Renaissance Influence

In the next paragraph Alessandra mentions that she saw Mona Lucrezia di Piero had sent him a nice letter for thanking him for the flax that he sent to her. Alessandra then says she should reward him with kind words about Filippo to Piero. This is basically saying that Alessandra thinks Mona should put in a good word for Filippo. This shows us just how much power the Medici family had during this period. In the last paragraph, Alessandra mentions that two

Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works that were influenced by the greats? These artists hold just as much importance in the history of art as do the artist’s whose names can be recalled off the top of an average person’s head. During the sixteenth century things began to change in the art world, and that change was the Baroque. This new style of art brought a revolution to how subject matter was painted, it brought upon “… a radical reconsideration of art and its purposes…” (249) and how artists of all ranks could learn to paint the up and coming style of Baroque.

While researching many online sources about, The Medici family and specifically Lorenzo de Medici, I found several sites that had help me further my knowledge and understanding of Lorenzo de Medici and why he was influential during the Renaissance time period. I could not find all my information strictly on one sight because Lorenzo de Medici had many different fields of work and personal things that he had invested his time into to only find it on one source. Many of these sources often placed an emphasis on Lorenzo de Medici’s life and not what he would be remembered for. He has contributed so much to the culture and development of Florence and will forever be remembered as “Lorenzo the Magnificent” for a reason. He was a strong leader and

Lorenzo De’Medici, fabulously wealthy, brilliant statesman and equally brilliant patron of the arts. He was quite possibly the greatest single contributor to the Renaissance and it’s fabulous wealth of art. His and his family’s patronage of the arts, amounting to hundreds of thousands of florins allowed artists such as Botticelli, Michelangelo and Leonardo to flourish and thrive, creating some of their greatest works with Medici money. Lorenzo was heir to one of the great fortunes of late medieval Europe, through his family’s ownership of the Medici bank. His grandfather, Cosimo enhanced the bank’s power to its apex and its wealth was declining when Lorenzo came to power, but it was still an immensely wealthy organization. Lorenzo assumed unofficial

In 1296 Ardingo de Medici elected as Gonfaloniere was the first person from the Medici family who held a high public officer rank. In the next 30 years two more members of the family held the rank again. Salvestro de Medici was the person who returned the Medici’s to prominence after the family went through a decline for a short time period afterward. In 1370 and 1378 he held the office rank of Gonfaloniere. The “Ciompi” was a popular mob which was the reason on the basis of which Salvestro rose to power. Salvestro lost his political fortunes simultaneously with the fall of Ciompi. The family's economic status increased and the family became an economic power due to Giovanni which was indeed equivalent to a political power in the Florentine

Take a moment to visualize how drastically different your life would be in a feudalist society where the nobles rule over the vast majority of the population. Even into the Renaissance, this prevalent societal structure still existed with the elitists in control. However, there are several factors that contributed to the demise of feudalism. One of these factors ironically being a powerful family of bankers. Arguably the most prosperous family leading up to and throughout the renaissance, the Medici’s widespread influence changed countless aspects of life that we still benefit from today. Even though the Medici family were wealthy bankers who controlled governments and economies, history tells us the Medici family had a positive influence over the entire Renaissance because they funded renowned artists and artisans associated with the Renaissance, supported education, and enabled the merchant class to rise out of poverty through civic virtue and advancement of the capitalist system.

The Medici Family was only responsible for the beginning of the Renaissance but they generated an impact that carried on as seen throughout the late 1200's when Florence established a republican form of government, leading the Medici family to become a powerful banking family. A family born in Florence who rose themselves to political power and influenced the Renaissance in a cultural and artistic way. They were recognized and famous but the 13th century because of their success with banking.

With Giovanni’s death in 1429, there were those who tried to capitalize on the opportunity to displace the Medici family from its place in the social and political landscape of the time. One such opportunity was taken with the help of a wealthy rival, the Albizzi family, who put in motion a plot to have Giovanni’s son, Cosimo de Medici, arrested on accusations of treason and banished to Venice. This did not happen without consequences. With Cosimo’s exile he took with him a large source of Florentine capital, the Medici Bank. The Pope intervened and restored the Medici’s to power. Thus began Cosimo’s restoration of Florentine pride and the support of great artists that many admire today.

