Research Paper On Bomba

The genre bachata was developed in the Caribbean island of Dominican Republic. This genre was created based on boleros (slow-tempo Latin music), son cubanos, waltzes, Mexican music and merengue. Bachata is well known as love and depressing songs in which many people describe them self with this genre. At one point back in the earlier 1960s, bachata was considered vulgar and low-class. “Acceptance of the music has increased significantly in the last two decades, although some dominicans, both individuals living on the island and stateside, still do not accept the music because of the implication of its lower-class origins and associations with such themes as crime, poverty, drinking, and prostitution’’(Stavans 47). The genre Bachata has spread and grown so quickly for the past few years that is has become very famous in the United States, Europe, China, and South America. The genre bachata is well known to attract people with its lyrics, instruments, and dance since it identifies many people with real life events.

As a unique artistic language, music records human civilisation and develops concurrently with human culture. Smetana used music as a cultural voice by celebrating the Czech culture, and to also evoking a national spirit. Culture is the characteristics and knowledge of a particular group of people, defined by everything from language, religion, cuisine, social habits, music and arts (REF). The cultural background knowledge of the music gave me a new perspective of the Moldau. It changed

In this essay I will be describing and going into detail about salsa, plena, bomba, and merengue music. What really is the style of music along with the importance it has in and for the island it belongs to. As well as the effect the music has dealing with tourism and some of the famous musicians in that style.

Dance has always been the focal point in which Africans are able to let free through movements of emotion. In this essay I will discuss the history of African Dance and its importance to the African Culture. Also will be discussing the general information of African dance, the different types of African dance and the ones that I like the most. Dance in the African culture is something that cannot be taken advantage of in the African Culture because it holds such a strong meaningful moment at the time of any occasion.

For as long as mankind has walked on this earth, music has been an important part of our culture and lifestyles. Each walk of life beats to a different drum. Different cultures use music for many aspects of their lives; for religious purposes, for celebrations, for comfort, for sorrow, for relaxation, for sports, for dances, for energy, for learning, for sleeping, and for sexual experiences. Everyone uses music for something. Music connects with people and reaches them in ways that words simply cannot. Music is a representation of what feelings sound like. It expresses emotion and brings that characteristic out from within us; it tells us a story. Every generation has its’ own sound and different music styles have emerged and become

Latin Dance has evolved into a vivid kaleidoscope of many different cultures dancing to the beat of a single drum. These types of music which find their origin in African influence have developed into a meshwork of individual sounds and have grown to be identified with a particular culture. An example of such can be seen in the evolution and history of one of these, Merengue. This type of dance is native to the Carribean, however, it has developed and taken its precedence in the Dominican Republic. This Carribean nation has been crucial to the spread of this music on an international level.

For the purpose of this project, I have chosen the Puerto Rican Bomba Dancing as my artifact. This artifact is not something you can physically hold in your hands or go to a store and purchase, it is intangible and yet pure. It represents a culture and embodies the idea of freedom. Unlike most dances where the person follows the rhythm, in Bomba dancing, the dancer leads the drummer with the tap of their feet and movement of the hips and shoulders. The parties involved mostly dress in white with the females wearing plantation style outfits and head scarves. The lyrics sung normally evoke a sense of freedom and an escape from the hardships of slavery. (Bomba, n.d.). The most important elements of Bomba Dancing are the lyrics, the drums and the traditional outfits. The combination of these 3 elements truly enhance the experience. Moreover, Bomba dancing is one of those things that the medium of experience should be in person. This is due to it having the potential to take you back in time to the 17th century where you

Bomba is a kind of music that originated with the slaves that were brought to Puerto Rico.

As a child of newcomers to the United States, the importance of our Hispanic heritage was embedded into my mind. In order to portray my love for my culture, I have performed in a Folkloric Mexican dance troupe known as “Fiesta Mexicana” since the age of three. Envision the ambitious ambiance of people witnessing you perform the historically rich machete dance. The sound of the music constantly piercing your

In Latin America, African music and dance did not rise to prominence in an unadulterated form, but rather one transformed by interactions with European styles in a process known as transculturation. Such an intricate transmutation occurs when cultures exchange aspects, including music, language, or dance, and mutually influence each other in both beneficial and adverse ways. John Charles Chasteen explores this concept in profound detail throughout National Rhythms, African Roots wherein he explains the origins of Latin American popular culture in a tale that spans centuries, continents, and race gaps. This radical transformation of culture is not removed from current events, but has become increasingly relevant with the rise of the internet and social media to serve as channels for such diverse interactions. After African and European dance and music were interwoven through transculturation, Latinos gradually embraced the hybrid rhythms as their own after being exposed to them at carnival street parades and clandestine dance clubs. Nonetheless, these interracial interactions were not completely free from racism and degradation to the African identity.

In Africa, music isn’t just something they see as having fun, it has become something greater. Africans use music in their everyday lives. It has become a social event, where African community’s come together and accompany songs with cultural beliefs, traditions, rituals, festivals and “recreation after a day’s hard work”(Bame, 7). For instance, in some communities it is believed farmers are able to heal people while dancing. Other’s dance to honor the death of a person, and find their soulmates.

When music is created, it integrates the cultural and emotional situations that occur in everyday life. People create dances to the

In this course we have learned about all of the different cultures and their musical traditions. My favorite so far has had to be the west African music culture. They have a variety of different music, instruments, and dances to contribute to the reasons I liked this music culture so much. So, I have taken it upon myself to further my research on this particular musical group. I will compare and contrast a variety of different videos from the west African music culture and I will analyze how they connect to this culture.

Scholars have attempted to define music, and to be quite honest, it will be a huge challenge to try to weave a definition around the art that is music, because it is beyond definition. However, for the purposes of this work, we shall adopt the definition by Aluede & Eregare (2009), not because the definition is, in itself, complete, but because it captures the very essence of what we look for in the definition of music. Music, according to Aluede & Aregare (2009), is not only an organization of sound but also a symbolic expression of a social and cultural organization, which reflects the values, past and present ways of life of human beings. Also, Jones (1975), cited in Amana and Onogu (2015), defines music as “a language which encodes emotions, aspirations and people’s goals in autonomous and self-expressive arts forms.” These definitions are important in understanding music, because they highlight the fact that music does not only appeal to the feel-good emotion, it is not only used for entertainment; it is a valid form of social expression and this underscores the centrality of music in African socio-cultural life.

There is a suggestion that goes that participation in music and dance has a more further influences than aesthetic principles that may follow it may have an effect on the founding cultural schemas also it would have an effect on the most of the domains which are cultural in nature. This includes political organizations, gathering techniques, architecture style, hunting and also cosmology (Reichard GA. Ypg 45-90). This way of music and participation in dance makes culture not to resemble any of the rules set or the texts but the aesthetic motivations remains firm. The foundational schemes which are in the cultural stage can be understood when named as orientations which are aesthetic in nature. These brings an influence intro our day to day life by