Resettlement Administration: Film Analysis

Dorothea Lange became a well-known photographer with pictures of the Dust Bowl. According to Garland 2003 her photography obtained government relief for Dust Bowl migrants because she “visually demonstrated the hunger, poverty, hardship, and the plight of the migrants.”

In the article, “Dorothea Lange, Migrant Mother, and the Culture of the Great Depression” by James C. Curtis, we understand what it takes to get the perfect photo to represent a message. Dorothea Lange became very popular during her time and is known especially for her photo, Migrant Mother, which documents life during the Great Depression. James C. Curtis does a good job explaining the artistic decisions to this most famous shot and how many different steps Lange took in order to really create a powerful message depicting life in poverty.

Taking photographs may seem simple, but being a photographer is more than browsing through the viewfinder and pushing the exposure button. A photographer needs to know how to analyze the scene, speak in words that language cannot, and reach to the souls of people through a picture. During the Great Depression, many photographers captured the scenes of poverty and grief. However, there was only one photographer that truly captured the souls of Americans. According to Roy Stryker, Dorothea Lange "had the most sensitivity and the most rapport with people" (Stryker and Wood 41). Dorothea Lange was a phenomenal photographer that seized the hearts of people during the 1930s and beyond, and greatly affected the times of the Great Depression.

To begin with, Lange helped perceive the poor living conditions of the 1900’s through her photo of the migrant mother and three children. For instance, Lange with her photo of the migrant mother helped raise awareness, for the federal government gave the pea pickers camp, where the migrant mother had been distinguished, “twenty thousand pounds of food”. (Starr 48) The photo of the unfortunate pea pickers helped people realize how hopeless they really were. This creating a willingness to help. Showing Lange's photography ability to create empathy through a simple photo. In addition, the mother was so desperate for help that when the picture was taking place, “there she sat in the lean-to-tent” motionless. (Starr 47) The migrant mother was so

The United States experienced both the Great Depression and harsh weather conditions during the 1930’s causing Americans to suffer through extreme hardship and impoverishment. Many of the migrant farmers were bankrupt, destitute, and struggled to survive. Photographer and photojournalist, Dorothea Lange, captured the dangerous conditions migrant workers and their families endured through her photograph, Migrant Mother. The photograph not only displays a woman and children suffering, but also reveals the determination and willpower the woman had to provide for her family.

New photographers and journalists began to document imagery of everyday life and the hardship through the Dustbowl and The Great Depression. A famous photographer is Dorothea Lange. One picture that is famous by her is called "Migrant Mother," showed a gaunt young widow holding her three daughters, her careworn face suggesting that hope was running out. Dorothea Lange was working under Working under Roy Stryker, primarily under the Farm Security Administration (FSA), a small group of talented photographers, including Walker Evans, Marion Post Wolcott, John Vachon, Russell Lee, and Arthur Rothstein, documented the human, natural, and economic devastation of the region in photographs printed in federal publications as well as in a wide variety of newspapers and magazines. Another famous documentor portraying the world around us was John Steinbeck. He wrote a set of newspaper articles that year depicting in similar terms what Dorothea Lange’s photographs show. (Gregory,

In 1898, many things were happening in America, some of which were good and some of which were bad. I think that the most important thing going on in America at this time is the Progressives. The Progressives were a group that focused on fixing the problems of America, and there were a lot of them. These people were the main reason that work environments became better and caused many people to obtain more rights. They were also a major factor in making people’s living conditions better. Many of these progressives were photographers, journalists, and writers. Using their skills to help the single most important thing in America, the people. How can a nation function and develop if the people coming into it and living in it are living in poverty

Photographs They reflect the gloomy sense hovering all over the Americans, they provide same feeling of sorrow, but there is a difference between the two photographers who took them. Walker Evans took grim and hopeless people with detachment; he felt sorry, I believe, for those poor people but he didn’t put his compassion into his works to show the cold clarity, to show the plain and ugly truth and let the viewers

Dorothea Lange was an employee of the Farm Security Administration (FSA). It was a program designed during the Great depression to raise awareness of and provide aid to impoverished farmers. It was created in 1937 under the Department of Agriculture, helped with rural rehabilitation, farm loans, and subsistence homestead programs. The FSA was not a relief agency, but instead it relied on a network of cooperation between states and county offices to determine which clients needed loans that could not get this credit somewhere else. One of the most memorable programs of the FSA is the collection of photographs that document the rural conditions from the Information Division of the Resettlement Administration. These photos helped to not only promote

Based on the article “Changing the Face of Poverty” the issue that Diana George is responding to is poverty and its representation in the world. George first discusses how the nonprofit organization Habitat for Humanity tries to eliminate poverty by constructing houses for Americans who are suffering because of poverty. However, she states that the images which the nonprofit organization uses are pictures that try to “evoke the desire to give or to act, so that the benefactors don’t turn away” (George 240). These pictures may not completely depict all people who are suffering from poverty.

Before starting this project, I knew very little about photography, photographers, or exactly how much impact photographical images have had on our society. I have never taken a photography class, or researched too in depth about specific pictures or photographers. This project has allowed me to delve deeper into the world of photography in order to understand just how much influence pictures can have over society’s beliefs, emotions, and understandings’. I have have chosen two highly influential photographers, Diane Arbus and Dorothea Lange, who I have found to both resonate with me and perfectly capture human emotions in way that moves others.

Dorothea Lange’s pictures of the homeless during the Great Depression got the attention of the Federal Resettlement Administration. She began to work for them taking pictures and capturing the publics attention of the poor. She also worked for the US Farm Security Administration before World War Two. She investigated the conditions of farm workers in many Western states. Many of the people she photographed during this time had came to escape the “Dust Bowl” (a drought which devastated millions of acres of farm land in midwestern states).

Dorothea Lange is an experienced photographer, born on the 26th day of March 1895. Her works have been a source of insight for many people and this has proved very effective to contemporary photographers. There are many works that this woman did during her time and it is important to acknowledge them. Migrant Mother is one of these works and the applause that it has gotten from the viewers clearly portrays expertness at its best. The photo revolves around the life and family of one Florence Owens Williams and was taken in 1936 in California Florida. Going through the various elements of this photograph is effective in ensuring that one understands the deep concepts that revolve around it.

In “Ways of Seeing”, John Berger, an English art critic, argues that images are important for the present-day by saying, “No other kind of relic or text from the past can offer such direct testimony about the world which surrounded other people at other times. In this respect images are more precise and richer literature” (10). John Berger allowed others to see the true meaning behind certain art pieces in “Ways of Seeing”. Images and art show what people experienced in the past allowing others to see for themselves rather than be told how an event occurred. There are two images that represent the above claim, Arnold Eagle and David Robbins’ photo of a little boy in New York City, and Dorothea Lange’s image of a migratory family from Texas; both were taken during the Great Depression.

Development project claim areas where people live and performs their businesses. During this time displaced people lose many of their resources which maintain livelihoods. Therefore, the programmes should support by clear cut policy which especially minimizes the challenge encountered with people socio-economic condition, social network and psychological matter in compensation schedule. It should focus on the improvement of relocated household’s livelihoods restorations by provide reasonable and fair compensation and social support for all the affected people based on current market condition and global experiences without discrimination of whether absence of legal title to land and