Research Paper On Coldhearted Vamps

Since the beginning of time vampires have been categorized into different "types” and are portrayed in different ways throughout several books. This paper will focus on three vampires from the following books: Dracula by Bram Stoker, and I am Legend by Richard Matheson. Dracula is considered to be the traditional vampire, where it all started, and the vampires in Matheson’s book, follow somewhat Stoker’s concept, but is more of a modern “type” of vampires. Certain vampire elements have been presented, but others have been completely removed or altered. In addition, elements along with appearances are used to infer if the vampire is a form of “the other”. There are two types of vampires; the traditional or modern vampire which can be distinguished based on the elements present in their storyline.

To begin with, vampires usually have supernatural powers. In Dracula, Mr. Van Helsing who is a vampire expert describes Count Dracula’s abilities to his comrades to plan a way to stop the master plan. He expresses the brutal strength along with the difficulty of killing them. They can also change their forms such as bat or even a mist. In addition, vampires have the ability to manipulate animals.

Humans for centuries have been drawn to vampires. From sitting around the fire in the time before the industrial revolution, to sitting around the table and in modern times watching it on the big screen. The folk tales of the undead that hunt at night, sucking the blood of the innocent has haunted and intrigued the human psyche for as long folklore has been in existence. Being afraid of what is being told to them, yet being unable to pull away. The pull and push affect that these mystical monsters have on the human aura is undeniable. Modern day vampires have a cult like following. When the Twilight series came out, the people where divided between team Jacob and team Edward. Teenage girls would swoon over these monsters, dangerous yet alluring.

Vampire is "a bloodsucking ghost that come back from dead person believed to come from the place where a body is buried and wander about by night sucking the blood of people asleep and causing their death." Before vampires were seen as evil monsters and creatures humans must fear. However, now, vampires have become an "famous popular culture and fascination among teens around the world"  This art has increased vampire large groups of fans this way resulting to the creation of many fan clubs and social organizations, whether online or not.

Vampires have been around for centuries, they represent the fear of many things such as sexuality, race, gender, etc. and above all, they stand for the fear of diseases. Vampires have once been the symbol of horror due to their terrific depictions and were described as a threat to the humanity. Throughout time, the image of vampire has changed dramatically from a monstrous, inhumanely creature that doesn’t belong to human society to such an attractive and adaptive figure that expresses more of the human side than the evil. They developed human feelings, senses, and live within our society. Modern vampire movies are often more romantic and “sympathetic” comparing to the past. Vampires have abandoned their horror and evolved to a more

which has the upper body of a woman and the lower body of a winged

To be a vampire, you have to take something from someone else to benefit yourself, whether that be anything from blood to money. Vampires weren’t always what we see today in “Twilight. Vampirism does not always have to do with vampires but selfishness, exploitation, and refusal to respect.

If you watch "The Vampire Diaries" you are going to enjoy this week's episode of Season 8. Let's take it all the way back to the beginning of the series. Damon tells Elena him and Stefan are "Blood Brothers". Elena heard this when Damon told her he changed into a vampire because of his brother Stefan gave him no choice. This is why Damon despises his brother

The generalization for vampires has been displayed in films and literature for hundreds of years. The stereotypical versions of vampires are that they have long fangs, sleep in coffins during the day, and suck the blood out of humans. Both novels contradict those stereotypes in different ways. To understand the diversity of the vampires described in both novels, one must examine the characteristics that the vampires display and the meaning and purpose behind them. David D. Gilmore’s book “Monsters” analyzes monsters and other mythical creatures. Gilmore describes why humanity invented the idea of

In John Polidori’s short story “The Vampyre”, a strong emphasis is placed on its depictions of pastoral countrysides and old aristocracy. We see these depictions in the travels of Aubrey through the pre-industrial states Italy and Greece and in his occasional partner Lord Ruthven. Through these depictions, the story appears to be responding to the times it was published in, times of immense social and technological change which Romantics such as Polidori tackled through their writings. The drivers of this disruptive change during Polidori’s time are two revolutions, that is, the Industrial and French -- both of which brought the Romantics much cause for lamentation or celebration. As such, a couple questions appear when considering these depictions, that is, what is Polidori doing with these depictions, is he lamenting the changes that are to come throughout these quaint countrysides? Is he criticizing old aristocracy through his depiction of the licentious vampire Lord Ruthven?

Elena Gilbert (Nina Dobrev), recently an orphan, lives in her hometown Mystic Falls with her aunt and her younger brother Jeremy, who got involved in drugs after his parent’s death. Stefan Salvatore (Paul Wesley), is a vampire who later meets Elena in school and takes an interest on her. Stefan is a good vampire that can control himself around humans and can survive on animal blood. But he is later surprised with the arrival of his brother, Damon Salvatore (Ian Somerhalder). Damon is the opposite as his brother, he is more of a bad boy who doesn’t care what other say and does whatever he wants. Both take an interest on Elena because she resembles an old love of Damon and Stefan from 19th century. As the show goes on we see how Elena makes

As one of the most attractive and enduring figures in the Gothic literature, the vampires have moved from being a peripheral element with the genre to a place near the center and are capable of generating its own massive tradition now. In the recent literary history, they have already been adapted to play a role of a rebel against the moral, social, religious, and even sexual taboos. Put simply, the vampires are now a metaphor of human beings in the modern society and life.

Orlomoski, Caitlyn, "From Monsters to Victims: Vampires and Their Cultural Evolution from the Nineteenth to the Twenty-First Century" (2011). Honors Scholar Theses. Paper 208.

The legend of the vampire has emerged countless times within human imagination over the past few centuries. The first available representation of the mythical creature in prose fiction can be found in John Polidori’s “The Vampyre” (1810). It was not until eight decades later that Bram Stoker popularized the existence of this figure with the publication of “Dracula” in 1897. The folklore of the vampire has come a long way since and can be found in today’s popular media more frequently than ever before. However, with due course of time, the representation of the creature has taken alternate routes and today’s vampires are noticeable different – socially and physically – from their predecessors. One effective path to trace this

Damon is Stefan’s evil, older, vampire brother. He is the antagonist of the story. He is handsome and charming, but manipulative, depraved, and sinister. Damon loves being a vampire and enjoys killing. He has no boundaries and does whatever he wants. He develops feelings for Elena and attempts to take her from