Renaissance: Impact on English Literature

The Renaissance (meaning rebirth) took place in Europe during the period between 14th and 17th century. The epicenter of this movement was Florence, Italy. The Renaissance influenced: the arts, music, literature, politics, religion, technology, and society. The Renaissance was the key in the development of Western Civilization.

One of Andrew Marvell’s techniques was metaphysical poetry, e.g. ‘vegetable love should grow’ and things contrasting between the physical and spiritual.

Mr.Green says that the Renaissance was the rebirth after all the terrible things that happened throughout the dark ages of the 14th century Europe. The Renaissance happened during the 15th and 16th century in Europe but mostly in Italy. It supposedly ushered Europe into the modern era of rationality, secularism, and individualism. The Renaissance

The Italian Renaissance was one of the most colorful, vital, and exciting times in history. Renaissance eventually comes from the French word "Renaistre," meaning "to be born again." The Renaissance was a revival or a rebirth of cultural awareness and learning among art, law, language, literature, philosophy, science, and mathematics. This period took place between the fourteenth and sixteenth centuries. The Renaissance in Italy flourished in the 15th century and spread throughout most of Europe in the 16th century.

The poem’s stylistic value comes from its lack of a complete, overbearing structure. Whereas a strict meter would inhibit a poet from fully expressing the breath of their emotions, using the words they feel are best suited to their meaning, the loose, almost free-verse Anglo-Saxon structure allows for the poet

The renaissance, meaning 're-birth', was a time of reformation of culture to the ideals of society. The people of the time, tired of the war and fear during the Middle Ages, looked to the ancient Romans and Greeks for direction in civilized life. As the Renaissance progressed, the purposes and values of education experienced major reformations.

Renaissance is a French term meaning rebirth or revival. Renaissance period in the history of Europe starts from the beginning of 15th century to the end of 16th century. The Renaissance manifested the transitional phase from the medieval ages to the modern era. It was a time of social and cultural changes in Europe. It is believed to be the beginning of the modern world and hence the new phase of the political system arrived. Along with society and culture, politics also changed.

The Renaissance was the period following the Middle Ages in Europe that emerged in Italy in the late 14th century lasting until the late 16th century. Renaissance, meaning rebirth, had and continues to have an origin that is unknown to most. This

The Renaissance was a period in history following the Middle Ages in which a “rebirth” occurred. This rebirth refers to the increase of interest and emphasis on culture and learning that characterised this era. Art, music, philosophy and other aspects of European culture were embraced and strived in this period, which was unlike the Middle Ages that had just come to an end. This created a clear contrast between the Middle Ages and the Renaissance period. It started as a cultural movement in Italy and then spread to the rest of Europe rather quickly, due to the creation of the printing press. This period is looked at as a great and prosperous time in human history, and it is believed that the people of the time lived rather good lives and were

Often poetic creativity (playing with the sounds and structures of a language) are associated with literary language – that found in poetry and other forms of literature

The Renaissance was a rebirth of the ideas of ancient Greece and Rome that began in the City States of Italy during the 14th century. The cultural resurgence began a new style of living in Europe after the horrors of the black death, and is seen as the beginning of the culture of the modern world. As Wassace K. Ferguson put in his book The Renaissance, the Italian artists grew tired of the darkness of Medieval Times and began to turn to the brighter times found in the classical ages (Doc 7). The Renaissance served as the evolutionary bridge between the Middle Ages and the 17th century through art, education, and religion by bringing a rebirth of the ancient Greek and Roman classics that would later define the world’s culture, while continuing the underlying beliefs of Medieval Times.

The Renaissance was a time of “rebirth” and a transition from the medieval time to the Early Modern World. It emphasized human beings, their achievements, interests, and capabilities. This time period was a “gateway” to the modern world and was essential for the improvement of human life. At the time there were two main Renaissances, the Northern, and the Italian.

“The relationship between the energies of the inquiring mind that an intelligent reader brings to the poem and the poem’s refusal to yield a single comprehensive interpretation enacts vividly the everlasting intercourse between the human mind, with its instinct to organise and harmonise, and the baffling powers of the universe about it.”

Metaphysical poets use startling juxtapositions in their poetry to create a greater significance in their arguments and intended meanings throughout the poem. John Donne is said to be the unsurpassed metaphysical poet, metaphysical poetry being poetry relating to a group of 17-century English poets whose verse is typified by an intellectually arduous style, admitting extended metaphors and comparing very disparate things. In 17th century England new discoveries were being made and social customs such as men being the dominant over women still applied. Through Donne’s poetry we can see that he is goaded and confused by the new discoveries and the social customs avert him from reaching his desires. This is incalculably recognized in his

When reading T.S. Eliot’s critical comment, “It is to be observed that the language of these poets is as a rule simple and pure,” one might assume that he was referring to the Romantics (Eliot 2328). Specifically, we could apply this statement to poets the ilk of Wordsworth, who eschewed poetic affectations and “tricked out” language for sentiments that originated and flowed naturally (Wordsworth 270). Yet Eliot hadn’t focused his critical eye there, this time. Rather, he squinted a century back to a lesser-referenced literary group, the Metaphysical poets (Eliot 2328). That the Metaphysical poets and the Romantics share a characteristically simple/natural diction is important. While they are undoubtedly