Representing The Poor Bell Hooks Analysis

This was the title of an essay by bell hooks that my theology professor assigned in seminary. A number of my too-holy-for-their-own-damn-good classmates ran to the Dean's office to object: "Do you know what's being taught in your school? I knew she wasn't saved!" The Dean asked, "Did you read it?" They replied "Of course not! I'm not going to pollute my spirit with this filth. Hallelujah!" The Dean said, come back when you read

In Bell Hooks, Seeing and Making Culture: Representing the Poor, Hooks writes about what she considers to be hazardous in dispositions towards neediness in the United States, and in proposing arrangements. Hooks starts the essay off by saying, “Americans today rarely talk about the poor” (Bell Hooks). She explains that Americans acknowledge the existence of four groups: the poor, the working class, those who worked and have extra money, and the rich.

In Bell Hooks’, “Seeing and Making Culture: Representing the Poor”, Hooks introduces the reader to the state of poverty of many individuals that have to suffer because they are unable to live a normal life due to them being extremely poor and uneducated. She stresses about comparing the higher class people to the poor and how different their lives are in terms of survival rates and healthiness. The higher class people tend to be way healthier and survive longer due to them having many ways of treating their problems, while the poor have absolutely no way of paying their medical bills due to their low income. She makes many valid points referring back and forth to different stereotypes of people (mainly black people) and how each of those

Toni Cade Bambara addresses how knowledge is the means by which one can escape out of poverty in her story The Lesson. In her story she identifies with race, economic inequality, and literary epiphany during the early 1970’s. In this story children of African American progeny come face to face with their own poverty and reality. This realism of society’s social standard was made known to them on a sunny afternoon field trip to a toy store on Fifth Avenue. Through the use of an African American protagonist Miss Moore and antagonist Sylvia who later becomes the sub protagonist and White society the antagonist “the lesson” was ironically taught. Sylvia belong to a lower economic class, which affects her views of herself within highlights the

Persuasion is a key focus in many essays, stories, commercials, and other forms of media. There are many methods to this, one of which is rhetorical devices. Bell hooks, the author of Feminism is for Everybody, writes to persuade the reader to her own cause: feminism. She uses rhetorical devices, which can be used to persuade—or dissuade—readers in comparison to the writer’s own point of view.

Author Bryan Stevenson (2014) writes, “The true measure of our character is how we treat the poor, the disfavored, the accused, the incarcerated, and the condemned”(p.18). According to the non-profit, Feeding America (2016), in 2015, 43.1 million, or 13.5%, of people in the United States were impoverished. Poverty is a vicious cycle, trapping people and families for generations. The inability to escape poverty is due in part to difficult class mobility in the U.S. but also because certain factors reinforce the idea and state of poverty. Bryan Stevenson’s bestseller Just Mercy, Lindsey Cook’s article “U.S. Education: Still Separate and Unequal”, Michelle Alexander’s excerpt “The Lockdown”, and Sarah Smarsh’s “Poor Teeth” all explore the idea of poverty and the systems that sustain it. While all four readings focus on poverty differently and explore it using different techniques, they all share similar big picture ideas about how poverty is fortified through systematic, societal, and psychological efforts.

Hooks first argument stems from the false assumptions that she has encountered about the poor. She takes us years back to her college days where students and professors were labeled as ‘mindless, unworthy, shiftless, dishonest, and lazy (paragraph5). To her, those experiences were a culture shock because having being brought up in poverty, she had always been taught that there is no correlation between poverty and personal integrity. Furthermore, a person could be a hard worker and still be poor. The values of a human being can’t and should not be based on material possessions. She states that it is horrifying to think that the poor have no values. According to Bell Hooks, had it not been for the upbringing in a poor household, she would neither be the prolific writer that she is nor have good values. All the aforementioned assumptions indicate how lowly the United States contemporary society regards the poor. The poor are never portrayed as who they really are.

