Reoccurring Themes In Dubliners By James Joyce

“Even together, people were as solitary as cows in a field chewing their own cud,” writes Wolff (123). This is an idea that seems to be deeply ingrained in Joyce’s consciousness, but does it represent how she truly feels deep down? Joyce seems to put on this facade of a strong self-reliant woman when, in reality, she relies more on her roommate Dina than she would care to admit. Throughout Tobias Wolff’s “Migraine,” Joyce insists on being independent; however, Dina’s leaving seemly causes her headaches, which can only be eased by the love and comfort that accompanies Dina’s touch. Joyce’s perceived independence fuels her idea that solitude will help the pain in her head subside.

Joyce 's novel demonstrates a city and a society full of contradictions, parochial ideas, and paralysis. The Dublin inhabitants are divided by the river Liffey, into 'North and South ', 'rich and poor classes

Divided into five chapters, this book follows Stephen's life from childhood through adolescence to manhood. We are essentially given a window into Stephen's consciousness, and the whole world is unveiled to us through that single aperture. According to Sydney Bolt, no novel written before A Portrait of the Artist as a Young Man can match its variety in styles This indicates Joyce's originality. A Portrait of the Artist as a Young Man is told in characteristic dialogue and ironically sympathetic

The setting of the story, Dublin, has been written in such a way that only

In “Who’s Irish”, Gish Jen demonstrates a family that has Chinese root and American culture at the same time. The main character is a fierce grandmother who lives in with her daughter’s family, and then ironically forced to move out because of her improper behavior during she raises her granddaughter. The author uses some unpleasant language and contents to describe the situation, which are effectively demonstrate how difficult and how struggle for people who lives in the gap between two different cultures. I can’t say who is right or who is wrong, but feel sorry for the grandmother.

    In the early twentieth century, Ireland, and more specifically Dublin, was a place defined by class distinctions. There were the wealthy, worldly upper-class who owned large, stately townhouses in the luxurious neighborhoods and the less fortunate, uneducated poor who lived in any shack they could afford in the middle of the city. For the most part, the affluent class was Protestant, while the struggling workers were overwhelmingly Catholic. These distinctions were the result of nearly a century of disparity in income, education, language, and occupation, and in turn were the fundamental bases for the internal struggle that many of Joyce's characters feel.

When Joyce applies personification to the setting, he creates the mood of the story, and directs the reader to the double meanings found in the personified setting. As an example of mood, winter brings with it the connotation of impending gloom, as the narrator claims, "...the houses had grown sombre...the lamps of the street lifted their feeble lanterns" (379). This idea of Winter casts itself as the mood, where the feeling of awkward introspection is predominant. The lamps like the people of Dublin, have grown weary of there own, during Ireland's own battle with identity. In the broader scope of Joyce's imagery for the short story, it may be said Ireland itself is like the adolescent struggling to find its way. Joyce's messages of "complacency" during the tremendous social and political upheaval are encapsulated in the stories like "Araby," that collectively represent the book "Dubliners."

In Dubliners, women are victims indeed. They are victims of home, of the recognized virtues by society, of classes of life, of religious doctrines, and of women themselves. In this essay, we are going to analyze the portrayal of women in Dubliners in terms of the aforementioned aspects, namely home, the recognized virtues by society, classes of life, religious doctrines and women themselves.

James Joyce wrote Dubliners to portray Dublin at the turn of the early 20th century. In Dubliners, faith and reason are represented using dark images and symbols. James Joyce uses these symbols to show the negative side of Dublin. In “The Sisters,” “The Boarding House,” and “The Dead” dark is expressed in many ways. James Joyce uses the light and dark form of symbolism in his imagination to make his stories come to life.

James Joyce’s Dubliners is a compilation of many short stories put together to convey the problems in Ireland during that time. Many of his characters are searching for some kind of escape from Dublin, and this is a reoccurring theme throughout the stories. In the story “Little Cloud,” the main character, Little Chandler, feels the need for both an escape from Dublin and also from his normal everyday life. Gabriel, the main character in Joyce’s final story of the book, “The Dead,” desires a different form of escape than Little Chandler. He desires to escape his aunts’ party, and also at times, Dublin society. Although the stories

by those nets” (Joyce 238). The characters of Dubliners face similar nets that prevent them from

whether he is lying or telling the truth, because she has no way to confirm

In James Joyce’s short story "Araby," the main character is a young boy who confuses obsession with love. This boy thinks he is in love with a young girl, but all of his thoughts, ideas, and actions show that he is merely obsessed. Throughout this short story, there are many examples that show the boy’s obsession for the girl. There is also evidence that shows the boy does not really understand love or all of the feelings that go along with it.

The short stories of Ireland are distinct and many times distinctly Irish. “The Limerick Gloves” by Maria Edgeworth, “The Pedlar’s Revenge” by Liam O’Flaherty, “The Poteen Maker” by Michael McLaverty, and “Loser” Val Mulkerns are each distinct Irish short stories that deal with Irish topics in original ways. These stories are stylistically and thematically Irish. They are moralistic and offer clear themes that pertain to Irish values. This analysis will explore the Irish-ness of the works and explore their meaning when held against Irish literary tenants.

Authors often use literary techniques to convey a central theme in their writing. In his collection of short stories, Dubliners, James Joyce uses a multitude of literary techniques to communicate the ideas of escape and freedom. Joyce’s use of narrative perspective, selection of detail, and conventional diction in his short story “Eveline” allow him to express Eveline’s oppressive environment as well as her ultimate submissive nature to it.