruins that his own family created. He also had to make a name for himself, after all the chaos the past rulers had made. If Creon did not set an example for civilians they would simply rebel. Creon was to stand firm by his word because no one is above the law, no matter who committed the act. In other words Creon was not a villain; he was the antagonist of Antigone. Imagine how biased Creon would appear to the Theban population if he did not pursue the punishment that he himself had instituted. In agreement to his law, Creon’s intentions were just. There’s no doubt about it, Creon’s law was harsh but when truly analyzing the situation, Polyneices was a traitor because he allied with other cities and attacked his homeland. Creon’s strong and steadfast attitudes were to support Thebes. But unfortunately, he was a little too late to understand that his fierce dedication to his decree was an error on his part.

Creon is characterized as an authoritarian tyrannical ruler. He created the law stating that nobody was to bury the body of Polynices because he betrayed the city of Thebes. Creon was right to make his law because Polynices was a turncoat and died on Theban soil. Although his law was harsh, he believed that he was in the right because a villain such as Polynices did not deserve a proper burial. Creon was especially enraged when Antigone disregarded his law because Polynices was her brother, “Oh but I hate it more / when a traitor, caught red-handed, / tries to glorify his crimes (Creon 552-554).”

In the drama Antigone, Sophocles considers the source of authority and power in society. When King Creon makes a law that forbids the burial of Antigone's brother, Polynices, she ignores the king’s authority, risks her life, and buries her brother out of loyalty to the gods. The situation leads to a conflict among the people of Thebes, Antigone, and Haemon. They must decide where their loyalty lies, and whose authority should take precedence, that of the king or that of the gods. While a number of views about the role of authority and power are expressed through characters such as Creon, Antigone, and Haemon, the drama seems to support the view that authority does not rest only with one person.

In literature, authors generally incorporate characteristics of humanity in their work in order to connect with the readers. For instance, the play Antigone, by Sophocles, is about a young girl named Antigone who is determined to give her brother, Polyneices, a proper burial after he and her other brother, Eteocles, die in battle. Antigone’s uncle, Creon, the heir to the throne, enforces an edict prohibiting Polyneices from being buried. In Ancient Greece religion was used as a means to explain things that were unknown or why certain things happen. Greek gods and goddesses set moral standards for citizens due to the punishments and consequences they had in store for those who were treacherous. Essentially, religion had a great impact on many aspects of life including politics, overall lifestyle, and the theater. These elements are present in Antigone because in Ancient Greece people went to oracles to reveal their futures and in the play Creon had an oracle give insight on his future, moreover, citizens, and finally, violence in the theater was seen as inappropriate and in the play there are numerous scenes that do not demonstrate violence.

He flouts religious law by refusing Polyneices a burial and then forces death upon Antigone by entombing her. The seer Tiresias chastises him for his hubris, telling him “you took one who dwells above and tossed her below/You reject a living soul and peopled a tomb with her./And you took one who belongs down there and kept him/here,/Untouched by gods, unburied, unholy, a corpse exposed” (Sophocles 46). If he was acting with proper reverence towards the power of fate and its embodiment--death--he would have allowed Polyneices to have a proper burial and cross over to the realm of dead, and he would have not taken control of Antigone’s fate by mandating her death. Tiresias further censures Creon, telling him “the dead are no business of yours; not even the gods above/Own any part of them. You’ve committed violence against/them” (Sophocles 46). Tiresias’ statement further crucifies Creon because he emphasizes the gravity of Creon’s crime by noting that not even “the gods above” have power over their fate of the dead. Creon allowed his hubris to guide him and asserted himself above even the