Rembrandt Impact On Art

Rembrandt Harmenszoon van Rijn is generally considered one of the greatest painters in European art history and the most important in Dutch history. Rembrandt was also a proficient printmaker and made many drawings. His contributions to art came in a period that historians call the Dutch Golden Age (roughly equivalent to the 17th century), in which Dutch culture, science, commerce, world power and political influence reached their pinnacles.

The Netherlands in the Seventeenth Century was the home of many famous artists, most notably Rembrandt Harmenszoon van Rijn, but also many lesser known artists such as Pieter Claesz.. Pieter Claesz was born in 1597 in Berchem (near Antwerp) Claesz moved to Haarlem in 1620 and lived there till his death in 1660. He is most associated with the Flemish and Dutch still life tradition and still lifes make up a vast majority of his work. His 1628 painting Still Life with a Skull and a Writing Quill is a prime example of the Still Life style called Vanitas, so named as the artist would attempt to display the vanity of materialism.

What is odd about the painting is that usually the face is masked during surgery, but in the painting it is not. I feel that Rembrandt did is because I feel that even though

Rembrandt van Rijn is known for his self-portraits and biblical knowledge. Rembrandt drew many self-portraits that time line his life changes and appearance. Dutch artist Rembrandt is considered to be one of the greatest painters in European history.

Rembrandt was also an artist who wished to depict art in a new manner. He is known for being a fashionable portrait painter. In paintings such as Bathsheba, Rembrandt uses classical ideas and studies from nature to achieve balance. He perceived old images in a new light, transforming them into "the light of human experience" (Cunningham and Reich 183). He used contrast between light and darkness, and rich textures in order to create depth and enhance the emotional power of the portrait. Just as Caravaggio did, Rembrandt created a path in art and others followed.

His early paintings had an unconventional, unique, and unfinished look about them. The images were known to everyone in everyday life.

Many of this pictures contributed to studies of various emotions, which were later used in his religious and historical paintings. The may have also been used to illustrate his command of chiaroscuro, or the use of light and shade without color. In one painting deep shadows cover his face, leaving his features almost unrecognizable. In Protestant Holland during this time, religious art was valued as not being important. Even so, biblical and religious subjects accounted for about one-third of his work. Drama, as part of the Baroque period, was fully accentuated.

Over his lifetime creating art, he produced many paintings, including his famous series of Madonnas, many works of art in the Vatican, all in addition to his work as an architect (Finnan, Vincent). His most famous works are his series of Madonnas and his large figure compositions in the Palace of the Vatican (Biography.com Editors). These were works of art he put an incredibly immense amount of work and skill into over the years, and it is an amazing amount of accomplishments when he only lived 37 years. Although he was younger and started in the shadow of Michelangelo and Leonardo da Vinci, he managed to become one of the most important artists of the Renaissance (BBC - Raphael - A Mortal God). As stated by Finnan, Raphael’s commissions from Pope Julius II lead to great achievement for him; The pope commissioned him to do some of his most famous works, including The School of Athens, Parnassus, and The Disputation of the Sacrament, and after this he was appointed the post of chief architect for Saint Peters although he had limited experiences. As has been shown many times over, Raphael proved himself to be determined enough to make many different amazing accomplishments. Frescoes, paintings done so that it is essentially built into the wall, were some of Raphael’s greatest works (Raphael). These were complicated to completed and made in cycles (BBC - Raphael - A Mortal God). The frescoes he made were a great achievement because, being built into the wall, the Pope showed great respect for Raphael. Pope Julius II commissioned more from Raphael than from any other artist (Raphael). When Pope Julius II died and was replaced by Leo X the commissions didn’t stop but rather became more intensive (Finnan, Vincent). Raphael’s experience with Julius II and Leo X did a lot of good things for Raphael and his career, giving him a lot of experience, especially with fresco paintings. Raphael became a very

Human development was making a BIG change to the artwork. Artists started to use perspective, and rich citizens were becoming interested, as well as the churches. When people started to buy art from famous artists the value of the painting increased severely. Pieters use of perspective helps to better understand how life was back

His artworks have a distinctive impact on the viewer, which makes them distinguishable among any other artwork of the time. His paintings had had a strong influence on the artists of the future.

