Research Paper: Marjane Satrapi

Through Satrapi's graphic novel, she clarifies how during this time in the Islamic Revolution there were numerous social and emotional problems for families. Ladies had numerous confinements that disparaged them as residents. The leaders of Iran, and a large portion of the men believed that ladies were second to them and treated them poorly in various ways. The Tehran Militant Clergy, was to a great degree strict about ensuring natives were following the Islamic laws. The Islam religion powers ladies to wear veils, called a hijab, to cover their heads and parts of their faces and necks. There are many different reasons for why ladies in the Islam religion wear the hijab. A few Muslims trust that the hijab is worn in light of the fact that God expects ladies to cover their hair. In Persepolis, Satrapi demonstrates to us that most ladies didn't appreciate wearing the shroud and were not steady of the predominant demeanor of men. Right now there was likewise a convergence of Westernized culture that Satrapi herself appreciated, particularly

During the Iranian Revolution in 1979 transformed Iran’s political,social,and economic structure. Secular Laws were replaced with Islamic laws creating an outburst. Women were often abused,raped,treated as slaves,and accused of false imprisonment. These tortures things that most women had to face are against the Islamic religion.

After the empowerment of the Islamic Regime, the treatment of women turned tables in Iran. Before the Regime, Iranian women were much like the average American woman during that time. They were able to dress in modern clothes, associate with male counterparts, and have a role in society. But most of this was drastically changed, especially the dress code. Around 1980, the women of Iran were forced into the wearing of a veil. A veil is a piece of cloth used to cover the hair and part of the face. Many women were against the veil and took to the streets to protest. After many protests, the women were still forced to wear the veil. In the graphic novel Persepolis, Marji goes the store and bought some modern clothes. She decided to wear them out to go buy tapes. In the last frame, Marji is approached by two women wearing chadors: “They were the Guardians of the Revolution, the women's branch. This group had been added in 1982, to arrest women who were improperly

Women's rights in the Middle East have always been a controversial issue. Although the rights of women have changed over the years, they have never really been equal to the rights of a man. This poses a threat on Iran because women have very limited options when it comes to labor, marriage and other aspects of their culture. I believe that equal treatment for women and men is a fundamental principal of international human rights standards. Yet, in some places like Iran, discriminatory practices against women are not only prevalent, but in some cases, required by law. In this essay I will explain to you the every day life of an every day Islamic woman living in Iran. You will be astonished by what these women have endured through the

Marjane Satrapi’s Persepolis introduces the Islamic veil as an attempt by the Iranian government to control women. Islamic radicals promised safety and security for those who abided by their rules. Rebels who refused to wear the headscarf were threatened with beating, rape or death. These modern women who fought against religious oppression met the minimal requirements of the government rules to safely live in the hostile environment. Through being forced to wear the veil, the control of the Islamic government drives its people to a rebellion.

One of these incidents occurs when Marjane is in art school. When the students were told that they needed to wear longer headscarves, Satrapi immediately responded that “as a student of art…I need to move freely to be able to draw.” She further questions “why is it that I, as a woman, am expected to feel nothing when watching these men with their clothes sculpted on but they, as men, can get excited by two-inches less of my head scarf?” here Marjane questions the restrictiveness of the veil and comments on the injustice in Muslim society and the gender inequality. The veil represent the repressions and the gender injustices in Iran. By revolting against the veil Marjane is able to protest the repressions. On hearing Marjanes complaint, the school administrators asked Satrapi to design her own veil. Marjane accepts this offer while still in the confines of the veil. Marjane designs the veil to suit the needs of the students and

Abayas, shailas, burkas, and chadors: all are forms of veiling in the Middle East, and all are perceived as symbols of oppression and patriarchy by the West. The veil worn by a Middle Eastern woman is striking and beautiful in its simplicity and elegance. The hijab, the most common form of veiling, leaves only the face visible with the neck and hair completely covered. Onlookers are in awe at the mystery and symbolism associated with the many veils created out of fine, exotic silk. But such notions of oppression and patriarchy often associated with veiling are not only inherently biased and ironic – it would be interesting to explore the symbolism behind a mini-skirt or a pair of five-inch heels, no? – but they are also inaccurate. Although veiling has most definitely been used in the Middle East as a “mechanism in the service of patriarchy, a means of regulating and controlling women’s lives” (Hoodfar, 5), it has also been used as a mode for rebellion and self-expression. Marjane Satrapi, an Iranian woman who grew up during the Islamic revolution, resisted the regime and the universalizing nature of the veil in the hope that she could maintain her individual identity whilst communicating her political ideologies. By examining the way in which the veil is represented in Satrapi’s graphic memoir, Persepolis, while also considering the history of veiling in Iran, it will become evident that the veil is not just a political tool used by male chauvinists; it also presents an

Ultimately, Satrapi’s images of the indistinguishable characters accentuate the perception of a western reader to see the Veil as quite oppressive. In America, young teenagers live in a society where clothing and hair is meant to define and express themselves. It is normal for a 17 year old girl to curl her hair and go on a date with her boyfriend. However, in Iran, this is not the case, and as evident in Persepolis, woman are restricted to show her hair or publically show affection to any man who is not her husband. This restriction is something that not many people, especially in predominantly Christian societies are accustomed to. On page 74, Taji, Marjane's mother warns her daughter by explaining one of her experiences, "They insulted me. They said that women like me should be pushed up against a wall and fucked. And then thrown in the garbage. ...And that if I didn't want that to happen, I should wear the veil...” Indeed, Marjane had always been deprived of her individuality, not only as a woman, but as a person. Being a woman in Iran meant Marjane was never able to fully express herself, not only by not

