The Venus of Willendorf figurines, or also know as “Woman of Willendorf”, were originally founded at a paleolithic site near Willendorf. Willendorf is a “village in lower Austria near the city of Krems.”(Mugadona). The sculptor put an emphasis on the female body parts when creating these figurines. Specifically parts that associate with being pregnant and bearing a child. With these distinguished markings it is believed to represent a fertility goddess. Many of the figures that were found are female. From this you can draw a conclusion that females were highly regarded in their culture, and that bearing a child was important. “Venus” is known as the goddess of love and beauty, since most of the statues are woman that could be a physical symbol
Venus of Urbino demonstrates a beautiful, young woman, Venus, lying nude on what appears to be a reclined couch or bed. However, the woman illustrated means much more than merely a nude woman. There have been many interpretations of this beautiful woman over the years but many art historians agree that the Venus of Urbino has to do unambiguously with the male sexual desire for the female nude body.
The Venus of Willendorf is a sculpture that was sculpted out of limestone and stands to be 4 ½’’ tall. The figurine was most likely carved out of limestone because early pre-historic artists generally had to create art out of whatever materials they had available. The figurine is only 4 ½” tall is because it was common for pre-historic artists to carve small, hand held, portable figurines. The sculpture was found on the banks of the Danube River, an area where pre-historic hunter-gatherers were thought to have lived and traded goods with other civilians. The use of this piece of artwork is to portray the importance of women and fertility in pre-historic times because these features are ones that ensured the survival and future of mankind.
The Mazarin Venus at the Getty has been restored extensively. Scholars believe the head actually belonged to another ancient statue. Nevertheless, it is still a beautiful piece that demonstrates how the ancients viewed their gods. Venus has a beautifully proportioned and shapely figure. She has a lovely face, also classically proportioned, that is framed by curls. Her hair cascades down her back and falls over one shoulder. She gazes off to the side. She is graceful and elegant, showing herself with neither boldness nor undue modesty. She represents the female ideal of her times. Her beauty mirrors the beauty of love. The Greek sculptor who originally created the figure and the Roman sculptor who copied it did
The Venus of Willendorf was found in 1908 by a workman named “Johann Veran” (Selen). It was found by archeologists at a Paleolithic site. Here at the Naturhistorisches Museum in Vienna, Austria, we have the only authentic Venus Figurine (Naturhistorisches Museum Wien). The artifact’s purpose is still being speculated by many. But from what I can infer, the figurine was used a a maternal figure, and it shows the richness of female fertility.
To start off the comparison between the woman from Willendorf and Aphrodite of Melos, it’s important to give a brief overview of both. The Woman from Willendorf was a Human free-standing figurine from the upper paleolithic period(pg 6), depicting a woman with an emphasis on her womanly traits, such as her breast and hips. She is thought to be a votive figure; which tribes would offer to another tribe as a sign of fertility and that the other tribe wanted to mingle with their tribe. The Aphrodite of Melos was found on the Island of Milos and is from the Hellenistic period in history.(pg157) It depicts a sensualized depiction of the Greek goddess, Aphrodite’s. The Greeks were cannier on finding the ideal versions of beauty and that can really
Part 2: The Venus figurines could have been made to express the way the Catalhuyuk people viewed women. Considering how plentiful the figurines are, historians can infer that women were most likely worshipped. Women in the Catalhuyuk civilization could have been worshipped for many reasons. They were capable of pregnancy which people may have thought connected them to the earth. If they had a direct connection to the earth, they were goddesses or special beings which would have be celebrated and praised. Because religion played such a huge part in their everyday lives, perhaps the people created the figurines to call upon the earth goddesses for rain, crops, or protection from illness. Looking
Venus Ebony Starr Williams born June 17, 1980 in California is and American tennis player. She was taught by her father at a very young age and became a professional player in 1994 at just the age of 14. In 1997 she became the first unseeded U.S. Open women’s finalist in the open era. She was the first black woman to become World Number 1. At the Olympics in Sydney, Australia she won the gold medal in the singles competition and then won another gold medal in the doubles competition with her sister Serena. Venus has had many victories over her lifetime, even though she has been faced with some setbacks (The Biography.com website).
Across, Europe at various archeological sites, archaeologist most famous artifacts found is the Woman (Venus of Willendorf). For the most part, it showed that an early civilization of the Upper Paleolithic period, and the practice of their ritual, and creating sculptural arts and cave drawing. During, they ‘re moment across Europe following the herds of animal during the changing seasons. Accordingly, scholars, believe the Woman (Venus of Willendorf) found in Austria dating from 22,000 to 21,000 BCE, (Paleolithic pg. 6). However, the 4 to 5 inches sculptural artifact found would be used for religious and spiritual influence, and the female figurines imagery suggests they have been marilined, were the line of descent is through the woman in
Woman from Willendorf and Alexandros of Antioch-on-the-Orontes, Aphrodite of Melos have many differences. Woman from Willendorf which was estimated to have been carved in 24,000 BCE. It was discovered in 1908 near Willendorf, by Josef Szombathy. This figure’s material is limestone, its height is 11cm, and it exhibits in Naturhistorisches Museum, Vienna. Many carvings’ purpose is speculation. Like many figurines, they don’t have feet and can’t stand on its own, but it might have been pegged into the ground. Her body have been emphasized fertile and childbearing, leading the researchers believe that Venus of Willendorf may have been used as a fertility goddess.
Freedom of being beautiful.. No matter who you are, where are you from, what color you are, You Are Beautiful.
During the Upper Paleolithic era artists created a wide range of small sculptures. These sculptures were made from various materials, including ivory, bone, clay, and even stone. They represented humans, as well as animals; they even combined them at times. Most of the sculptures from this time show a high level of skill. From this time, there were two very influential sculptures, The Venus of Willendorf and the Venus of Laussel. This paper will discuss both sculptures, in detail, as well as, compare and contrast them.
In some cultures, people believe that art, magic and rituals will promote fertility. Some believe that an object, such as a statue, could contain the power of fertility. One example would be the Venus of Willendorf. Venus was a name given to female figurines and was thought to be a goddess. This figure is small enough to fit in the palm of your hand and looks like an obese woman. The roundness of her body could suggest that she has had multiple children, being very fertile. Another example is The Figure of a Deity. This is a male statue that has his many children clinging to his entire body. This is to say he is a very fertile male. There are many rituals that relate to sex and fertility and having lots of children and a large family
The Venus of Willendorf is sculpted from a material called Oolitic Limestone. This limestone contains traces of Ochre which is a type of red clay, responsible for the light tan base color with slight reddish hue the statue. The Venus of Willendorf is currently displayed in Vienna at the Naturhistorsches Museum. At first glance The Venus of Willendorf does not engage traditional beauty visually. An eleven-centimeter tall figure of a woman sculpted with decidedly disproportionate features, these features which are larger include the stomach and the breasts.
The title of this piece is The Birth of Venus created in 1486 by Sandoro Botticelli. The piece of artwork originated in Uffizi, Florence. The name of the period style in which The Birth of Venus was created was technically considered naturalism, however, Botticelli did not follow the entire naturalist “rules.” While Venus is depicted as natural looking, there are some aspects of the artwork that fall into more of a contemporary style. For example, when looking at the portrait it seems as if Venus is falling over, as her weight is shifted onto her left foot. The purpose of The Birth of Venus was not entirely known or documented, however the piece showcases the goddess Venus coming out
Venus in Botticelli's painting is a Renaissance beauty. During the Renaissance women were believed to look more attractive if they had some weight to them. It