Renoegro Orchestra

The music concert this review covers is the Plano Symphony’s rendition of the Beethoven’s Choral Fantasy in C minor and Symphony No. 9, The Choral, in D minor. The concert was held at a church in April 16, 2016, and it was a sold out performance. Since it was a night simply dedicated to Ludwig van Beethoven, the symphony titled the concert as “Best of Beethoven.”

The concert performed by the Allen High School Symphony Orchestra, which combines the Chamber and Sinfonia Orchestras, was an amazing concert but was not a flawless one. The pieces all sounded quite wonderful on the outside, but by diving deeper into the music and truly listening to and observing the performance with a sharper eye, there were some problems that appeared in a couple different areas, and those problems came mainly from three distinct areas: tone, technique, and musicianship.

On April 11, 2014 The Florida Orchestra performed Wolfgang Mozart’s Symphony No. 28 in C major, K, 200, David Diamond’s Symphony No. 4, and Johannes Brahms Quartet No.1 for Piano and Strings in G minor at the David A. Straz Center for the Performing Arts, Ferguson Hall in Tampa, Florida. Gerard Schwarz, guest conductor, led the Florida Orchestra for each of the compositions. According to The Florida Orchestra Program the list of performers for the violin is Jeffrey Multer, Nancy Chang, Jeffrey Smick, Lei Liu, Sarah Shellman, Lucas Guideri, Valerie Adams, Toula Bonie, Saundra Buscemi, Mary Corbett, Linda Gaines, Oleg Geyer, Cynthia Gregg, Linda Hall, Yan Jiang Lu, Evelyn Pupello, Claudia Rantucci, and Virginia Respess. The list of performers for the viola is Ben Markwell, Kathie Aagaard, Karl Bawel, Lewis Brinin, Alan Gordon, Alison Heydt, Kenneth Kwo, Warren Powell, and Barbara Rizzo. The list of performers for the violoncello is James Connors, Lowell Adams, Rebecca Bialosky, Alfred Gratta, Gretchen Langlitz, Laura McKey Smith, and Merrilee Wallbrunn. The list of performers for the bass is Dee Moses, John DiMura, Roger Funk, Alan Glick, James Petrecca, and Deborah Schmidt. The list for performers for the flute is Clay Ellerbroek, Daphne Soellner, and Lewis Sligh. Lewis Sligh was the only piccolo performer. The list of performers for the oboe is Shawn Welk, Lane Lederer, and Jeffrey Stepehenson. Jeffrey Stephenson also performed during the night playing the English

On Friday, February 12, 2016 at 7:00 p.m., the Division of Music at Bob Jones University presented the Symphonic Wind Band and performed five pieces. The performance in Stratton Hall at Bob Jones University was a highlight of the European Travelogue, directed by Dan Turner. The program included A Moorside Suite by Gustav Holst; Three Revolutionary Marches by Bedrich Smetana; Spring: Overture for Wind Orchestra by Johan de Meij; Galop, from Genevieve de Brabant by Jacques Offenbach; Ile-de-France from Suite Francaise by Darius Milhaud; and Danceries by Kenneth Hesketh. Each piece was concluded with eager applause and praise.

Auer, Leopold. Violin playing as I teach it, New York: Frederick A. Stokes Company, 1921.

On April 11th, 2017 in the Louis Armstrong Theatre, I attended the GVSU “University Band”. This up-beat ensemble lasted about 90 minutes; the talented students of GVSU’s university band joined together to perform multiple different songs ranging from a Waltz to a Dixieland Jamboree. All of the songs that the band played for the audience were all well-known, popular songs that they all enjoyed. Having the opportunity to attend this concert has opened new musical paths for myself and has allowed me to enjoy and kindly critique something that I perhaps would have never had the chance to otherwise.

On February 21, 2016 from 5:00 PM until 7:00 PM I attended, “Follow the Drinking Gourd,” by Jonathon McNair at Rudder Theatre. The Brazos Valley Symphony Orchestra, the Marian Anderson String Quartet, and special guest narrator Greg Wise preformed three pieces. These pieces include, “Lyric for Strings,” “Follow the Drinking Gourd,” and, “Symphony Number 1.” The Brazos Valley Symphony Orchestra consists of Violin, Viola, Cello, Bass, Flute, Oboe, Clarinet, Bassoon, Harp, Horn, Trumpet, Trombone, Bass Trombone, Tuba, Percussion, Timpani, and Keyboard. The Marian Anderson String Quartet uses two violinists, viola, and cello.

