Research Paper On Titian

Throughout Europe, the Renaissance period had various effects on art which can be broken down and seen from Southern (Italian) and Northern paintings. With the renaissance, came disinterest in dogma, and more of a focus on naturalism and humanism. However, the strong influence of religion never left either the Northern or Southern art works, due to the commission by the church. Giuliano Bugiardini’s, Madonna and Child with St. John the Baptist, 1510, is a pristine depiction of what Southern European art during the renaissance contained, element by element. Northern artists kept most their roots, focusing heavily on religion while enhancing on the details and adding few aspects of naturalism; while Southern artists took

Man has been creating art for over 30,000 years. There are cave drawings, sculptures, Egyptian art, Greek Art, Modern Art and plenty more but to many, the Renaissance Art period is considered to be most important. Never had so many geniuses in art lived at one time and never had so many pieces of cherished art been produced. Two examples of Renaissance paintings are Cigoli’s Adoration of the Shepherds and Moretto da Brescia’s Entombment. Both paintings posses the attributes that were popular during the Renaissance period which I will now contrast and compare.

Many people choose to migrate to another country to pursue a better life where one can make more money with higher standard of living. However in the town Ticuani, located in Mixteca, Mexico, many people choose to “transnational” between their native country and United State, New york. Where one will spend sometime in New york and some other times in Ticuani, and their life will be moving back and for the between country. Even though this sound like an easy plan, but immigrant who did this had to adapt life from both countries and faces difficulties and problems from two places.

Maryse Conde a Guadeloupian, historical fiction writer, wrote many novels, essays, short stories, and children’s books. She studied in Paris at the age of sixteen. In addition, she was a professor at Columbia University, UCLA, UC Berkley, University of Virginia, and the University of Nanterre. Maryse Conde wrote I, Tituba in 1986 which examined the struggles of a Caribbean slave named Tituba. It’s a historical fiction about the witch trials in Salem, Massachusetts. The author portrayed another perspective of how colored women like Tituba were not historically known for the witch trials. With this in mind, Tituba was born and raised in the Caribbean of Barbados where she experienced a rough childhood which she was then raised by a witch named Mama Yaya. As she grew older, she fell in love with John Indian that she was sold to become a slave. Furthermore, she was sent to the Americas to serve her owner and she was accused of being a witch. Thus, one might suggest examining the story of Tituba, the characters, and the major issues in the story.

The Salem Witch Trials were a dark spot in America’s early history. During a time where acts of the unknown were simply considered spiritual signs or supernatural forces with meanings; the early American settlers in Salem, Massachusetts were plagued with what they claimed were acts of the Devil putting witches in their town to disrupt Puritan beliefs and actions. One of the earliest accused witches was the village pastor’s slave Tituba Indian. Tituba was especially vulnerable to accusations to due to her extreme double minority status as well as the fact that she was owned by the village pastor.

During this painting, Michelangelo didn’t have the drive he usually did, but when his greatest enemy, Perugino started to work on it with him, that drove him to another level. Michelangelo’s interest in portraying the human body, reflected how the people in this time period felt, and that made the people who viewed his art interested in his work. Also, his sculptures reflect how dramatic of a shift it was to the Renaissance Period from the Middle Ages, and shows how the

Harold states that towards 1521, Titian simultaneously continued a series of small Madonnas, which he placed in beautiful landscapes, in the manner of genre pictures or poetic pastorals. In 1525, he married Cecilia and they had three children. However, in his later career, Titian focused more on religious and mythological works and became more and more of a perfectionist. However, he left many of his paintings unfinished and took several years to do many final, insignificant details. Sadly, on Aug. 27, 1576, Titian died in his spacious palace in Venice. Titian left a legacy that would inspire generations of artists that came after him.

