Reminiscence By Elizabeth Jenning

Decent Essays
Throughout Elizabeth Jenning’s poem ‘Reminiscence’, she explores the changing nature of love and its transformation between childhood and adulthood. She indulges in the purity of love that exists within the simplistic aspects of children's lives as she discusses the loss of naivety during the ascendence into the complexities of adulthood. Demonstrating the innocence of childhood, Jenning’s displays a sense of freedom associated with their lack of anxiety and nuances. In opposition to such, adulthood is presented to confine Jennings as she deals with the concept of feeling trapped which results in her conflicting emotions that lead to a celebratory recollection of childhood ease.
Elizabeth Jenning's concludes that childhood affection is nothing
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Their curiosity, evidenced by their adventures guided by "senses" alone, reveals their capability to be free. Unlike an adult who seeks a materialistic reward such as a salary, a child's naivety keeps them satisfied with a prize they "could not touch." This implies they're content with the little, unphysical rewards offered from experience. Freedom is further portrayed with Jenning's use of enjambment across the phrase "did not seek to find Something they could not touch" which exemplifies the continuous stream of love offered to a…show more content…
Breaking the enjambement that symbolises the innocence of freedom, Jenning's use of a caesura after the line "did not seek to find something they could not touch," illustrates the cruelty of matured intimacy. Jenning's exposes her struggle to bear the complicated characteristics of the love she has grown to become familiar with as she discusses her difficulty "to whittle a pattern from the shapeless stony stuff." Her use of sibilance indicates that she despises the bitter disappointment she experienced with love as a grown woman. The harsh repetitive sound establishes the fact that adulthood continuously hurts her which is further reinforced by the noun "pattern." A pattern is a regular use of colour or imagery which reflects the cycle of childhood to adulthood, a sequence of changing love that Jenning's cannot prevent. A second interpretation to such would be the evidenced idea that Jenning's battles with the incapability to relate the soft nature of childhood love to the viciousness of adulthood. The connotations of a pattern are a beautiful childhood drawing which she cannot create out of the brittle nature of adulthood
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