The most common of these portrayed garments were the generic Berets that have now been typically associated with the common artist as a stereotype. Looking at the untitled self portrait of 1657 (Figure 1) you can see Rembrandt’s attention to detail and his persistence to achieve life-likeness. He has built up the wrinkled brow, the puckers of skin, in very detailed and effective passages of reddish colours. You can see the application of chiaroscuro in this painting which is obviously intentional as even his clothes, including fashionable beret, are dark to help with the distribution of light and dark with the focus being on his face. This self portrait is one I consider to be among his best. This work provides an insight into Rembrandt’s indifference to self-consciousness as you can see an aged, wrinkled man with a large broad nose and gray wisps of hair, all of which he has made no attempt to positively alter, he simply strives for realism in his works and finds no reason to alter the physical reality of his work for mere aesthetic purposes. It provides an insight into the culture of the time with the fashion state Rembrandt has depicted himself in as well as the common chiaroscuro methods used in the painting which were common for the culture or society of the time. The self-portrait of 1630 (Figure 2) shows how even from early in his career Rembrandt strove for realism in his works. You are once again struck by the honesty

As most people know Leonardo was a magnificent artist however some people don't realize being an artist doesn't always mean you're good at painting and drawing. Leonardo was originally brought to the Moor who ruled the duchy of Milan by music not art. The Moor became Leonardo's patron after Leonardo painted an altarpiece for the Church of San Francesco Grande. When the Moor decided to make a bronze statue of his father on horseback Leonardo stepped up to take on the task. Leonardo planned to make the horse first then make the rider separately and add it on later. He studied horses drawing the best the Moor had in his stable he also measured them even dissecting horses to make sure he had the plans just right. In 1493 Leonardo displayed his clay model that was full size. He still had to cast the enormous statue, which could prove to be the hardest part of making the sculpture. He invented a new way to get all the molten bronze into the mold quickly so it didn't crack when it cooled. When all the bronze required to make the statue (more than seventy tons) was gathered and the molds made the Moor used the bronze to make cannons. The would be eighth wonder of the world was never cast and when the French captured Milan in 1499 the soldiers used Leonardo's clay model for target practice. It eventually crumbled so even the model of the would be eighth wonder of the world is not around today. As an artist Leonardo also made three famous paintings. The Last

Rembrandt van Rijn was born on July 15, 1606 in Leiden, Netherlands. He came from a large family where he was the ninth child. His father was a miller and saw to it that Rembrandt had an excellent education. Rembrandt began attending the University of Leiden, but really wanted to study art. Eventually he left school to become an apprentice to the artist Jacob van Swanenburgh. He also was a student of the painter Pieter Lastman. Company Frans Banning Cocq and Willem van Ruytenburch , known as the Night Watch is a Rembrandt painting which dates from 1642. It is a company of the bourgeois militia Musketeers Amsterdam , Frans Banning Cocq controlled , leaving weapons of a building. This painting is in New Rijksmuseum in Amsterdam, which is

During the 17th century, especially after their break from Spain, The United Provinces of the Netherlands became the most prosperous nation in Europe by leading the world in trade, science, and art. Through the huge and one of the first art markets, art became a common household possession and allowed artists to freely express themselves, which is one of the evidential factors in three of the most universally admired artists of the baroque art era. Rubens, an influential Flemish artist of the Italian baroque scene, focused more on the works of the counter-reformation while the masters of the Dutch baroque art, such as Rembrandt, were in the heart of the protestant Dutch Republic. These three artists share similar artistic styles but yet have extremely evident differences and influences. The artists’ work also have a great portrayal of the historical and social impacts of the 17th century.

hi His primary contribution was the ready-made. The ready-mades involved challenging the idea on what is art by discharging in ways that provoke the viewer to