The Islamic dress code is imposed upon women in Iran, sparking outrage and rebellion among the women. Simple breakings of the code or mild protests, such as a piece of hair sticking out, leads to the revelation of the extent to which women are detested for their aversion of the patriarchy. Women are subdued with derogatory comments; for example, at one point in the movie, Marji’s mother is told by a member of the religious police that he “fucks whores like [Marji’s mother] and then throws them in the trash.” Some women, however, submit to the religious rule, falling in line with patriarchal religious police, and degrading women who do not submit to the imposed laws; in one example, Marji is threatened to be taken into custody by two women due to her improper veil and even called a “slut.” These two opposing sides reveal the plight of women during this period in Iran; in all reality, they have two choices: obey their government, conforming to the Islamic fundamentalist ideology, sometimes even relinquishing their own beliefs all in order to avoid persecution, or rebel, fighting for their rights and refusing to conform to such oppressing beliefs, most often at the risk of being arrested. Due to the push factors of the harsh realities of the war and the imminent danger Marji faces, due to her fighting spirit and consistent rebellion, Marji’s is forced to move to France, where she can live a life free from her repressive

women that needed to cover up. The women of Iran are dress restricted, well depending what area they happen to be in. Women in Iran are superior to their man, view more as a piece of property that belong to a man for pleasure.

During Satrapi’s early childhood, the traditions and history of Iran had been going through drastic changes. The Iranian Revolution was when Iran’s monarchy under Shah Mohammad Reza Pahlavi was overthrown and replaced with an Islamic republic under Ayatollah Ruhollah Khomeini who led the revolution. ii

The emergence of the Islamic Republic in late 1970’s Iran demonstrates how middle class Iranian people purged themselves of the Pahlavi Dynasty in an effort to continue down a more righteous and egalitarian path. As a result, the country underwent a complete social upheaval and in its place grew an overtly oppressive regime based in theoretical omnipotence. In response to this regime, the very structure of political and social life was shaken and fundamentally transformed as religion and politics became inexorable. As a result, gender roles and the battle between public and private life were redrawn. Using various primary and secondary sources I will show how the Revolution shaped secular middle class Iranians. Further, I will show how the

Her family’s background was important as being modern and avant-garde, they were not subject to fundamentalism. Satrapi attended a French non-religious school before 1980, and the school promoted gender equality as boys and girls were allowed to play with each other. The top two panels on page four showed a mix of genders, showing the readers that there are many more “modern and avant-garde” families in Iran, and Iran was very westernized. The kids shown on page 4 are much happier than they are on page 1, which the former had more freedom in choosing their clothing while the latter all the girls were forced to wear the veil. The veil became obligatory at schools yet the authorities failed to explain its connection to the religion. Leaving confusion among the girls, the veil was simply disrespected. In the last panel of page 3, the veils were used by kids for fun, and a chaotic environment ensued. Satrapi in this panel also remarked how the veil was being too hot, which was repeatedly mentioned over and over again later on, indicating that the veil itself is not pleasurable to wear. On page 75, Satrapi drew the fundamentalist woman and man in comparison with the modern woman and the progressive man. The difference between the fundamentalist woman and the modern woman is distinctive: a fundamentalist woman is covered head to toe in black by a chador and having her hair covered by a veil, while the modern woman was basically everything else. It’s much easier for a person to identify a Muslim woman on the street if she is wearing a veil or chador than it is to identify a Muslim man. This shaped a view that Muslim women are fundamentalists through

For example, after the overthrow of the Shah of Iran and the rise of an Islamic republic in 1979, Iranian women’s rights declined drastically, as can be seen in the political cartoon from The Minneapolis Star. In this cartoon, a wilted flower represents Iranian women’s rights, and a devious Muslim man is seen in the background, which presumably symbolizes the new Islamic government led by the Ayatollah Khomeini. Thus, the creation of this new government has greatly diminished whatever women’s rights were previously established in Iran (Doc 9). This source, an American newspaper, may not be as accurate as, for example, a Muslim source because of a general American unfamiliarity with Islam. Princess Ashraf Pahlavi, a high-class Islamic woman, described her experiences as a Muslim female during this period in her memoir Faces in a Mirror: Memoirs from Exile. This specific excerpt depicts the immediate obedience of high-class Islamic women to their male superiors, despite their own intentions (Doc 10). Thus, although there were sparse attempts to reform the status of Islamic women in the 20th century, in general, the role of women remained the same, or in some cases it was even worse than before.

The women of Iran aren’t truly oppressed until about Pg. 74 and beyond where the first incident occurs. Satrapi’s mother was driving alone when her car broke down so she calls for her husband to come pick her up. Except before he arrives with Marjane two fundamentalist men approach her since she isn’t wearing a veil or chador. The two bearded men say to her “...women like you should be pushed up against a wall and f*cked. And then thrown into the garbage”(74). After her husband and Marjane picked her up she was then described as “...sick for several days”(74). This scene is a perfect example of how women in Iran were treated when they didn’t obey the government’s rules about the dress code. Another example of women being