Research Paper On The Eiffel Tower

A lot has happened in architecture since Louis Kahn death in 1974, some of it are really good, some are dreadful and we have different preferences about which is which. However, Kahn’s work look better than ever on its own terms. Better in its solidity and gravity. He was an architect of beautiful contradictions and one of the few to create architectural elements out of scale with the human figure. His buildings are very elegantly designed but are constructed of basic, often crude materials. Consisting of

The city of Florence, Italy lays claim to the world’s largest dome that stands atop the Cattedrale di Santa Maria del Fiore or the “Cathedral of Saint Mary of the Flowers”.1 The main cathedral was built in 1296 but the dome was not started until 1420. It was designed by Filippo Brunelleschi, a master goldsmith, who had been preparing for the honor of constructing this dome all his life. As a young apprentice, he sketched and painted, carved in wood and worked with stone, metals and enamels. Using wheels, pulleys, weights and gears, he built clocks and learned about motion. But it was his observations in linear perspective that would give him the knowledge to build the world’s largest brick

“The good building is not one that hurts the landscape, but one which makes the landscape more beautiful than it was before the building was built” (Frank Lloyd Wright). Throughout the centuries, architecture has fascinated everyone. History is inscribed in buildings and they can express the political and economic power of a nation. Although time has gone by, buildings have not. You can still idolize ancient Egyptian and Greek architecture and see how the events that occurred at that time influenced them.

Pierre Boulle was born on February 20, 1912 in Avignon, France. His father, Eugene Boulle, was a brilliant lawyer who taught him his sense of humor and open- mindedness and his mother, Therese Seguin, was born in a family of printers. Pierre’s parents raised him to be Catholic although later in his life he became agnostic. He studied science at the Sorbonne and then entered the Ecole Supérieure d'Electricité de Paris. Pierre Boulle graduated college with a degree in engineering in 1932 and subsequently became an engineer. Then Pierre Boulle later moved to Malaya when he was 26. From 1936 to 1939 he worked as a technician on British rubber plantations in Malaya. At the outbreak of World War II Boulle enlisted with the French army in French

Get creativity flowing as students don their hardhats to learn the complexities of designing structures! From integrating mechanics into structures to investigating the impacts of external forces, learners move through advanced, hands-on building and design activities. With new buildings reaching higher into the sky, architects and engineers are constantly working through questions of structure and style. Each day, students tackle those same challenges as they team up to develop an understanding of the real-world applications of

A contest was designed to encourage the greatest architects to create plans for what the cathedral’s ceiling would look like. Ultimately, an artist named Filippo Brunelleschi won, and was responsible for the building of the Duomo in Florence. Upon first glance, the building of the Duomo may not strike people as a monumental or important event in history. However, it is important to remember the Duomo was constructed in Florence, where flying buttresses -an architectural design that carried the weight of roofs on large buildings to the ground- were illegal. Construction of the Duomo took place from 1420 to 1436, and required Brunelleschi to engineer a support system for the roof, previously thought impossible. Traveling back to the Italian Renaissance would allow me to witness architectural history. I would be able to observe Brunelleschi’s imagination come to life, question his methods of thinking, and watch the development of the Duomo create new opportunities for architects in the

Henri Rousseau, born in May 21, 1844, was a self-taught artist who started his artistic career when he was forty. He began his life working as a clerk, then he joined the French army after being accused of stealing money from his employer. He later moved to Paris and obtained a job working for the French Customs Office, and it was there that he began painting part-time. It was really this background of his that allowed his paintings to be original and uninfluenced by traditional painting techniques. Since he was a self-taught artist and had no significant experience with painting, he had the freedom to paint as he perceived and as he imagined. Henri Rousseau was a man who liked to exaggerate his life to make himself seem adventurous and exciting. He made up stories about his time in the military and overstated his importance in the Customs office where he worked. This was also reflected in his artwork where manipulated the painting to emphasize beauty and excitement.

