Representation Of American Culture In Rip Van Winkle By Washington Irving

Through the course of “Rip Van Winkle” you stumble upon many remarkable and strange characters. Washington Irving reveals these complex characters through humor and exaggeration. Irving not only gives readers the characters

Washington Irving is known as being one of the most famous American authors in history. He has created fresh and exciting stories such as “The Legend of Sleepy Hollow,” “The Devil and Tom Walker,” and “Rip Van Winkle” that continue to captivate those who read them even today. In these three stories, Irving takes a stance on what the early Americas were like as he creates settings full of both mystery and wonder. His settings are symbols of both America’s mystery and potential, and he uses personification and motifs to convey this message.

American Romanticism illustrates the first truly American literary movement that began alongside the beginning of a new nation. American Romanticism appeared in response to the rationalists, such as Ben Franklin, which the American Romantics believed to be too single-minded and expressive. American Romanticism focused on the beauty of nature, imagination, feelings and expressions, higher truths in life that had to be discovered, and individualism. Consequently, this literary movement turned away from the corruption of cities and the rationalist mindset of the world and focused on nature and imagination. Washington Irving, in his stories “The Legend of Sleepy Hollow” and “Rip Van Winkle”, displays characteristics of American Romanticism and

American Literature, especially of the early settler and colonial period is marked by a deep sense of religion and a stress upon writing about matters related to religion. The development of early American literature thus can be seen to be a reflection of the religious ideals followed by the early settlers and colonists and it became a means of promoting a moral and ethical way of life.

In Rip Van Winkle, Irving shows his doubts in the American Identity and the American dream. After the Revolutionary war, America was trying to develop its own course. They were free to govern their own course of development; however, some of them had an air of uncertainties on their own identity in this new country. Irving was born among this generation in the newly created United States of America, and also felt uncertainty about the American identity. Irving might be the writer that is the least positive about being an American. The main reason for this uncertainty is the new born American has no history and tradition while the Europe has a great one accumulated for thousands of years. Therefore, in order to solve this problem, Irving

The term American Experience refers to the idea of America as a place with endless possibilities and opportunities for everyone, especially in a religious sense emerging from the religious conflicts in Europe during the 1500s and 1600s. However, the term also includes the reality that the earliest settlers encountered, which did not always match their expectations. Early American literature written by Captain John Smith, William Bradford, Mary Rowlandson, and Benjamin Franklin present their personal American Experience. While the different authors offer perspective on a multitude of aspects of the American life, such as religion, dealing with the Natives, economy, and virtues, their conclusion is similar: America can be everything it promises,

"Rip Van Winkle" has been a well-known story told throughout time. There is not a doubt that as a child, many of you heard the words of Washington Irving's famous tale of the man who slept for twenty years. Nor can one forget the "elves" that Rip Van Winkle spent the night with in the amphitheater. Like many stories, Irving's "Rip Van Winkle" has been told so many times throughout American history that it has lost its original purpose. The story is now remembered for its fairy tale like quality and its appeal to the children and the young at heart. However, when given the chance to delve into the depths of what Irving was trying to portray, one may see the

Almost as soon as the grand setting is told, the designation of the story itself, the character Rip Van Winkle, is introduced. He is depicted ideally as well, said to be simple and widely liked, and most importantly good natured. Without hesitation, it is stated that he is a descendant of a family who played a more than respectable role in the history that helped to capture and establish the land that is now his mountainous village. He is recognized as more than the average citizen already, perhaps one of great influence, not unlike the nature itself. "He was, moreover, a kind neighbor and an obedient henpecked husband. Indeed, to the latter circumstance might be owing that meekness of spirit which gained him such universal popularity," (Irving 702). Despite this constant distressing of his spouse, made eminent in the opening pages, Rip was able to ignore the chronic squabbling and seek elsewhere for loyal friendships, which in turn, boosted his regard. After some time, however, the nagging became overbearing, and he was forced to flee to the highest peak of the mountains where he would be surrounded by nature, and thus was at ease with himself. However, Irving introduces a twist; the nature of the mountains cast a magical command upon Rip and forced him into a sound sleep for twenty years. When he awoke Rip found himself an old man in a place that was, at first,

In the early years of America’s foundation, a powerful air of uncapped potential, the desire for expansion and individual identification enamored the American people. Progress was inevitable as was cultural definition. But as time progressed, the feeling of unlimited strength, time and space transformed into something that, for better or worse, was no longer shared by later poets. Those of the “New World” came to realize that their world never really managed to leave behind the faults of the “Old.” Societal tension rose as different poets and authors struggled to pin down the direction of American culture and its ideals. When no solid idea was able to capture American culture adequately, the concept of an ever-evolving American identity

The historical context urges the Irving’s great tale into the world of American mythology. Another example of the impact of mythological setting lies near the beginning of the plot arch. Rip goes up into the Kaatskill Mountains to hunt; a place that Irving depicts as remote in the following excerpt from the story: “Rip had unconsciously scrambled to one of the highest parts of the Kaatskill Mountains…and the still solitude had echoed.” The isolation that Rip had while in the mountains, where he would later sleep for twenty years, impacts the reader. It shows the reader the reason why nobody ever found him, as well as evoking a deeper emotion and concern for Rip as he slept out there all alone. Emotions find themselves imbedded in this mythology once again.

Tindall, George Brown, David E. Shi, and Charles W. Eagles. America a Narrative History. 10th ed. Vol. 1. New York: W.W. Norton, 2004.

The short stories of Washington Irving are examples of the literary movement of Romanticism and its characteristics which are evidenced in this author’s works. These

In the late 1700's and early 1800's, literature began to show it was changing thanks to the newly formed democracy in America. As is the case with any young government, many different interest groups arose to attempt to mold the government according to their vision of democracy. Washington Irving, a native New Yorker born in 1783, grew up in a world engulfed in these democratic ideals. He grew up to be, as many would grow up in this atmosphere, a political satirist. This satirical nature of Irving's shows up well in "Rip Van Winkle", as he uses historical allusions and symbolic characters to mockingly compare colonial life under British rule to the democracy of the young United States.

The characters in Rip Van Winkle and Young Goodman Brown written respectively by Washington Irving and Nathaniel Hawthorne leave their individual communities and return with radically different perspectives (of their current lives) that change their attitudes and way of life in the remaining of their lives. Both stories are set in early American villages, Young Goodman Brown takes place in the 1700’s New England puritan settlement while Rip Van Winkle takes place over 100 years later in an English colony in eastern New York. Both authors were very clever to use different historical context to illustrate cultural aspects of early American societies in order to make the reader aware of how big of a role gender, politics and religion where to

“Rip was ready to attend to anybody’s business but his own: but as to doing family duty, and keeping his farm in order, he found it impossible,” (Irving 10). Washington Irving is a romantic American writer in the 1800s with works including Rip Van Winkle as a part of the collection of essays and short stories called The Sketchbook. Rip Van Winkle is set in a village near the Kaatskill Mountains during the American Revolution and tells the story of a man who is loved by many in the town but spends his days in idleness. His wife often nags him because Van Winkle does not work for anything in his family. One day, to escape his wife’s nagging, Van Winkle walks off into the mountains with his dog, Wolfe. He stumbles upon a group of strange