Throughout Elizabeth Jenning’s poem ‘Reminiscence’, she explores the changing nature of love and its transformation between childhood and adulthood. She indulges in the purity of love that exists within the simplistic aspects of children's lives as she discusses the loss of naivety during the ascendence into the complexities of adulthood. Demonstrating the innocence of childhood, Jenning’s displays a sense of freedom associated with their lack of anxiety and nuances. In opposition to such, adulthood is presented to confine Jennings as she deals with the concept of feeling trapped which results in her conflicting emotions that lead to a celebratory recollection of childhood ease.
Elizabeth Jenning's concludes that childhood affection is nothing
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Their curiosity, evidenced by their adventures guided by "senses" alone, reveals their capability to be free. Unlike an adult who seeks a materialistic reward such as a salary, a child's naivety keeps them satisfied with a prize they "could not touch." This implies they're content with the little, unphysical rewards offered from experience. Freedom is further portrayed with Jenning's use of enjambment across the phrase "did not seek to find Something they could not touch" which exemplifies the continuous stream of love offered to a …show more content…
Breaking the enjambement that symbolises the innocence of freedom, Jenning's use of a caesura after the line "did not seek to find something they could not touch," illustrates the cruelty of matured intimacy. Jenning's exposes her struggle to bear the complicated characteristics of the love she has grown to become familiar with as she discusses her difficulty "to whittle a pattern from the shapeless stony stuff." Her use of sibilance indicates that she despises the bitter disappointment she experienced with love as a grown woman. The harsh repetitive sound establishes the fact that adulthood continuously hurts her which is further reinforced by the noun "pattern." A pattern is a regular use of colour or imagery which reflects the cycle of childhood to adulthood, a sequence of changing love that Jenning's cannot prevent. A second interpretation to such would be the evidenced idea that Jenning's battles with the incapability to relate the soft nature of childhood love to the viciousness of adulthood. The connotations of a pattern are a beautiful childhood drawing which she cannot create out of the brittle nature of adulthood
Through my understanding of the book, Homeward Bound by Elaine Tyler May explores two traditional depictions of the 1950s, namely suburban domesticity and anticommunism. She intertwines both historical events into a captivating argument. Throughout the book, May aims to discover why “Post-war Americans accepted parenting as well as marriage with so much zeal” unlike their own parents and children. Her findings are that the “cold war ideology and domestic revival” were somewhat linked together. She saw “domestic containment” as an outgrowth of frights and desires that bloomed after the war. However, psychotherapeutic services were as much a boom then as now, and helped offer “private and personal solutions to social problems.” May reflects her views on the origin of domestic containment, and how it affected the lives of people who tried to live by it.
All three of these works show the authors’ speakers’ experiences leading to their childhood innocence being stripped from them or otherwise crushed beneath the weight of reality. Cullen plays with the lightness of childhood innocence in the first quatrain. This is highlighted in line two “...heart-filled, head-filled with glee,” (Fader/Rabinowitz pg.
To be an ethnic American is a culture all on its own. Hunger of memory by Richard Rodríguez gives an insight into the rarely viewed world. A person that no longer falls into either category of family or American community. Such an individual is stuck between two worlds, in which two different cultures collide yet form a rift through family, language and education.
In Barbara Carey’s poem “Returning to the World,” a girl tries to get away from her troubles by isolating herself on the fire escape. The poem teaches us that in order for a person to understand their problems and become courageous, they must take a break from everything around them. Carey uses metaphor, imagery and personification to express this idea.
My mother, Lisa Dawn Hicks Kern, was born at Wadley Regional Medical Center, Texarkana, TX, on Sunday, June 15, 1969. Her father, James Kenneth Hicks, was 28 at the time of my mother’s birth; he was employed at Red River Army Depot as an electrical engineer. Her mother, Sharon Lee Clark Hicks, was 25 when my mother was born, at the time she was the home maker. My mother had an older sister who was a four year old toddler at the time of my mother’s birth. Kimberly Ann Hicks was born at Wadley Regional Medical Center, Texarkana, TX, on Monday, August 30, 1965.
