Research Paper On Pieter Brueghel

the 17th century as the Golden Age. The painting comes out as a love letter regarding the

The piece has qualities of Early Northern European Renaissance, specifically that of 15th century Flemish paintings. Among popular subject matter, some paintings in this time period were typically altarpieces commissioned for churches. The painting seems to be a customary adaptation of Madonna and child. The technique is very detailed oriented as seen in the brocade fabric held by the angles, the fountain in the foreground, and the partial floral background. All these qualities are close to that of Jan Van Eyck’s style and can be compared to the Musical Angels panel in the Ghent Altarpiece. Van Eyck was known for his microscopic-telescopic vision that recorded things in exact detail. The well-defined and heavy drapery is one distinctive quality

It is called Plowing in the Nivernais by Rosa Bonheur. Rosa was born March 16th, 1822 and died May 25th, 1899. She established herself as the leading animal painter, linked with landscape painting and the realist tradition of art. This type of paintings is an oil on canvas. This painting was painted in 1849 and is located in Musee d’Orsay, Paris. The idea of the painting is to respond to the French Revolution. This painting shows the common wealth life style for an ordinary French peasant. The agriculture shows how farmers had to live to make a living back then. It stills happens today cause farmers are struggling with their farming system. Plowing in the Nivernais can show change for many

The landscape and gestures are symmetrical and balanced such as their feet, hands, and facial expressions are all equally proportioned. Throughout this composition there are geometrical shapes which are recognizable such as circles, ovals, and rectangles which are all natural forms. The utilities used to create this work of art have more benefits than drawbacks. Canvases and oil paints are easier to depict mythical and heroic figures effectively because the paint can be applied thick which makes blending of colours easier to achieve. The linseed or walnut oil dries very slowly thus making it simple to revise the image. In addition, canvases are light and retain a glossy surface. The only challenge is to keep the brush strokes to a minimum, but the trace of an artist’s brush stroke like the one in this painting accentuated movement and naturalism.

Worksheet 1: Title: Plum Estate, Kameido by Ando Hiroshige Form: two-dimensional painting Medium: woodblock print, ink and color on paper Size: 1' 1 ¼ " x 8 ⅝ " Original location and date: Japan, 1857 Line There are contour lines used in the painting on the tree trunks and branches. There are lines in the background of the painting implying trees with branches, but the trunks of these trees do not reach the ground. There are horizontal and vertical lines being combined in the background to form a fence. 2.

The most important characteristic that these photos share is the implication of longevity and a continuation of understanding. In a sense, they represent timeless images. Conversely, they also seem to reinforce the notion that careful conservation should be more prominent, even while presenting nature as strong and magnificent. Both artists seem infatuated with the balance between the strength and fragility of nature. The very concept of nature is one that every living being on Earth can relate to in some degree. Thus, these photographs also represent universal themes that we can always understand. These photos may be interpreted differently by individuals from future eras,

The set shows the cycle of human life and is combined with elements of the natural world and keep with the pantheistic theme of his late landscape paintings.

Telling a story in a painting is common for artists, but Pieter Bruegel the Elder was capable of doing more than that: some of his artwork had multiple stories embedded in them, which had much more meaning than a single narrative could have. Bruegel was famous for painting landscapes and peasant scenes. He differed from Southern Renaissance artists, in that he gave more space to the landscape in his paintings. Bruegel employed folk to present the moral values, and he used elevated viewpoint to create more space for landscapes in his paintings.

Pieter Bruegel was born to paint. Many people in his family were painters, such as his wife's family. Pieter painted beautiful landscapes and scenes from peasant life. His paintings use wonderful colors and proportion. He was from Italy, the birthplace of the Renaissance and was a very gifted painter. Pieter Bruegel was a Renaissance man. He painted many realistic scenes of peasant life. His paintings resembled the idea of realism in this time period. It showed what peasant life would have looked like. Bruegel was born in modern day Netherlands. He contributes to society and the legacy of the Renaissance by painting realistic scenes. Many historians get an idea of what peasants life would look like because of his accurate and realistic paintings.

For instance, he focused on bringing out personality of an individual as opposed to just settling for the physical appearance. Following this technique, the painting created acquired the uniqueness that it required. Apart from portraying people, Van Gogh also engaged himself in painting nature and landscapes (Desborde and Kimball 30). He formulated a connection which allowed him to depict nature on a broader perspective. For instance, Van Gogh painted overgrown gardens and other forms of plants.

The flourishing art market of this era and the high demand of Pieter Brueghel the Elder’s paintings drove his son to dedicate his time to recreating a body of low-priced and inspired replicas of his father’s peasant scenes works (ArtUK, 2016). Akin to his father, he painted sceneries, religious matters, axioms and small town landscapes. The paintings were sold for local sale and export and were generally noted as missing humanism and nuance. In addition, he did create authentic

Many famous artists emerged from the renaissance, including artists such as da Vinci, Raphael, Botticelli, Titian, and so on. An interesting thing to note about artists like these is that not many of them painted landscapes; they mostly painted religious, war, and mythological characters and scenes. However, there was one artist who showed a particular interest in landscape painting during this time, and is considered by many to be the “first landscape painter in the modern sense.” (“Albrecht Altdorfer”) That artist was a German man named Albrecht Altdorfer. He was an incredible painter (“Albrecht Altdorfer”) who left a considerable impact on the world of art, and deserves far more recognition

The painting instantly draws you in and your eyes dart around the work of art, having trouble focusing on simply one thing at once. This isn't a bad thing as the more you look the painting over, the more things you will notice. At first, you might not notice it, but in the background there appears to be a body of water, possibly an ocean. This is important as this is what was inspired by Paul Cézanne’s, The Large Bathers, at least as far as I can tell. There are of course other parts that are inspired such as the way the trees are painted and such, but overall, the painting is vastly different and shows the beginning of a whole new art

Initially, I’d like to talk about the artist of this elegant masterpiece. This Netherlandish painter is named Hieronymus Bosch. Bosch was born in ’s-Hertogenbosch, The Netherlands in 1450. Bosch was known for being the most famous Netherlandish personality. Some of Bosch’s most famous paintings are “The Garden of Earthly Delights” (as shown in figure 1) and “The Crucifixion of St.

Myself: Portrait- Landscape is one of the most representative painting from the genre “Portrait Landscape” which created by Henri Rousseau himself. In this painting, the artist (Henri Rousseau) first painted his favorite city in the background. In the painting, you can see the Eiffel Tower, the iron bridge crossing the Seine, and the ship along the river with different countries flags which are showing the Henri Rousseau favorite part of the city- Paris, France. In the foreground, the portrait is holding the paintbrush and the mixing palette representing Henri Rousseau himself. As Henri Rousseau is recognized as “Self-Taught” artist who never learns from any Art Academies, the inspirations of him mainly came from the nature around, the illustrations