Research Paper On Surrealism

the human eye. Visualize having the ability to completely free your imagination, letting your thoughts and desires wander to form exotic scenes or locations. These unfamiliar worlds lay deep inside of the brain as subconscious thoughts, usually undetected by the person with them in his or her possession. With the help of the intriguing art movement known as Surrealism, however, these subconscious thoughts are finally able to be brought to fruition. Surrealism is a unique style of art that originated in France with the help of brilliant writer André Breton (Chilvers 599). He defined surrealism and its principles as a “purely psychic automatism through which we undertake to express, in words, writing, or any other activity, the actual functioning of thought… Surrealism rests upon belief in the higher reality of specific forms of associations, previously neglected, in the omnipotence of dreams, and in the disinterested play of thinking” (Chilvers 599). He also strongly emphasized that its purpose was “to resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality” (Chilvers 599). Surrealism is a 20th century style of painting which rebels against traditional notions of art. In order to understand this genre, it is necessary to examine the movement’s characteristics, representative

To understand the context of this movement one must first review Surrealism. Surrealism moved beyond reality and looked to dreams instead of logic to create a ‘true’ reality. It was André Bretons, “The Surrealist Manifesto” that first sought to unify the reality of the mind with the reality that surrounds us. Surrealist theatre reflected a belief that the unconscious mind is a source of artistic truth. In his manifesto on surrealism, Breton (1924)

To begin, we will look at the ideals and influences that led to the formation of surrealist ideals,

The point of view of which Freud interprets and examines the manifest of dreams content to obtain their latent meaning is of a professional psychologist and clinical observer who looked for a way to explain how our minds work and how the individual psychology functions. He based his work on clinical experiences and clinical neurosis of the matter of his own interpretations to be able to confirm his theories as a proven fact. The result Freud gets from the patients he observes and interpretation of their dreams are stereotyped to the complete human condition.

While contemporary artists often look back on Surrealism as a deeply impactful revolution of thought in art, not everyone agrees with the praise it is given. At its consummation, Surrealism was viewed by many in the art world as the pseudo-intellectual creations of anarchic men. “In 1925, there were few indeed who saw in it anything more than a return to infantilism and nihilism” (Peyre). By the 1940s some surrealists themselves viewed the movement in a negative light, including poet Louis Aragon. Author Anna Balakian states that:

Surrealism was one of the most influential artistic movements of the 20th Century. André Breton consolidated Surrealism as a movement in the early 1920s, trying to achieve the “total liberation of the mind and of all that resembles it[1]” through innovative and varied ideas. Surrealism deeply influenced the world in the era between the two world wars and played a big role in the diffusion and adoption of psychology worldwide. Surrealism faded after World War II, but its revolutionary genius has influenced every artistic movement ever since.

Andre Breton founded the Surrealist movement in 1924 with his Manifesto of Surrealism which argued that art can benefit from an understanding of the Freudian dreamscape. His definitions of Surrealism were, “Dictionary: Surrealism, n. Pure psychic automatism, by which one proposes to express, either verbally, in writing, or by any other manner, the real functioning of thought. Dictation of thought in the absence of all control exercised by reason, outside of all aesthetic and moral preoccupation. Encyclopedia: Surrealism. Philosophy. Surrealism is based on the belief in the superior reality of certain forms of previously neglected associations, in the omnipotence of dream, in the disinterested play of thought. It tends to ruin once and for all other psychic mechanisms and to substitute itself for them in solving all the principal problems of life” (Breton, 1924).

Surrealism is a movement in art and literature that occurred in the 20th century which influenced the incorporation of fact and fantasy in a piece. Tim O’ Brien uses surrealism in The Things They Carried to show how many war stories incorporate this idea of false and factual stories combined. He says that many of the things that occur on a daily basis are stories that are made up and the stories that no one believes are the ones that actually happen. The idea behind surrealism is to tap into the potential of the human mind. This incorporation of surrealism helps to enhance the plot of the book.

It developed out of Dadaism and depicted the world of enlightenment, i.e., surreal world. It was born soon after Dada, which emphasized metaphysical paintings inspired by the imagination and accidental juxtaposition of objects. It aimed to make people become more aware of poetic aspects, rather than scientific ones, by exploring and explaining unconscious mind and freeing imagination. Despite Dada’s limitations, the exploration of Freud’s suggestions done by surrealists opened countless new paths. Surrealism goes even further from nihilistic Dadaism, which denies humankind, society, order, ethics, and art, and pursued unconscious world, dream world, and automatic world, thus seeking a new artistic

What is reality behind surrealism? What is surrealism? Why surrealism? Surrealism is a workmanship development that started in Paris in 1917. The primary event of "surrealism" was in the year 1917. It was initially used to characterize a vaudeville play called 'Les Mamelles de Tiresias' which was delivered by Guillaume Apollinaire. However Apollinaire didn't make an arrangement of standards for his definition, which got to be well known with individuals who enjoyed Apollinaire

After a friend told me about some weird dreams he had been having I decided to research the meaning of dreams. I will focus on Sigmund Freud’s idea that understanding our dreams can help us to understand ourselves, and live a much happier and fulfilled life. Freud was known as “the father of psychoanalysis” and in 1899 he wrote his most famous work, The Interpretation of Dreams, and

The unconventional nature of surrealists can be traced back to this idea, and created a dividing line between some, as artists were accused of creating art to consciously. Max Ernst’s creation of the frottage, or rubbing quickly became popular with the surrealists because of how the unpredictability of it provoked the imagination. Unfortunately, others expanding on the same ideas of consciousness, were not as harmless as Ernst’s frottage, and used the idea of unpredictability as an excuse to avoid accountability.

The Surrealism movement brought out the dreamer in everyone during the 1920s. Having the freedom to differentiate reality from dreaming, artists of all trades were able to express what they envisioned. Salvador Dalí, a Spanish painter, was a brilliant asset during the Surrealist movement. Apart from painting, Salvador Dalí was proficient in many other artistic forms. He was also a sculptor, a photographer, and collaborated with Walt Disney in making a short film.

By analyzing dreams, Freud believed that it could lead to understanding the most mysterious part of the human body: the brain. He viewed dreams as the unconscious mind making an endeavor to resolve a conflict regardless of when the conflict arose (Freud, 1900, p.577). Freud eventually developed a theory that the symbols and images in dreams may only be the front for multiple connotations, linking icons in dreams to parts of the body and biological drives. The dreamer may “find the top part of a clarinet in the street or the mouth-piece of a tobacco-pipe” in response to stimuli from male sexual organs (Freud, 1900, p.111). Freud argued in many of his early works that many latent dreams are sexual in nature. These connections separated Freud from his colleagues, such as Carl

Freud’s theory is that dreaming is meaningful, unlike the activation synthesis theory. He believed that the mind had three sections, represented in a shape of an iceberg; the conscious, the subconscious and the unconscious. The conscious is the tip of the iceberg above the water involves everything we are aware of right now such as our thoughts. The