Caravaggio’s, however, was darker and more dramatic. Caravaggio started an intense style called tenebrism. Tenebrism is a more prominent form of chiaroscuro, where there are vehement contrasts between light and dark. Fred Kleiner best describes Caravaggio’s style, “In his art, Caravaggio injected naturalism into both religion and the classics, reducing them to human dramas played out in the harsh and dingy settings of his time and place” (Kleiner, 681). Caravaggio painted during the Italian Baroque in the 1600’s. Italian Baroque artists like Caravaggio embraced theatricality and extravagant ornamentation, while Renaissance artists focused more on precise classical models. Now Caravaggio wasn’t exactly an upstanding member of society, most of what the art world knows about him is through his police reports. Caravaggio’s Entombment was created in 1603 and, like Giotto’s Lamentation, depicts the death of Jesus. While they both depict the same religious scene and use styles that are new for their time, Caravaggio’s painting has some drastic differences from Giotto’s. Caravaggio’s painting is oil painted on canvas, which gives Caravaggio the opportunity to be more detailed in his painting than Giotto can with fresco. Caravaggio creates these intense dramatic scenes of diagonals and intense movement. Unlike Giotto, Caravaggio uses linear perspective to direct his viewer’s attention to the body of Jesus. Caravaggio does this by using a diagonal cascade of mourners descending towards Jesus’ body. Inclusively, Caravaggio started a darker, more dramatic movement that gave naturalism a new realistic element.

“There is no greater name in Italian art—therefore, no greater in art—than that of Titian,” (Claude Phillips “Earlier Works of Titian”1897 page 5). This artist was more than just a normal painter that played around in his work studio; he was the father of what was bound to become something greater than he even believed. We watched him work with imaginative textures and animated colors to generate the masterpieces of not only the Renaissance; but also of modern day work. All kinds of artists—painters, singers, writers, sculptures—are exploring their muse by studying how he worked with his paint brush; they idolize him and one day want their work to be as exceedingly renowned as Titian’s. His work has been carried on for many years after his

Titian was a painter who painted famous paintings of religious beliefs such as “Sacred and Profane Love” and “Venus of Urbino” which were lost in fire but are safe on the internet. Titian trained under two other seminal Venetian artists, Giovanni Bellini (active by 1459, died 1516) and

Tiziano Vecellio, better known as Titian, was the greatest Venetian artist of the sixteenth century, ultimately achieving global fame. He is famous above all for his incredible use of color and an amazing portraitist; his painterly method was highly influential well into the seventeenth century. Titian also was an important artist of the Italian Renaissance who painted works for Pope Paul III, King Philip II of Spain and Holy Roman Emperor Charles V. Titian developed as an artist in Venice as an apprentice in his teens. He was mentored by Sebastiano Zuccato, Giovanni Bellini, and Giorgione before adventuring out on his own. They were influential for his tonal style to painting and for his landscape smartness, which was impressive and reminiscent.

Caravaggio lived through a dark period of time. His behavior, however became more and more violent as he began to challenge the beauty of art. He becomes more and more of a murder and uses more dramatic composition heightening his view of the situation.

Tiziano Vecellio, also documented, as Titian was an Italian painter. He was born sometime around 1470-1480, his exact date of birth is unclear and he died of a fever during the plague around 1576. Titian was one of the furthermost adaptable Italian painters during the High Renaissance. Titian was equally proficient with portraits, landscape backgrounds and mythological and religious subjects. Consequently, Titian was one of the furthermost important members of the sixteenth century Venetian school and he is still an overwhelming influence on the art world. Often times, Titian is described as the first artist to have an international career. Titian’s painting career was prosperous from the start but over the course of this prolonged life, his style changed drastically and he retained a permanent interest in color, which is well defined in his painting Venus of Urbino.

Tiziano Vecellio, also known as Titian was an Italian painter, born sometime around 1488 and died around 1576. Titian was one of the furthermost important members of the sixteenth century Venetian school. Titian’s painting career was prosperous from the start but over the years his style changed drastically and he retained a lifelong interest in color, which

Every painting is a unique experience for each individual person, therefore two of the artists that offered some of the most unique experiences where Leonardo da vinci and Michelangelo. While both of these painters are today well regarded and remembered, during their time they both had achieved such status in vastly different ways. Therefore even though these two artists lived during the same time these two are nothing alike. With their unique take on the world and events around them they were able to shape how the average person thought about the world around them.