Representation Of Indian Literature And Film

Andrea Smith’s book Conquest: Sexual Violence and American Indian Genocide read passionately about Native American Indians experiences relative to violence and related topics. Part of Smith’s goal is to aid understanding of Native women’s plight and spotlight how treating their sufferings separately was limiting the pain they lived through to this day. Smith pointed out that though other writers have keen interest in bringing native women’s plight mainstream, these writers fell short of taking an intersectional look at how sexual violence, race, and gender connected equally to the Native women’s history. She believed separating these issues was wrong. Smith cited theorist Kimberlee Crenshaw, (Smith 7) a woman of color, for pointing this issue out.

Colonialism is an ongoing practice that is marginalizing indigenous communities because of their race, class, gender, and sexuality. Qwo-li Driskill et al quoted Rayna Green claiming “that colonial discourses represent Native women as sexually available for white men’s pleasure” (34). From their first contact the Europeans through to the present day, Aboriginal, Indigenous, and First Nations women have been categorized and seen as Other. Sarah Hunt employs in her analysis a form of postcolonial critique used by Edward Said, who argues in Orientalism (1978) that there exist constructs of false assumptions underlying Western attitudes towards racialized others, including Indigenous groups, rooted in Eurocentric prejudice, serving as an implicit

Although this course is about global women’s movements, the overall argument in which I intend on taking for the purpose of this book review is that besides women, First Nations men are also victims of oppression. In addition to oppression, first nations are often stereotyped by society. Rice’s book does a good job on reflecting this idea once again, through the use of first person point of view stories. It allows the reader to really understand how these stereotypes affect the everyday lives of First Nations people. Before getting into how stereotyping affects the lives of these people, we will begin with looking into oppression and how it relates to the textbook.

Violence against Aboriginal women is rarely understood as a human rights issue. Aboriginal women are often known to be the main victims of racialized, sexualized violence. To the extent issue, violence against women are more frequent, to be described as a criminal concern or a social issue, but it is a human rights issue to be discussed furthermore. Aboriginal women and girls have the right to be safe and free from violence. Woman are being targeted for violence because of their gender or because of their Aboriginal identity. In this essay, I will be discussing the discrimination between these two following readings, “Orientalism” and “Stolen Sisters, Second Class Citizen”.

In surveying Australian film production over the last century, what visibly occurs is a general evasion of Aboriginal issues and an absence of any balanced representation of Australia’s notable Indigenous population. But I need to add, that things are changing. Several recent films seek to redress this imbalance and provide a substantial Indigenous storyline.

ustralians are often portrayed in various texts and motion pictures. The Australian film “The Black Balloon” is a great example as the director Elissa Down explains relevant messages for audiences in the modern age. The film not only shows discrimination on people with disabilities but the importance of taking care of loved ones as part of our Australian identity, presenting values of family and friendship.. It allows the audience to truly reflect on how accepting our society is through this coming age of film. In a similar manner of exploring important issues that represents the Australian vision, Hannah Moore's short story ‘1112: Anhar-Woomera’ explores the various experiences of discrimination and lack of acceptance that Anhar deals

Indigenous peoples are undeniably some of the toughest and most courageous peoples that have ever walked the Earth. The horrific events that have shaped their past could have easily been enough to wipe out their race as a whole, but instead of allowing it to beat them down they remained resilient and are even pushing back in order to change the way the public views them. Eve Tuck and an author from Pine Ridge have spoken out in hopes to gain a consensus about viewing indigenous peoples in a different light - one that identifies their strength instead of their pain. Before delving into the main context of the paper, I want to first summarize the arguments of Eve Tuck and the author from Pine Ridge in order to assure the rest of the paper is

Today in Canada, the lives of Indigenous women are affected by colonization every day. Since the moment of contact, settlers have used Indigenous women as key objects to oppress and assimilate Indigenous people as a whole. As a female, non-Indigenous university student, I strongly feel that in moving forward trying to stop allowing there to be missing and murdered Indigenous women, we must discuss where these problems originated and why the origin is still relevant today. Indigenous women were oppressed and used by Europeans as a tool to assimilate all Indigenous Peoples and erase Indigenous culture through forcing women into ‘traditional’ western gender roles; which has had lasting impacts on Indigenous women today through being stereotyped and dehumanized in their forcedly assigned gender roles. Firstly, I will discuss how western gender roles were involved in the colonization of Indigenous women and how women were targeted specifically in the attempted erasure of Indigenous Peoples. Next, I will examine the effects of colonization on Indigenous women who were forced to take on not only the same but even further dehumanizing gender roles that European women assumed. Finally, I will argue how the imposition of these gender roles has affected and still affects Indigenous women today.