Gentle warmth bathed the audience. It was an unusually cool July afternoon. The smell of patriotism, if there were such a fragrance, was dancing throughout the skies, skipping across the clouds, lingering above the treetops. The date is July 1st, and we are about to be entertained. Welcome to the ISO Star Spangled Symphony.

On Saturday, December 12th, the High School Philharmonic All-Region Orchestra performed a variety of fascinating pieces. They were directed by Professor Edward Kawakami from Carthage College. The region orchestra began the concert with “Pomp and Circumstance March No. 4 op. 39” by Edward Elgar. The next piece that the orchestras performed was “Clair de Lune” by Claude Debussy. The last piece that the High School Philharmonic All-Region Orchestra performed was “Samson and Dalila Dance Bacchanale op. 47” by Camille Saint-Saens.

Following the few words was the Cello Concerto of Sir Edward Edgar. Structured with four movements rather then three opens with slow and poignant music. It reminded me of the music that you hear when someone is mourning from loosing someone. It had its ups and downs in-between and the third was like energy broken down with mourning while going into the forth was the longest and most overly dramatic, it brought the audience to its feet. The performance was soothing and relaxing and amazing to see that each one of those people on that grand stage added something to make the piece special. With that being one of the first symphony performances I

Besides John Armstrong’s son are a handful of professional-level students more than qualified to meet the challenges and expectations with interpreting John Armstrong’s compositions. The challenges for these performers include exploring atmospheric colours and timbres while showing the overall narrative and dramatic flow of the piece. Like every composer, John Armstrong only asks his performers “to make me sound good!” and the line-up of performers on November 5th will most certainly be apt to the

On the evening of Sunday, December 16, 2012, I had the pleasure of attending a concert I’d wanted to see for quite a while. I was delighted to attend Tchaikovsky’s The Nutcracker, performed by the Richmond Symphony Orchestra and the Richmond Ballet. The performance took place at Carpenter Theatre in Richmond Virginia. As I entered I felt a bit out of place. I’d never attended a performance quite like this one and I was a bit nervous. I took my seat to the left of the orchestra pit. I was thrilled to see how close I was. I had arranged for a seat near the orchestra so I could observe them as they played.

Never could I have thought that my first concert experience was going to be in a college class, performed by various composers of classical music. During the concert, I got to listen to four performances. First, the Oxycotton was played by Tim Sanchez. Second, Samantha Post played Acht Stucke on flute, followed by Nicholas Gledhill, playing Blues and Variations for Monk on horn. Finally, the CSU Graduate Brass Quintet performed a piece named Misty. In this essay, I will share my personal experience of the concert and discuss the different elements of music seen in the different performances.

On Sunday, May10 2015, a concert was held in The Broad Stage. The concert was played by Santa Monica College Symphony Orchestra, whose conductor is Dr. James Martin. For this concert, I would identify myself as a referential listener at this concert. I say this because I am not an expert in music, therefore it would be hard for me to be a critical listener. I wouldn’t be able to tell what went wrong with a performance even if some incorrect notes were played. I was more of a referential listener because the music was soothing and brought my mind to peaceful thoughts. This essay will tells my experience of the concert in order to persuade my friend to  attend a classical music concert with you in the future.

“All good poetry is the spontaneous overflow of powerful feelings.” – William Wordsworth (Kamien). Music from the Romantic period put great emphasis emotional expression and revealing ones innermost feelings and on September 17, 2014, I was able to experience it firsthand (Kamien). I attended the faculty violin recital at Tennessee Tech held at Wattenbarger Hall. The recital started at 7:30 p.m. and featured the works of Johannes Brahms, Sergei Prokoliev, and Maurice Ravel and were performed by Wei Tsun Chang – a member of The Atlantic Ensemble – and accompanied by Polly Brecht on piano.