Who Is Pierre Auguste Renoir La Promenade

Antoine Watteau’s La Perspective (View through the Trees in the Park of Pierre Crozat) uses many elements of the Rococo style of painting to instill a sense of intimacy. In this painting, members of the elite society gather unceremoniously in a wooded clearing. The people make casual exchanges as they mingle in the park. Trees and foliage dominate a majority of the painting. A small white building can be seen in the background through a clearing in the trees. Watteau uses color, composition, setting, and pose in the painting to create intimacy.

The painting Square at La Trinité (Le Square de La Trinité) (1875) by Pierre-Auguste Renoir is located at the RISD museum in Providence, RI. This is an oil painting on canvas, surrounded by an ornate gold frame. Square at La Trinité is a pastel colored landscape scene with nature, figures and buildings in the background. The main focus of the painting is the two people in the right-hand corner, one a female and the other a male who are strolling through a lively garden. During the 19th century impressionist artists wanted to capture life as they saw it happening. Another artist who had a similar style to Renoir was Monet who painted works such as Beach at Trouville (1870) where he painted his wife sitting on the beach taking part in middle-class leisure. Renoir’s work demonstrates the impressionist technique important to the 19th century, evident by the way he captured middle class leisure in a modern subject matter.

This painting by Thomas Cole depicts light blue sky, the morning light, and the wispy clouds suggest a calm and peacefulness. This is not thethreatening, forbiddingwilderness of the chauvinists. Instead, it is a delightful place of quiet deliberation. It is composed of a meandering river with some vegetation on its banks, all in the background. The mountains and the broken trees depict the sublime nature. They are created focusing on the power

Pierre Auguste Renoir made his mark historically on the surfaces of his paintings by using small dabs of pigment that were applied uniformly, but his brush strokes were somewhat nervous, but yet he used the sunlight effects that were achieved with colored shadows, and loose brushwork.

Claude was born in Paris, France in the year 1840. Despite the fact that Paris was his birthplace, Claude only spent 5 years of his childhood there as he and his family moved to Le Havre, a port town in Normandy. Claude developed a love for art in his early childhood and was well known in his town for drawing caricatures of his community members. His mother was highly encouraged his talent whereas Claude’s father wanted his son to become a businessman. Living in Le Havre, Claude had many opportunities to strengthen his talent such as meeting Eugene Boudin who was a local landscape artist and introduced Claude to landscape painting outdoors and set him on the track to his future success. In 1859 Claude moved back to Paris to pursue his career in art. During his time in Paris he was enrolled in the Academie Suisse and was influenced by the paintings of Barbizon School. Other great influences on his art were his friends Charles Gleyre, Auguste Renoir, Alfred Sisley and Frederic Bazille as well as Johann Barthold Jongkind who was a well-known landscape painter of the

The mundane setting of the painting was created purposefully to give the viewer a sense of calm. By painting a somewhat familiar scene to those that may have viewed it during this time period, the artist was able to allow the viewer to interject themselves directly into the painting. The nature of the geese as well as the maiden in the photo make it appear as if they were candidly captured with a camera in the middle of their daily routine. Unlike the Renaissance or other art periods that preceded Impressionism, the goal of the painting was not to convey any ideas, political beliefs, or promote one’s nationalism. The goal in this essence was to create a painting that captured a ‘scene’, which was done eloquently enough to allow the viewer to ‘transplant’ themselves directly into the scene if desired. The prowess of the painter was not meant to be evident in the painting. In fact, it is the mundane nature of the painting that is designed to make the viewer refrain from drawing any critical analysis of its curator.

The artist I chose to do research on was Rene François Ghislain Magritte. Magritte was born November 21, 1898, Lessines, Belgium to a wealthy family. He had three younger brothers, his father was in the manufacturing business, and his mother was thought to be a milliner before getting married. A man painting in a crematory and his mother’s suicide in 1912 influenced Magritte’s progress as an artist. Magritte painted to find comfort from his mother’s death. In 1916, he left home and studied art at the Académie des Beaux-Arts in Brussels for the next two years. Although he was not interested in his classes, he became friends with Victor Servranckx, who taught Magritte the three styles: Futurism, Cubism, and Purism. Then, in 1921, he joined the

Claude Monet, An Analysis on Art Specific Purpose: To inform the audience on the significance and formation of Claude Monet’s work. Thesis: Claude Monet’s work did not just become popular because of his unique use of color; but also because of his use of subject matter.