Second Slide: The ways in which Indigenous Women tried to resist, but were ultimately victims of colonization, and how heteropatriarchy has affected them.

While creating a dialog of indigenous self representation and colonial responsibility, it can be challenging in the academic setting to fully grasp understandings and indigenous ways of knowing. Even as an identifying urban Mi'kmaw woman, I originally had difficulty wholly navigating through the various narratives explored through the Survey of Indigenous Arts' material. Often we are blinded by the ingrained colonial gaze and compounds brought about in our Eurocentric Canadian institutions; which decolonization and relearning trained perceptions about indigenous peoples, can be hard for both settler and Aboriginal peoples alike. Understanding that colonization has intergenerational and systematic impact on indigenous peoples, and that Traditional and Contempery art practice has been a key part of reclamation, healing, and resistance, can help create conversations visually and conceptually within our communities. While for over half a millennium since before the time of Canadian confederation, beginning at contact, early euro-Canadians created concepts of "Indianness" and "Authenticity". During the course of Survey of Indigenous

In the second chapter of his book, Childhood Indians: Television, film and sustaining the White (sub)conscience, Raul Chavez describes the common notion of modern racism in America as something that is invisible and overlooked. Chavez discusses the effects of racist thinking as perpetuated by a collective denial of its existence in present society. The continuations of racism in modern America is, unfortunately, upheld by ignoring that it is still happening. The film The Exiles by Kent Mackenzie offers a way to counteract the denial and ignorance of continued racial thinking in modern society in a way that escapes common racial stereotypes.

A Key conflict that endures as one of the most noteworthy events in New Zealand’s early history is the Waikato war of 1863-1864. The significance of the battles lies in the definition of the status of Maori and Pakeha in New Zealand. Particular historic debate surrounds whether the Waikato war was caused more primarily over the dispute of land or sovereignty. Maori were rising against British control and domination over them exhibited by establishment of the Kingitanga movement and the resistance to land sales. Responding in a way they saw that they had the right British invaded the Waikato. The outcomes of these events still hold debate and controversy in the regions of occurrence even today. With large loss of lives on both sides directly from the clashes, as Maori retained their pride refused to surrender to the British’s superior technology. New laws were passed as a result of the resistance involving shameless policy’s which marginalised Maori and there rights further. The consequences of this war were drawn out until the late 20th, when finally reparations were made in full.

The article, Stereotypical Constructions of the Maori ‘Race’ in the Media, written by Melanie Wall (1997), can be summarised as an article focusing on the effect the colonisation of New Zealand had on the Maori as a population. It mainly focuses on the way Maori have been imagined as the stereotypical ‘Black Other’. It speaks of the perpetuation and (re)formation of Maori identities, including the way Maori are constrained by their ‘Black Other’ stereotype within New Zealand. The article talks about representations of race through ‘identity images’, the effect of the Maori Renaissance (in particular its effect on identity formations), and Maori Stereotypes in the Media.

“From the 1970s, a major cultural shift known as the ‘Maori Renaissance’ created a context for the emergence of a Maori perspective in New Zealand filmmaking.” The New Zealand feature film, Ngati is considered to be a product of the ‘Maori Renaissance’ and it remains a noteworthy film today for being the first film directed a Maori, namely Barry Barclay. This essay seeks to examine the racial representations of Maori and Pakeha, the historical context of the late 1940s and the Maori identity in Ngati. Barclay’s film is unlike previous films such as The Romance of Hinemoa, The Te Kooti Trial and Rewi’s Last Stand which was based on a dominating Pakeha perspective. The release of Ngati signalled a turn of tables in favour of Maori as they were able to present Maori and Pakeha representations, the historical context of the late 1940s and Maori identity from their perspective.

Throughout New Zealand history, historical roots have played a significant role in the development of modern Aotearoa New Zealand. The historical past has shaped various forms of present social dimensions within the nation today. This essay intends to discuss the controversial racial inequality in regards to the relationship between Maori and Pakeha within contemporary New Zealand society. This essay will explore two readings; “Plunder in the Promised Land: Māori Land Alienation and the Genesis of Capitalism in Aotearoa New Zealand” by Wynyard, Matthew and “Stereotypical Construction of the Maori ‘Race’ in the Media” by Wall, Melanie. This essay will also further discuss a brief summary on my personal reflection