From the PATRIOT Act of 2001 that was signed into law by the former President George W. Bush, to the flags that fluttered in the front yard of every American’s house, the terrorist attack of September 11, 2001 brought the whole nation together for a single goal of fighting back terrorism and getting through the test that America was put to. Everybody’s loyalty towards the United States has been tested since then, and one cannot put aside Hollywood in this collective effort of this nation (Markert 58). The film industry’s reaction through the movies contributed the nation by bringing different ethnic, racial, social, and economical groups together and exposing them to loyalty and patriotism to one’s nation. Hollywood movies in the post 9/11 …show more content…
11 tragedy” (1) for the movie being uniquely wrapped around the theme of 9/11. "Seeing with the eyes of another, listening with the ears of another, and feeling with the heart of another." Someone who did get inspired from Alfred Adler’s above quote happens to be Paul Greengrass, the writer and director of the movie United 93. The point of view camera shots, staggering and making its way through, led the audience on board of the airliner, creating subtle lively feeling of presence on the plane for the audience. The United 93’s opening scenes do make the audience an iota suspicious about the Al Qaeda terrorists, in a civilian get up, reading Quran in Arabic, and plotting the course of their plan. In contrast, the passengers, from a senior citizen to teenager girls, from a Russian tourist to a business person, and from the pilots to hostesses, who will be soon boarding the plane, are shown limited to these facts of having a terrorist among their fellows by Greengrass. Everyday life of Americans can be distinguished by the camera shots that are cut between the clumsiness of the terrorists sitting among Americans, and all the rest of the characters engrossed in their usual work. This particular scene in the waiting room recognizes how the terrorists are “not” Americans, and it gives the audience a hint of exclusion and anger, which are secondary reactions of patriotism. One thing that Greengrass is cautious
They take the worst situations and turn them into learning experiences that bring the country together. They prove that “Terrorism has led to devastation-and unity” (Quindlen 5), and they show it by joining together and helping each other out after a terrible act of violence. Quindlen uses Ethos in order to convey a specific emotion to the reader. Whether patriotism or peace, anybody who reads her work grasps a new understanding of how America is still around. After 9/11, American citizens were not complacent and did not whimper about and complain.
The momentous tragedy that occurred on September 11th, 2001 has been engraved into the memories of United States citizens. What began as an ordinary day quickly evolved into an infamous horror story: thousands of lives had been taken and countless more had been devastated and ruined by the acts of terror. No one could have predicted what was to come, but no one would be able to escape the horrific and frightening news of commercial airplanes crashing into the Twin Towers and the Pentagon. As the terrified country anxiously fretted about the future, President George W. Bush delivered a speech to address the nation in order to soothe the tensions and worry. In George W. Bush’s “9/11 Address to the Nation,” the terrorist attacks on the U.S. are confronted with a speech overflowing with rhetorical devices such as parallel structure, imagery, and various appeals in order to inspire and heal the country.
Despite the several terrorist attacks on the World Trade Center, the Pentagon, and a field in Pennsylvania, America remained strong and united. In the speech “Address to the Nation on the Terrorist Attacks”, George W. Bush, addresses the terrorist attack of September eleventh to let the citizens know they can overcome a tragic and mournful incident by remaining unified and a powerful country. The primary audience are the citizens and the family members of the ones who had died or were involved in the incident. The secondary audience are the terrorists to let them know American’s are not scared and will stand together against them. Bush uses ethos, pathos, and figurative language to encourage the citizens to be stronger, united, and feel safe.
If there is one day I dread most upon its arrival, it would be 9/11. Sure there was an immense amount of strength as a nation represented, following the terrorists attacks, but it also brought a great amount of grief and sorrow. I remember watching videos of innocent people jumping from windows in the twin towers hoping to escape the terror. These people believed there was no one to help and no one to help them. They lost hope. In “Remembering a Hero, 15 Years After 9/11” written by Peggy Noonan, published in The Wall Street Journal on September 11th 2016, Alison Crowther—Welles Crowther’s mom—recalls the courageous actions to save the lives of others, made by her son on this horrific day. Noonan utilizes pathos, ethos, asyndeton, and
September 11, 2001 is a day that shook the United States to its core. Millions of Americans felt the pain, the loss, and the anger that came with the attack on their nation. It was a day of mourning, and when it comes to days of mourning it is difficult putting one’s pain into words. However, Leonard Pitts Jr. was able to move past the emotion. He put into his words, not only his own feelings, but the feelings of an entire nation. Pitts conveys the emotion felt after the terror attacks in his essay “Sept. 12, 2001: We’ll go forward from this moment” through his mournful, angry, and righteous tone.
