Renoir's Luncheon of the Boating Party Essay examples

The oil on a canvas The Boating Party was done by Mary Cassatt. The painting shows a total of three people on a boat. There's a man who is rowing the boat and a woman with a small child in her lap. The three of them are dressed very nice the woman has on a dress and hat, the man has on a suit and hat, and the small child has on a dress, nice shoes, socks and a hat. They are the only ones out on the water.

This painting depicts a sidewalk café in France at night. There is a doorway to the front left of the painting that is painted blue, and is surrounded by a wall that gleams yellow from the outdoor lights. Attached to the wall, there is a large awning, and it covers the diners and the empty tables that are a part of the café. Above the awning, there are open window shutters

There is an overt sense of leisure and intimacy established through the social exchanges in this painting. A man in the foreground is playing a guitar to a lady, which adds a cheery, relaxed mood. On the right side of the painting, children play on the ground, which shows how this is a joyful event. While there are many social interactions being made, the people in this painting are very generalized. Watteau purposely does not paint many of the people’s faces to put emphasis on the landscape and setting.

The painting “Holiday at Mentone” depicts a beach in Melbourne where people dressed in elaborate clothing are lounging and taking part in seaside activities. The painting appeals to the audience as it is a simplistic and vibrant painting that creates a sense radiance and contentment. The first things you tend to look at in the painting include the lady dressed in pastel pink convening on a beach chair, a white weathered foot bridge place right on the horizon, a well-dressed man in the right of the painting and a coastline that seems as if it stretches on endlessly. Although as you look into closer you recognise new details in the artwork. The woman reading a newspaper seems to be lost in her own world not even observing that her beach umbrella

The painting Square at La Trinité (Le Square de La Trinité) (1875) by Pierre-Auguste Renoir is located at the RISD museum in Providence, RI. This is an oil painting on canvas, surrounded by an ornate gold frame. Square at La Trinité is a pastel colored landscape scene with nature, figures and buildings in the background. The main focus of the painting is the two people in the right-hand corner, one a female and the other a male who are strolling through a lively garden. During the 19th century impressionist artists wanted to capture life as they saw it happening. Another artist who had a similar style to Renoir was Monet who painted works such as Beach at Trouville (1870) where he painted his wife sitting on the beach taking part in middle-class leisure. Renoir’s work demonstrates the impressionist technique important to the 19th century, evident by the way he captured middle class leisure in a modern subject matter.

The image shows a sailing ship, it could be an optimistic view of the painter expressing their particular direction of their goals and how we make choices in life. Or goals that are merely drifting away because it is difficult to get what we want out of life at times. Also sailing away could be a form of independence and freedom were we wish to break free from the constraints of everything we do in our daily lives. sailing on stormy waters depicts the difficulty of our choices and that things might be tough going forward. Or simply the strong desire to change life symbolizing the positive changes of our

The French Revolution evokes many different emotions and controversial issues in that some believe it was worth the cost and some don't. There is no doubt that the French Revolution did have major significance in history. Not only did the French gain their independence, but an industrial revolution also took place. One of the main issues of the Revolution was it's human costs. Two writers, the first, Peter Kropotkin who was a Russian prince, and the other Simon Schama, a history professor, both had very opposing views on whether the wars fought by France during the Revolution were worth it's human costs. Krapotkin believed that the French Revolution was the main turning point for not only France but for most

The portrait is placed, above the fireplace with could be the center of attention. The placard talked about how it may have been used occasionally as a lounging area so the painting might of signify the himself as owner of the house, or the man of the house. The way the dining table and chairs are arranged it would be presumed that Towne would sit in the seat closest to the fire place, where his portrait hangs above.

This painting, titled Above the Boat, depicts a scene from Part three Chapter two of One Flew Over The Cuckoo’s Nest. This painting shows the dark, dreary, overcast sky looming over the patients’ boat. Specifically, it shows the part when Chief Bromden does not believe he is laughing with the group and instead feels as though he is floating about the boat looking down upon the patients. The gray sky is accompanied the rough ocean waves fading into black. Since Chief is retelling this story, the bottom of the painting fades from black into the scene o show how his memory is recounting the event. In the massive ocean, a small boat is drifting in the rapid waves, and a small silhouette of Chief can be viewed. Above the boat is Chief’s hallucination/spirit

Luncheon on the grass, a painting that left people of its time stunned was created in 1863 by painter Edouard Manet. This painting was an Impressionist work that broke the barrier that art should only be made if it respects the established conventions and attempts to achieve timelessness. The original name for this artwork was “The Bath” but it was changed four years later. It is an oil painting on canvas and its size is 208cm x 264.5cm (81.9 in x 104.1 in) it is a large painting. The color scheme of dark green, brown and black used to it gives a very earthly sensation. Manet’s style of painting was as controversial as his subjects as he

It looks like the main focus of this painting is literally in the center of the piece. Anyone that were to ever view this painting could tell from the beginning that the overall view of this content is pathos. In the main section of the painting, there is an image of a person who is getting poured some type of liquid over their head. In this image, we can see the person in the center with no shirt on, and they have a small blue robe type of clothing tied below their waist. Around this person there are two figures with wings, they are wearing mini white gowns and their wings are white also. There is a person next to the wing like figures, that is pouring some type of liquid above the other person, this other human like

‘I think this is his best work,’ a man says to his companion, ‘more nuanced than the seascapes.’ His voice releases me, and I move on to the next painting. A naked girl, seen from above, lies on her back in a boat. Her hair coils like copper wire around her head and her hands are full of stones. She’s held within the curved sides of the boat, but the boat balances perilously upon the crest of a giant wave. The girl is sleeping, unaware of the danger she is

One of the most visually intriguing pieces in the exhibit is the Portrait of Père Bouju by Maurice de Vlaminck. It was painted around the year 1900 by the French artist. It is not particularly beautiful by normal standards. At first glance, the texture of the paint stands out more than any other feature. It has very strongly defined brush strokes and thick paint in portions, especially the face of the man and the background. The lines in the paint are mostly straight, short, and wide with some that are thinner and wavy, like the smoke. The man is in the center of the canvas, he is the only discernable image, and he is almost devoid of detail aside from the face and the hat. The colors are almost entirely neutral aside from the red scarf. In this oil on canvas portrait the man is wearing a

It’s 1812, and you have just stepped into the Paris Salon. This building is well known for showing the best artworks, from multiple sources. People strut around in their best attire admiring the paintings, and on one display you see the artwork of Manet, his painting, Bar at the Folies-Bergere. The image depicts a young woman, at a bar, a mirror placed strategically behind her, showing the animated and exotic chaos unfolding right in front of her eyes. Looking at this painting in 1812 you couldn’t possibly contemplate the amount of articles, resources and ponderings that would emerge from this very painting in the future. Bar at the Folies-Bergere, has many interpretation, my personal favorites being the sense

The beautiful painting is a visual treat to anyone laying eyes on it. The blue sky the wavy water the sailboats all are ironic to any coastal shore. The moon on the distance is an indication that it’s early dusk or dawn. The sea looks windswept but calm and clear rather than stormy and angry. The ship is setting out on a long journey but the butterflies are an indication to a positive spin on departure so it’s probably intended for people who have had or will have firsthand experience with departure and those emotions.