Universal healthcare is known to be a luxury in most counties. However, in North Korea where the economy is continually struggling, universal healthcare is a disaster. The communist country has major commitments to education and healthcare which both failed once the economy crumbled. The health of North Koreans suffered dramatically with a declining economy because it created famine, malnutrition, absence of medication, and ultimately extremely limited healthcare. A recent documentary, called Inside North Korea, allowed a foreign physician to come in the country and perform cataract surgery to countless individuals. This physician was needed to not only to bring modern surgery equipment, but also education North Korean medical professionals
Harwood explore ideas concerning childhood innocence and experience through her poems, reflecting her deep interest in philosophy and the human experience. As a young contemporary reader, Harwood’s emphasis on the importance of childhood memories is particularly resonant, evoking the audience to reflect upon their own naïve recollections. This is also supported by the critic Hoddinott who stated that within Harwood’s body of work, “dreams of childhood have a particular power…perception of the truth with fear of the unknown” is also evident in “The Violets” where the importance of memories is explored as a reflection on an individual’s growth from naivety to experience. Harwood uses the rhetoric “Where’s morning gone?” in recognition of the carelessness exhibited in childhood
Childhood is portrayed as a time of safety that is often looked back upon with nostalgia from an adult perspective. Monosyllabic words are used to show the simplicity of childhood life, for example in the line “the thing I could not grasp or name”. The ‘spring violets’ are ‘in their loamy bed’ and are no longer frail and melancholy, and the memory takes place on a ‘hot afternoon’ in contrast to the ‘cold dusk’ that represents the present. Childhood is represented as a joyful, vivacious time in one’s life, and the value of a stable family life is conveyed. The unexpected integration of Australian vernacular in the line ‘it will soon be night, you goose’, adds a sense of freedom and relaxation to the otherwise formal discourse and more rigid structure of the poem, once again reflects the simplicity and innocence that is associated with childhood. The use of
Stephanie Coontz is a teacher, historian, author and a scholar activist. She has also very indulged in the world of public debate on families, this mostly due possible because of her extensive skills to study modern families as well as historical patterns. In her book The Way We Never Were, Coontz presents a historical look at the family and how it has changed over time. Her interest in the subject comes for her need to understand how families functioned in the past and present, and what lead to notion and definition of family nowadays.
Nothing to Envy by Barbara Demick provides insight into the lives of North Korean defectors while in North Korea. Their accounts give inside information about the North Korean regime which makes it possible to analyze to what extent society was an egalitarian utopia. The interview reveals that people were discriminated by social class as evident by those who were richer, and thus in a higher social strata, having more opportunities for success. There was also economic inequity which was apparent by people having different degrees of struggle. However, the problems North Koreans faced was similar, which showed there was some equality from their struggles. Overall, the interviewees give accounts which contradict the idea that the North Korean regime was promoting egalitarianism through their accounts which give counterexamples regarding social class and economic status, so their claim of egalitarianism is mostly false.
Morley Callaghan supports the theme of growing up in “All the Years of Her Life” through the characterization of Alfred transitioning from childhood to adulthood. Specifically, Callaghan uses dialogue to characterize Alfred as untrustworthy. In paragraph eight, Alfred exclaims , “This is the first time i ever took anything.” Alfred continues to lie even though he was caught “red-handed.” His ability to take ownership of his action highlights his immaturity and needs to become an adult.
Gwen Harwood’s poetry endures to engage readers through its poetic treatment of loss and consolation. Gwen Harwood’s seemingly ironic simultaneous examination of the personal and the universal is regarded as holding sufficient textual integrity that it has come to resonate with a broad audience and a number of critical perspectives. This is clearly evident within her poems ‘At Mornington’ and ‘A Valediction’, these specific texts have a main focus on motif that once innocence is lost it cannot be reclaimed, and it is only through appreciating the value of what we have lost that we can experience comfort and achieve growth.
The poem “Mothers and Daughters” is written by Pat Mora. Pat Mora is a contemporary award winning writer, who writes for children, youngsters and adults. She was born in El Paso, TX in the year 1942. She attains a title of a Hispanic writer; however, the most of her poems are in English. In her literary work, one can observe the different aspects of the immigrants’ lives such as language issues, family relationships, immigrants’ experiences and cultural differences (1187).
Literature is defined as written works published on a particular subject. Literature can also be viewed as witness, because it can be a source of proof based on the events it was written on. Literature as witness allows readers to get a deeper understanding of the issues that have happened based off of what the books are about. Those who read literary texts such as historical novels, memoirs and novels are witness to historical events. These texts can be viewed as witness because the events mentioned are based off of true life events. Some may argue historical fiction is not real and therefore could not be viewed as a reliable source. Even though historical fiction is made up of fictional characters, the conflicts that are mentioned are based
Childhood memories serve as significant elements within Elizabeth Bishop’s poetry. Elizabeth Bishop illustrates childhood as an innocent and cherished entity. External factors, such as death and loss, jeopardize the fragility, or naiveté, of childhood. Bishop’s poetry highlights the brevity of life through the reappearing subject of mortality and loss. The reoccurring themes of childhood, grief, and transience are prevalent within the poems “First Death in Nova Scotia,” “Sestina,” and “In the Waiting Room.”