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Renaissance Chapter 12 Summary

Decent Essays

HUMN 1101
Group Leader Shakela Andrews Hayat Ali
Group 1
Chapter 11 and 12
CRN 20654/Online
Chapter Eleven and Twelve The term "Renaissance" comes from the Renaissance. Several Italian intellectuals of the late fourteenth and the early fifteenth centuries used the term rinascità ('rebirth ) to describe their own age as one in which learning, literature, and the arts were reborn after a long, dark Middle Ages. The approach here is that the Renaissance began in Italy about 1350 and in the rest of Europe after 1450 and that it lasted until about 1620. It was a historical era with distinctive themes in learning, politics, literature, art, religion, social life, and music. In the view of the humanists, the painter Giotto (d. 1337) …show more content…

And also The Canterbury Tales is a collection of 24 stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. The fourteen the fifteen century of Art, Architecture, and Music, Nicola Pisano (ca. 1220–1284) and his son Giovanni Pisano (ca. 1250–1315) were Italian sculptors during the Gothic age who developed a Classical- influenced style of sculpture known as Proto-Renaissance. The remodeling of the east end at Gloucester Cathedral was carried out between 1331- c.1355 and arose from the burial in the abbey of King Edward II. The young Edward III wanted a more fitting burial place for his royal father and provided the royal masons to carry out some experimental work in the French “Rayonnant” style. The South Transept at Gloucester Cathedral is the earliest surviving example of English Perpendicular …show more content…

It was executed by Sluter and his workshop in 1395–1403 for the Carthusian monastery of Chartreuse de Champmol built as a burial site by the Burgundian Duke Philip the Bold just outside the Burgundian capital of Dijon, now in France. And Brunelleschi was the father of Renaissance architecture and the most prominent architect in Italy, during his lifetime. The other thinning the Battle of San Romano is a set of three paintings by the Florentine painter Paolo Uccello depicting events that took place at the Battle of San Romano between Florentine and Sienese forces in 1432. They are significant as revealing the development of linear perspective in early Italian Renaissance painting, and are unusual as a major secular

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