Research Paper On Elgin Marbles

Therefore, the Greece government demands for their Elgin Marbles or the Parthenon Sculptures to be send back to their rightful home, Greece. In the modern days the argument has arisen about weather or not they should return the Elgin Marbles to Greece? In my opinion, I think that it should remain

As I mentioned, this is an extremely controversial topic that has raised a lot of difference in opinions. Furthermore, I must admit that those arguing for the sculptures to remain in Britain do make some interesting points that plenty of people have taken into consideration. One of their arguments is that the sculptures were already in a damaged and fragile condition, and leaving them in Greece would have destroyed them completely (‘The Parthenon Marbles: Refuting the Arguments”, par 6). In the YouTube video, “Parthenon Marbles Debate ", one of Tristam Hunt’s arguments is if the Greeks are able to acquire their historic artwork, this may cause other countries to demand their historic artifacts as well, not just from the British Museum, but from museums all over the world as well. I can see the counter arguments that this controversy issue involves. However, regardless of whether they were in a horrible condition, the Greeks were never consulted, nor did they have a say regarding the selling of this artwork to Elgin. Now, when it comes to everyone claiming and demanding they receive their ancient artwork, like historian Hunt said; this is true. It can happen, but I don't believe that any other artifacts have the amount of significance that these sculptures do. The Greeks worked their hearts

Founded in 1959, The El Paso Museum of Art has been a pillar of the community (reword). The museum mission is to preserve, interpret, and exhibit artwork that strengthens the Museum’s permanent collection. The museum also offers programs and training devoted to education the public in regards to the regions cultural diversity. The El Museum of Art also displays films, lectures, and concerts to the general public. The museum permanent collection includes more than 5,000 works of art. The museum is funded under the jurisdiction of the City of El Paso. More than 80,000 visitors a year travel to view the El Paso Museum of Art.

The Elgin Marbles is the common name for an extensive collection of the Ancient Greek sculpture which has been on display in the British Museum since the early-1800s. The collection includes 75 meters (247 feet) of the original 160-metre (524-foot) frieze from the Parthenon temple in Athens. The frieze is the highly decorative section above the columns in classical Greek architecture. The collection is controversial because of its namesake the seventh Earl of Elgin removed the treasures from Greece with the permission of the Ottomans, who occupied Greece from the mid-15th century until 1821. For decades, the Greeks have called for the priceless artifacts’ return, but the British Museum defends its ownership as legitimate.

The marble bust is 22 inches high created ca. A.D. 150-175 and is displayed at the Metropolitan Museum of Art.

“Who Owns the Elgin Marbles?” this question continues to linger in some minds today, and just so happens to be reviewed in the respectfully titled article written by John Henry Merryman in 1986. In this article, Merryman, in the most unbiased way possible, assesses both Britain’s and Greece’s side of the argument pertaining to the ownership of the Elgin Marbles and whether they should be returned to Greece after being removed from the Parthenon by Lord Elgin in the early 19th century. Within the article, the main points discussed regard the morality and legality of the removal of the marbles. Merryman goes on to discuss three more main concerns dealing with the marbles and where they belong:

The Elgin Marbles is a culturally important piece of history for Greece. Having said this, it is important that the British museum focuses on being fair and follows the steps taken by other countries to return the items taken from Acropolis. By returning the item, the British Museum will simply be showing a form of peace and will help in attaining a positive outcome.

The controversy began almost one hundred years ago. Between 1801 and 1812, Thomas Bruce, 7th Earl of Elgin and British Ambassador to the Ottoman Empire, removed several sculptures from the Parthenon in Athens and shipped them to England, where he sold them to the British Museum in 1816. 167 years later, Melina Mercouri, Greek Minister of Culture, requested that the “Elgin” Marbles be returned. This request sparked one of the greatest debates the art world has ever known. For the past two decades, people have argued over who has the rights to these Marbles. The Greek position is certainly understandable from a cultural and emotional point of view. However, from the standpoint of

I believe that Lord Elgin did the right thing. He helped preserve the statues because there would have been no statues left, if he did not. Athens had already pulverized about forty percent of the statues, for the limestone. They would have pulverized the rest if Lord Elgin had not stepped in. If every country got to keep their own artifacts, how would anyone ever get to visit all the different artifacts that one museum can offer? If the artifacts were donated or purchased, would that be fair to the purchaser? No, it is not. Lord Elgin did everything legally, including getting an export permit from Ottoman authorities, so that he could bring them to Britain

The Frieze was taken from the Parthenon between 1801 and 1812 by Thomas Bruce the Earl of Elgin after he was granted permission to take them by the Ottoman Empire. He later sold them to the British Government in 1816 where it was moved to the British Museum in 1832. The Frieze was shipped in two stages with the first set going in 1803 in 200 boxes with the second shipment in 1809. The transportation of the marbles took so long as Elgin was imprisoned on the Spanish border at Pau for three years. The entire removal process of the marbles taken from the Parthenon cost Elgin £74,000. (4)

First off, your post raises two great points for both sides of the Partheon Marble dispute. While I also feel the marbles should be returned to Greece, I can now see the British Museum's reluctance to return them due to the fear of other countries wanting to take their country's art back.

One quote from the documentary sticks out in my mind every time I think about this debate. One of the commentators makes the statement, "You would not return an abused child to it's mother." That statement and the implications that go with this statement weigh heavily in my mind. Elgin may have done something that in this day and age would get him thrown in jail, but ultimately this act of greediness may have saved the art that lies in the middle of this debate. I do believe that

The marble figures were passionately crafted for religious and cultural purposes, which presents the argument of preserving the religious icons of the Grecian peoples. However, the principle of cultural nativism is not being infringed upon by the British because of the acknowledgement that the marbles originate from Greece. These marvelous works of art can be appreciated while also being protected and preserved at the British Museum instead of being exposed to the elements at the Parthenon. In contrast to this view, Robert browning structures his view on the topic by presenting the cases of cultural property and integrity. On the argument of cultural property, Browning states that the Earl of Elgin’s intentions for the removal of the sculptures are irrelevant to the argument and the legality of his actions should be the main point of this argument. However, Browning suggests that the past cannot be undone, but can be rectified by the Parliament after a debate in front of the House of Lords. This informed debate will also have to take into account of the integrity of the continued British ownership of the Greek religious

The Parthenon is located on the Athenian Acropolis, Greece; is a former temple which was dedicated to Greek goddess Athena, whom the Athens considered their leader. According to the British Museum (2015), The Parthenon was built nearly 2500 years ago and has a long and complex history. After thousands of years it became a church of the Virgin Mary of the Athenians, then a mosque and then finally resulted in a archaeological ruin. After the result of a ruin, the buildings were reformed in which various sculptures were damaged. During the 1800’s after the Parthenon being damaged, the Elgin marbles (Elgin) a part of the remaining sculpture, was removed and given to a British museum. For hundreds of years there has been a question if the British museum should return the Elgin marbles back to the Athenians or not. I believe that that the safest and most beneficial place for the Elgin marbles is the British museum, therefore the British should not return the marble to the Athenians.

The form of art has been around for thousands of years. There has been many different types of art form found from the ancient greece times. These time are the earliest times that are recorded and are placed in museums. These early art forms teaches us a little bit about the human race and how they were back in the roman times. There are some painting and sculptures that represents different people from their time lines. These art form can explain how they were back in their times and with the statues you can see how far they were allowed to do.