The portrait of Lorenzo symbolizes the power and significance of the Medici family throughout Florence and beyond. This solemn yet prestigious painting of Lorenzo the Medici, the father of the renaissance, thus, could be seen as a propaganda piece by Vasari, as he tries to depict the importance and supremacy of the Medici to the world.

The Medici family was also one of Botticelli’s greatest patrons that is why we find the whole Medici family portrayed in this painting. Interestingly, at this period, patrons commissioned portraits to present them in a most favorable light such as figures from mythology or the Bible. For example, Medici family is presented in Botticelli’s Adoration of the Magi as figures from a biblical scene that shows their faithfulness and devotion as Christians.

The Medici could be regarded as the very first inveterate collectors of great modern art, with their complicated emotions involved, such as their guilt, ambition of authority, and sexual lust. In the end, the Medici did not only collect paintings and sculptures; they had changed the very nature of art itself. Art had been transformed from serving Christianity to personal collecting purpose. Francesco I de’ Medici’s Studiolo could be marked as a sign of art as personal preference rather than being used on other larger perspectives. Following up his father Cosimo de’ Medici’s artistic projects, Francesco has led them to a ultimate conclusion and a glorious beginning. According to the name of Studiolo, we could infer that this is a place

Although there are many controversial views in the area the Renaissance had the greatest impact, it is evident that the art was fundamental to further advancements. We believe that the following information clearly, gives our opinion on how the Renaissance impacted art more than literature, music etc. Some may say that the Renaissance had a major development in astronomy, humanist philosophy, the printing press, vernacular language in writing, world exploration, etc. however, according to the video “Renaissance Art” by Discovery Education, the city of Florence had money and wanted people to know, therefore people started to sculpt. This shows that the Renaissance impacted art more than other areas because it obviously was an important factor in the outcomes of the Renaissance by providing

The Medici could be regarded as the very first inveterate collectors of great modern art, with their complicated emotions involved, such as their guilt, ambition of authority, and sexual lust. In the end, the Medici did not only collect paintings and sculptures; they had changed the very nature of art itself. Art had been transformed from serving Christianity to personal collecting purpose. Francesco I de’ Medici’s Studiolo could be marked as a sign of art as personal preference rather than being used on other larger perspectives. Following up his father Cosimo de’ Medici’s artistic projects, Francesco has led them to an ultimate conclusion and a glorious beginning. According to the name of Studiolo, we could infer that this is a place for collecting and displaying one’s rare, precious curiosities. The Studiolo was commissioned by Francesco I de’ Medici, who also known as the Grand Duke of Tuscany. Being different from his ancestors, Francesco was only interested in searching bizarre and fascinating art pieces for his own eyes. Francesco was obsessed amassing exotic objects for his whole life. Thus, he has built himself a private chamber to store his own collections. The death of the republicanism brought a turning point for the Medici in 1532. In 1564, when Francesco’s father, Grand Duke Cosimo, the First handed over control of the government to him, he became the prince regent. Though “Francesco I de’ Medici has not played a highlighting role in the history, and even

To a moderate family,(moderate means in the banking business). Rival roman painter Raphael tried to steel some of his work. Michelangelo was great person and a member of the ninja turtles. And the work that he provided just for other people

Isabella d’Este was a patron of the arts who had a very well educated and privileged upbringing that contributed to her dexterous lifestyle. She grew up in an environment where she could thrive as a politician or a patron of the arts because of her outstanding education. Isabella’s parents believed that all of their children should be educated equally and should each be given the same opportunities. She was lucky because many women during the Renaissance were not educated Her parents are the main reason she was such a successful woman in the Renaissance. As well as being a patron, Isabella d’Este was a political figure for some time. While her husband was in prison, she had to perform his job. While her husband was in the military, Isabella used her resources to broaden the stature of Ferrara. She was able to become not only an artistic figure but a political one too while she was doing her husband’s job. D’Este was a noble figure for many and influenced many different aspects of the Renaissance. “Isabella d'Este, a notable patron of the arts and collector of antiquities, established the first known studiolo (study) created for a woman.”. Isabella d’Este had interests in many different aspects of the rebirth of Greco-Roman cultures, such as art and antiques as well as politics, which all had some influence on the overall spirit of the Renaissance. d’Este was very passionate about what she did and was excited that she could share that with the world. Isabella d’Este