Back in France, Bartholdi had problems of his own. The structure of the statue located in the interior was a very formidable task due to its intricate makeup. To circumvent this problem, a man named Alexandre Eiffel, well known due to his composition of the architecture for the Eiffel Tower in Paris, was hired as the structural engineer. He was able to make the skeletal framework and the iron pylons for the statue and construction continued. The statue was completed in 1884, surpassing the deadline by a reasonable number of years.

The 12th century Gothic builders were the first to discover how to construct great buildings were their stability depended upon knowing how to transmit the thrust through specific parts of the structure, the buttresses that formed its skeletal and the ribs not upon the thickness of their walls. The result was a dynamically stable architecture capable of building

The “Five Points of Modern Architecture” was a manifesto for architecture written in 1926 by Charles-Edouard Jeanerette – better known as Le Corbusier - emphasizing what he believed were five principles that any building meant to be modern should have. One building which exemplifies each of these points is Corbusier’s own Villa Savoye, built 1929-31 in Poissy, France. Corbusier’s first point of modern architecture is known as inclusion of ‘pilotis’. Pilotis refers to Corbusier’s innovative idea of a vertical support system used to hold the horizontal planes of a structure. In Villa Savoye, this can be clearly seen in both interior and exterior by the rounded pillars holding up the floors and roof, essentially elevating the home and

Today technology allows us to construct structures that we would never have been able to make in the past. Some of the creations are impressive based on what they accomplish but others are masterpieces in themselves. Man’s capability to build such tall buildings, as the skyscrapers we are familiar with covering our cities today, is a major expression of the advancements we have made as a culture. The power necessary to build such tall structures inspired competition between architects to see who could build the tallest one. One skyscraper that has inspired many and served as a model, for high rise buildings that were created after, is the Chrysler Building. The Chrysler Building serves as an identifying mark to anyone that

Just imagine you are standing 300 meters that is 984 ft above the ground, looking down at the beautiful city of Paris. The wind is blowing at your face and it is messing up your hair, but you do not care. You are on the top of the highest building in the center of culture, the magnificent Paris and that is all that matters. Yes, you are standing on top of Eiffel Tower. This is the first thing that comes to your mind when you think about Paris, the tall, lean tower. But have you ever wonder what would a symbol of Paris be if Eiffel Tower were never built? When you think about Eiffel Tower you seem to automatically associate it with Paris but that was not always the case.

Le Corbusier, inspired by modern painting, the floating floor and transparency in his design is an echo of what was modern painting. In 1915, he drew six reinforced concrete pillars that held three horizontal slabs, which were connected by a staircase (fig.1). Ferroconcrete in his hand was like a sculpture’s clay used to express his ideas. Le Corbusier transmuted the concrete skeleton developed by engineer to a means of architectural expression that no one before him had tried.

Different architects have different styles because they are trying to get at different things. Architecture is not just about making something beautiful anymore, it is about trying to get across a set of ideas about how we inhabit space. Two of the most famous architects of the twentieth century, one from each side, the early part and the later part up until today each designed a museum with money donated by the Guggenheim foundation. One of these is in New York City, it was designed by Frank Lloyd Wright. The other is in bilbao, Spain, and it was designed by Frank Geary. My purpose of this paper is to interrogate each of these buildings, glorious for different reasons, to show how each architect was expressing their own style.

Paris today is known as a center of arts and rich culture both acclaimed and original. Famous moments pop up through the history of France’s art, such as the impressionistic artworks by Monet, the École des Beaux-Arts teachings of classicism, and the iconic Eiffel Tower by Stephen Sauvestre. Paris augments itself with numerous museums to catalog countless masterpieces and sculptures throughout France’s enduring, yet sometimes gritty, history. As a whole, Paris comprises of a mixture between historic architectural themes like rusticated brick clad, mansard roofs, striated columns, and a modern day architectural themes like engineered metalwork, and external program support machinery. The notion of classic French architecture, juxtaposed