As far as she describes, she just enjoyed living with grandparents and she says that the lure of life was everywhere and in everything, but no one in the crowded house had a regular job or social security number, and no one talked about class even if they were open about money. Hooks' personal memories tell me that poor people are afraid to talk about class because to be poor in the U.S. was to be an object of shame and ridicule, and because they were afraid to face the reality that makes them feel miserable, unpleasant, and unsecured. And the most importantly, most of them are not really conscious about how classism affects and exploits them. On the other hand, according to Hooks privileged (mostly white) people do not want to talk about class because they do not really want to change. Hooks says "Citizens in the middle who live comfortable lives, luxurious lives in relation to the rest of the world, often fear that challenging classism will be their downfall, that simply by expressing concern for the poor they will end up like them, lacking the necessities of life". We can see the widening gap between rich and poor and more and more class-segregated society in the U.S. today, but this appears rather favorable circumstance for the privileged people with class power. I came to realize that whites of all class backgrounds seek to keep underprivileged non-white people in subordination to maintain their own class status. Hooks interprets it "the victims

What is your perception of the poor and less fortunate in society? Would you say that you have a low perception of them or do you regard them in the highest? Would you do your social duty to reach out to the poor and impoverished to assist them, or help assist, in establishing programs that would aid in leading them to a brighter future? These are the questions that I ask of myself as I read, “Seeing and Making Culture: Representing the Poor,” by bell hooks. My paper examines the perception that pop culture, society, and media have of the poor, as well as, the expectations and responsibilities of society to ensure a response to

In the article, Hooks focuses on the issue involving lower and higher class and comparing them in poverty by giving her own personal experiences to illustrate her argument. While addressing the assumptions made about the poor and the view in America culture in the U.S. usually portrays the poor in ways that radiate negative stereotypes according to Hooks. The way that the poor are being represented on television. Hooks clarifies that the misinterpretations of those in poverty can affect their daily lives. Popular culture in the U.S. usually portrays the poor in ways that radiate

I liked bell hook’s essay “Seeing and Making Culture: Representing the Poor”. Bell assesses the light in which higher class people view the poor or lower class. Bell hooks, also known as Gloria Watkins grew up in a small Kentucky town where her father worked as a janitor for the local post office. As one of seven children she was taught that money and material possessions did not make her a better person but hard-work honesty and selflessness determined character. Her hard work landed her acceptance into Stanford University. Although she received various scholarships and loans, her parents worried that she would not have enough for books and supplies or emergency funds. Regardless of this, belle went on to earn a Ph.D. Her experiences and education earned her a very good reputation and even an authority writing critiques on popular culture and diversity (hooks 431-432). She uses ideas in her essay “Seeing and Making Culture: Representing the Poor”, that stem from her own personal experiences with poverty to add credibility to her writing, as well as examples from pop culture and mass media to demonstrate how these representations portray the lower class in ways that radiate negative stereotypes. She wrote the essay because she saw how the poor had many assumptions made about them. It wasn’t until college thought that she made that discovery. She discovered how unjustly they were represented due to the

In “Touching the Earth” written by Bell Hooks, she explains her culture and is not only writing to black Americans, but to every ethnicity and future generations. She talks about stories from her past and the importance of nature to her and her family. Hooks wants to convince the readers to cherish and take care of the Earth, to grow produce and gain respect for nature. This essay was successful at explaining the beauty and importance of the Earth by the use of pathos, the history of slaves, and the obtaining of land.

bell hooks, renowned black feminist and cultural critic criticizes the lack of racial awareness in her essay, Representing Whiteness in the Black Imagination (1992). ‘bell hooks’ is written in lower case to convey that the substance of her work reigns more important than the writer. From a marginalized perspective, hooks argues that sites of dominance, not otherness is problematic and critiques the lack of attention that white scholars pay to the representation of whiteness in the black imagination. Critical feminist scholars Peggy McIntosh and Ruth Frankenberg identify their own whiteness as a dominant discourse, but share a critical departure from hooks with the notion of whiteness as terror. hooks aim is not to reverse racism, but discuss her position to authentically inform readers about how she experiences racism. Furthermore, systems of oppression are manufactured by human thought and thus the site of the Other is always produced as a site of difference. Gender, race, sex, class, disability, and geography are situated differently in social structure, but dominant groups assume they share the same reality though they cannot experience it. In consequence, the Other cannot hold a singularized identity of their own and the binary structure succeeds in containing racialized bodies in place. What happens to those bodies when they cross boundaries of the binary? hooks recounts being routinely disciplined back into place when crossing the border; however, dominant white

The author, Ann Petry used Miss Rinner as an example of how people in poverty struggle against the system. Bub’s teacher, Miss Rinner, was a white woman who was prejudice against black people and poverty itself; she

hooks uses the story of her parent’s constant objection against her desire to educate herself to help the audience connect with her past and understand her motivation