In order to analyze Woody Allen’s post-9/11 Period, and how the events of September 11, 2011 play a role in it, we first have to take a closer look at the relationship between the filmmaker and the city of New York. Woody Allen, born in Brooklyn as Allen Stewart Konigsberg in 1935, is one of the filmmakers alongside Martin Scorsese and Spike Lee who present a very personal portrayal of the city. Unlike the other filmmakers, Allen’s New York is often criticized for not showing the real, authentic New York, with all its harsh and dreadful sites, but rather a romanticized wonderland of the white upper-class (cf. Curry 291). As Richard A. Blake notices about these New York filmmakers, “although they have been re-creating the city, the city has
The momentous tragedy that occurred on September 11th, 2001 has been engraved into the memories of United States citizens. What began as an ordinary day quickly evolved into an tragedy no one could have predicted: thousands of lives had been taken and countless more devastated and ruined by the acts of terror. Although unpredicted, the horrific and frightening news affected all. The four planes individually plummeted into their targets—two crashed into the Twin Towers, another struck the Pentagon, and the final hurtled into an empty field—eliciting a wave of panic throughout the nation. The jarring images of commercial airplanes hijacked by members of the terrorist group Al-Qaida managed to instill a fear. As the terrified country anxiously fretted about the future, President George W. Bush delivered a speech to address the nation in order to soothe the tensions and worry. In George W. Bush’s “9/11 Address to the Nation,” the terrorist attack orchestrated against the U.S. is addressed with rhetorical devices such as parallel structure, imagery, and various appeals in order to inspire and heal the country.
The obvious bias illustrated throughout Michael Moore’s film certainly does detract from the messages conveyed however when presented in the right circumstances it adds more value to the messages. The obvious bias leaves many people questioning the credibility of the director’s message as it doesn’t show the full spectrum of the situation, which is what documentaries are for, and ultimately this detracts the films message. However, in some circumstances the obvious bias brings more light on important aspects which should be acted upon thus adding more value the message being portrayed. Michael Moore has directed over 12 documentaries and a handful of them have been awarded with prestigious film awards. “Where to invade next”, “Sicko”, “Bowling for Columbine”, “Capitalism: a love story” and “Fahrenheit 9/11”, these are just half of the documentaries in which Michael Moore has directed. The purpose of a documentary is to present a nonfictional motion picture which aims to promote or
First off the basic overview of 9/11. The day is September 11, 2001. Just a normal day to everyone. The world is at peace. 7:35: Atta and al-Omari board American Airlines Flight 11. Five minutes later the rest of the Flight 11 hijackers board the airplane. 7:59: Flight 11, carrying 81 passengers and 11 crew members, departs from Logan International Airport in Boston, its destination being Los Angeles International Airport in Los Angeles, California. 8:14: Flight 11 is hijacked when hijackers Waleed and Wail al-Shehri rise from seats 2A and 2B and stab two flight attendants. Atta rises from seat 8D and approaches the cockpit. Within minutes, he is at the controls. 8:14, United Airlines Flight 175, carrying 56 passengers and nine crew members, also departs from Logan International Airport in Boston; its destination was also Los Angeles International Airport. Five hijackers are aboard. 8:19, Betty Ong, a flight attendant on Flight 11 alerts
September 11, 2000. Boom. Broken. These two words alone are enough to describe the date that is now 16 years behind us. To many, the day still feels like yesterday, and always will. Leonard Pitts is likely one of these people. Sitting behind a clunky desktop with trembling hands, a cluttered brain, and a shaken heart, the man was responsible for one task on the mere day after America was altered forever: finding the right words to say. All he had was his own words to give Americans what they needed at this very moment: unity. To do this, he directs his piece “We’ll Go Forward from This Moment” towards the ones that gave America this desperate need. However, through his acknowledgement of what happened and determination
September 11th, 2001 is now a date discussed in history lessons. While the post-9/11 generations may not have witnessed the changes of this tragic event, which rapidly filled every crevice of US society, they have an entire generation ready to narrate what they witnessed on and after that day. The expeditious reaction made a permanent mark on American culture.
The incident I am going to be talking about in this paper is the 9/11 incident and the communication challenges law enforcement agencies dealt with. We all know what happen on September 11, when a terrorist group al-Qaeda hijacked planes and crashed them into the world trade center. When the buildings were collapsing helicopters was flying around and giving warnings to the police and fire department on one of the building they were in was about to collapse. Most of the police officers in the North Tower heard those warnings and were able to evacuate (Sasso, 2015). But that information never reached firefighters, for a simple reason: Radio systems for the Fire Department, the Police Department, and the Port Authority Police were all incompatible with each other (Sasso, 2015). The reason why firefighters and the police department could hear or talk to each other was the technical problems with the radios did not go a long range. “As soon as they went five or ten floors up in the buildings, they couldn’t talk to each other,” recalls Chuck Dowd, who was the head of New York’s 911call center (Sasso, 2015). The communication was so bad that one of the firefighters had to call 911 instead of using his radio to call them to help another firefighter that was hurt due to know one can hear on the radio.
The terrorist attacks on September 11th affected more than the lives of those in the targeted cities. Nearly every American has felt the rippling effect in both subtle and obvious ways. Everything from what people are eating to the toys that are in demand has been altered because people's perceptions have changed. Though this country has always been considered a patriotic nation, its true colors had not shown in recent history until this tragedy. Now it is apparent that its colors are red, white, and blue. Despite the many negative aspects of the terrorist attacks, some of the changes that have happened in America have been for the better. How ironic for our enemies it would be if their acts meant for evil resulted in an overall
being played. The title is shown in the same way as in 9/11 but it is
Still not knowing the details, McLoughlin (Cage) asks for volunteers to enter the building with him.