The art and beauty in this painting is exemplified through the eyes of Boucher. It starts with a beautiful couple taking a rest after picking up some followers. Their clothing looks very elegant and colorful which shows that they are aristocrats. The man’s eyes are gazing at a shepherdess who gathered her own flowers. Their eyes are locked despite the man having his own woman right in front of him. The light brushstrokes of the dresses, flowers, and trees

Among the high art world it was still one of the more popular subjects to paint, one that Courbet had addressed with his avant-garde piece, The Studio of the Painter. The painting showed Courbet in the center of the composition, facing a canvas on which he was painting a landscape. Behind him stood a nude female, symbolizing himself and the art world turning away from the nude in favor of landscape painting. Even in painting this nude he continued to be subversive, showing a classical test of skills in the realist style of painting as opposed to idealized. It seems strange then, that twelve years later Courbet would choose to go back painting female nudes, even for patrons, when he had never shown an interest in such things before. In this way, Courbet’s choice to paint Le Sommeil is not as avant-garde as older works. However, despite the subject of the female nude showing favor to the status quo of the art world at the time, the narrative of the piece means the work is still just as subversive as past work by Courbet had been. The narrative of the nudes, in this case, is post-intercourse rest. Presently in the painting, the two women’s limbs are tangled together, the sheets rumpled, and various objects strewn about, such as a broken pearl necklace and a golden hairpin. These context clues make it obvious to viewers exactly what has taken place just before the events captured on the

After doing research on this portrait, I find that the setting of Luncheon of the Boating Party is at the upstairs terrace of the Masion Fournaise restaurant on an island in the Seine at Chatou. The painting conveys a casual and contemporary gathering of people sharing food, wine, and conversation on a balcony overlooking the Seine. The people in Renoir’s paintings are actually personal friends of his. The woman in the lower left is Aline Charigot, Renoir’s future wife. Charigot was clearly painted with the most detail and coloring, and holds the most presence in the painting which could be a hint as to Renoir’s fancy of her. Standing behind her, leaning on the railing, is Alphonse Fournaise, the son of the restaurant’s owner. In the

Claude Monet was born in Paris in 1840 and would become known as one of France’s famous painters. Monet is often attributed with being the leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill. Eventually “Monet began to accompany [Eugène] Boudin as the older artist . . . worked outdoors, . . . this “truthful” painting, Monet later claimed, had determined his path as an artist.” Monet’s goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the landscape impressionist style. William Seitz supports this statement through his quote, “The landscapes Monet painted at Argenteuil between 1872 and 1877 are

Let’s first begins with who Jean Desire Gustave Courbet was. Gustave Courbet was a famous French painter. Courbet was born in Ornans, France on June 10th of 1819. Ornans, France is a filled with forests and pasture’s perfect for realist paintings. At the age of 14 Courbet was already in art training receiving lessons from Pere Baud a former student of a neo-classical painter named Baron Gros. Courbet’s parents hoped he would go off and study law when he moved out in 1837. To there misfortune he had enrolled in at the art academy. At the art academy Courbet received lessons from Flajoulot another famous neo-classicist. At twenty years old Gustave Courbet went to Paris, the European center for art, political,

The artist of this painting was named Vincent van Gogh and he was born on the 30th of March in 1853. He was known to be a self-taught painter of the post-impressionist style. Post-impressionism was used to describe the development of French art since Manet. Vincent van Gogh artist style was to practice the uses of bright colors, distinctive brush strokes, thick application of paint, and unwavering subject matter about the realities of life in this masterpiece. Vincent van Gogh found his place in art and produced emotional and visually attractive paintings over the course of a career that lasted about a decade.

     Impressionism began during the 19th century. An example of an artist’s beliefs influencing his art can be seen in the works of Pierre Auguste Renoir. It is documented that he felt that art should be different from the real world, which can be cold and harsh. He said, “Why shouldn’t art be pretty?” and “There are enough unpleasant things in the world.” An example of his attitude towards art can be seen in ‘A Girl with a Watering Can’ from 1876. This picture can easily be interpreted as being beautiful and therefore it proves that his belief of art is true. ‘Dance at Bougival’ from 1883, is yet another example of the artist and the inspiration for the art. By painting an attractive scene with two people dancing accompanied by laughing faces in the background we see a correlation between his quotes above and this piece. Therefore, one can conclude that Renoir painted mostly beautiful and attractive art.