René Magritte Essay

In Gustave Caillebotte’s painting, he uses a wide range of colors too, but these are more vibrant. The viewer is enticed to see themselves in the in the painting as there is an empty waiting to be occupied. The method of his

The media used is oil on canvas. The size 97.8 cm x 131.5 cm ( 38 ½ in x 51 ¾ in.) In this painting, there are two dogs Misse, the white dog and Luttine, the black furred dog. Here we can see Oudry’s love for animals. He painted this for Louis XV. In this painting these two dogs are probably playing with each other in an outside environment and their names are under each dog. Oudry uses elements of art such as texture and shape. The dog's fur are depicted by soft lines used by Oudry. He also uses shape to show objects and represent what they are. For example, in this painting, we can see that the pillar behind these two dogs are made up of a cube and a cylinder on top to show that it is a pillar. Oudry also uses principles of art such as proportion and emphasis. Here, we can see that both dogs are about the same size to show than either of them are the weak or stronger one. He also uses emphasis on the dogs to show that this painting only focuses on the dogs and the background objects are not as emphasized because of their size or positioning in this

Born in 1840, Claude Monet began to show promise in the arts as a young boy. Although discouraged by his father, Monet made enough money to support himself through art school by selling caricatures. At the age of 15, Monet’s name, amongst the people, became well known for his talent. Although he never finished school, he established himself and initially chose to concentrate his paintings on still life. His first large work, “Dejeuner sur l’herbe”, however, would not depict the scenes for which he would later be known; for example, his landscapes and sights from his garden at Givenchy. He started painting scenery as a result of the influence of a co-worker named Boudin. While at Givenchy, Monet is captivated by his garden. He spends the remainder of his life there and paints his Japanese footbridge a great many number of times.

By the time he was seventeen, Monet was already making money from his work and had won a local reputation as a caricaturist. Skillful and amusing, his caricatures were displayed in the window of a local frame maker, Monsieur Gravier, where they drew crowds of appreciative viewers. Gravier also displayed paintings by the landscape painter Eugene Boudin, who was an old friend of his. Monet's development of friendship and informal tutelage of Boudin proved to be formative for Monet's future direction as a landscape painter. (Gordon, 38)

     Post Impressionism, as the name would suggest, is the art movement that directly followed Impressionism. One artist, who led the Post Impressionism movement, was French artist, Paul Cézanne. Much of his early work was pure Impressionism and, although he was introduced to the style and guided by Camille Pissarro, Cézanne's works showed a distinctive uniqueness. Cézanne broke away from Impressionism because of the lack of composition; he felt the desire to depict subjects in the third dimension as well as appearing flat. Cézanne did not agree with the Impressionistic trait of portraying the world through light, instead, he built up images by a generous use of colour.

Giorgio De Chirico’s art can be viewed one that evolved tremendously over time. However, his artwork portrayed a number of characteristics and traits that differentiated them from the works of other artists in his time. This is probably why his art remains a puzzling factor to many from the 20th Century to date. A wide use themes and concepts can be seen in a number of his works. He has played a huge role in shaping the surrealist works of art.

One day in 1893, Pierre Bonaire strolled on the streets of Paris. Many years later, he will be the post-impressionist Zongjiang, founder of the Nabi School of painting and the world, but then, he was just a 26-year-old solo painter. In the street, he helped a girl cross the road, and then occasionally began to chat: she said he was 16 years old, called Mardel de Mellini, first came to Paris, working in the flower shop. Later she became Bonnard's model, and then naturally become the lover of Bonnard.

The artist’s past can easily be understood due to the fallen Greek-Roman looking architectural structures found lying in front of the sitting man. These kind of constructions weren’t common in mid 17th century France, unlike ancient Greece and Rome. A. Daniel Frankforter, and William M. Spellman, in their book “The West: A Narrative History, Volume Two: Since 1400 (3rd Edition)” states that “Excavations at two buried Roman towns near Naples, Herculaneum, and Pompeii, fascinated the reading and traveling public and became “must see” for aristocratic gentlemen making the “grand tour” of Europe’s cultural sites.” (494). I believe that the artist had to personally experience the “grand tour”, because only a strong familiarized individual could successfully revive classical Greek and Roman characteristics and fuse them together with several other styles into one marvelous piece

Charles Le Brun transformed standards of painting in France by changing the education of artists in the French Academy. This created a ripple impact for future artists growing up and learning in that French Art Academy. Courtright wrote about the changed in French art along with politics, and during this new reformation of art and the rise of Louis XIV changing art standards for himself. This political impact influences Charles new style and how he approached artwork going into his career. One of his earlier models during this time was Phillippe de Champaigne who worked on oil paintings like Charles, and took inspiration from artists like Raphael. His artwork “The Dream of Joseph” demonstrates his influence from high Renaissance paintings,

A vast amount of his lifetime was devoted to the creation of his world renowned pieces of artwork. Ross states, “It was the beginning of a career that was to result in more than five-hundred drawings and over two-thousand canvases”. Two-thousand is an enormous number considering it was the number of canvases Monet had completed instead of drawings. That is pure evidence of not just Monet’s love for art but, specifically his passion for painting.

This art school focused on traditional techniques of artistry, which were not interesting to Magritte. This caused him to lose interest in art for a while until a fellow student introduced him to the new and upcoming styles of Futurism, Cubism, and Purism. Art critics say his early works were influenced by Cubists Jean Metzinger and Fernand Leger. Magritte would only identify as a surrealist when he saw the work of Giorgio de Chirico. As Magritte developed his own style and came into his own as an artist, he became more well known. In fact, many of his more well known pieces, including The Son of Man, The Listening Room, and The Blank Check were painted during the latter portion of his

Rene Descartes most known for his saying "I think, therefore I am.", can be described as a French mathematician, scientist, and a philosopher. He was born in France on March 31, 1596 and he died in Stockholm, Sweden on February 11, 1650. His parents were Jeanne Brochard and Joachim Descartes. His mother died before Descartes' first birthday. His father was a council member who had no time for his family and therefore sent Descartes and his siblings to live with their grandmother (Smith). However, Descartes' father was obsessed with his children receiving a thorough education; therefore, he sent Rene Descartes to a boarding school at the Jesuit college of Henry IV when Descartes was eight years old. It has been speculated that while Rene Descartes

Claude Monet was born in Paris in 1840 and would become known as one of France’s famous painters. Monet is often attributed with being the leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill. Eventually “Monet began to accompany [Eugène] Boudin as the older artist . . . worked outdoors, . . . this “truthful” painting, Monet later claimed, had determined his path as an artist.” Monet’s goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the landscape impressionist style. William Seitz supports this statement through his quote, “The landscapes Monet painted at Argenteuil between 1872 and 1877 are

The movement spread and soon there were surrealist groups cropping up in the metro areas of the world. It was around this same time that Rene Magritte was shown a painting by Giorgio de Chirico and soon became member of the surrealist group. Today, the name Magritte has come to be synonymous with Surrealism. It may have been that Magritte felt attraction to the surrealist movement because of its ability to convey an idea with great eloquence as well as its focus on the deeply meaningful rather than the superficial. His statement about the works of Giorgio de Chirico supports this

The famous Belgian surrealist artist “Rene Magritte” was famous for his everyday imaginary and interesting graphics.