Response To Poetry By Langston Hughes

The two poems by Langston Hughes “Theme for English B” and “ I, Too” both identify racism that permeates all stations of life. In both texts, Hughes represents the two speakers as African Americans and identifies how one tries to elevate himself through education and the other individual remains trapped at a lower station. In the poem “Theme for English B” skin colour and all that it represents emerges when the speaker searches for his identity as well as what is the truth about his abilities. The speaker expresses his view in how he deals with his white counterparts (the instructor). “I, Too” centers on the idea of racial oppression, looking at how whites do not recognize blacks as equals and how this affects the individual. Yet the texts attempt to show the basic human similarities between African Americans and white people despite their perceived differences and societal segregation. The two speakers within the poems struggle with their own self-worth in relation to their colour. The similarity between the two speakers is that they approach their issues confident in their capabilities and futures. The two speakers differ in that they appear to have different stations in life; servitude versus achieving higher education, yet both struggle with self-worth.

Langston Hughes clearly connects with a wide range of audiences through the simplicity that surrounds his poetry. The beauty of this manner in which he wrote his poetry, is that it grasp people by illustrating his narratives of the common lifestyles experienced by the current American generation. His art form expresses certain questionable ideologies of life and exposes to the audience what it takes to fully comprehend what being an American truly means. Each individual poem describes and illustrates the strength and hardships the African American community was experiencing. Through his literature art form of poetry, Hughes was able to convey the common assertions of

Langston Hughes was born on February 2, 1902 in Joplin Missouri, and died on May 22, 1967 in New York, New York. Hughes' African American themes helped to contribute to the Harlem Renaissance in the 1920s, where he was a leader. He attended Columbia University and Lincoln University, published his first poem in 1921 and his first book in 1926. Hughes was a poet, playwright, novelist, and more.

A huddle of horns And a tinkle of glass A note Handed down from Marcus to Malcolm To a brother Too bad and too cool to give his name. Sometimes despair Makes the stoops shudder Sometimes there are endless depths of pain Singing a capella on street corners

James Mercer Langston Hughes, (February 1, 1902 – May 22, 1967) was born in Joplin, Missouri, to James Nathaniel and Caroline Hughes in 1902. Hughes’ parents were of mixed-race, and Langston Hughes was of African American, European American and Native American descent. Hughes' father left his family and later divorced Carrie using it as a way to escape the unbearable racism in America. After his parents’ separation, his mother travelled in

According to Becky Bradley in American Cultural History, Langston Hughes was born February 1, 1902 in Joplin, Missouri. Growing up, he dealt with some hard times. His parents divorced when he was little and he grew up with neither of his parents. Hughes was raised by his grandmother since his father moved to Mexico after their divorce and his mother moved to Illinois. It was when Hughes was thirteen that he moved out to Lincoln, Illinois to be reunited with his mother. This is where Hughes began writing poetry. However, the family moved again and finally settled in Cleveland, Ohio (Bradley, pars. 1-3).

Langston Hughes inspired others to reach their true potential in their work by using their own life as a catalyst:

American writer and social activist Langston Hughes is known for his insightful and colorful portrayals of the black community. He was one of the founders of Jazz poetry and his work really stood out during the Harlem Renaissance, which began shortly after World War I. During this time a lot of African-Americans moved to the north especially to huge cities like New York. The Harlem Renaissance was a hub for artistic expression for African-Americans. Langston Hughes, although not the first but a strong leader that stood out in front of all the creativity making him very significant to American literary history.

Langston Hughes was an African American poet who wrote poems like “Dreams”and “The Negro Speaks of Rivers”. He was born in Joplin MO at February 1 1902 and he died at May 22 1967 he was 65 years old when he died .

Before I explain my take on what "identity" means in Langston Hughes works, I would like explain a little about a man who happened to be one of the most recognizable names in African- American literature, and the struggle he faced – as a writer and mostly as an African American. A brief glimpse into our darkest days and description of his life and about him will help elucidate the background, and his style of writing. Jordan stated African Americans journey and identity in the Americans started on the wrong no “Over a period of more than three centuries, in the slave ships of the Middle Passage and the plantations of the American South, peoples from many nations of what is now called West and Central Africa, brought together under conditions of extreme brutality, reinvented themselves as one people and they renamed themselves ‘African’, ‘Coloured People’ and ‘Negro’. Later, from end of the nineteenth century to the first few decades of the twentieth century, mostly in northern urban centres of the USA, the descendants of the slaves reinvented themselves again, this time as the ‘New Negro’”(848-891).

Langston Hughes (1902-1967), one of the most prominent figures in the world of Harlem, has come to be an African American poet as well as a legend of a variety of fields such as music, children's literature and journalism. Through his poetry, plays, short stories, novels, autobiographies, children's books, newspaper columns, Negro histories, edited anthologies, and other works, Hughes is considered a voice of the African-American people and a prime example of the magnificence of the Harlem Renaissance who promoted equality, condemned racism and injustice that the Negro society endured, and left behind a precious literary and enduring legacy for the future generations. In an endeavor to explore why and to what extent his poetry has still

Langston Hughes is a well-known African-American writer who emerged from the Harlem Renaissance, which is also known as the turning point for African-American culture and literature. Because he is identified as such a prominent writer, he became honored as “Shakespeare of Harlem.” At an early age, Hughes wished to voice and represent his African-American culture through writing. Because Hughes had a range of styles and genres, he managed to write and publish sixteen volumes of poetry, ten collections of short fiction, two novels, two volumes of autobiography, nine books for children, and over a dozen works for the stage. His remarkable works are based on the rhythms of African-American music that combine elements from the old and new worlds of America. In his poetry, he expresses racial pride to African-American literature during enslavement, and he reveals the self-respect and inner strengths of blacks during the twentieth century. In his autobiography Hughes states that the folk stories he heard from his mentor and grandmother greatly influenced him as a writer. Hughes was also extremely passionate about the blues, and he was one of the few to take it as achievements and expressions of black culture. His desire for the blues acted as a stimulus to the productive reaction that makes his collections so influential.

Langston Hughes’ poem “Mother To Son” is a twenty line poem that seems to be from the perspective of a prudent mother that is giving her son, and possibly the readers, some helpful and supportive advice, telling them that, no matter how many adversities they may face, they can not give up. I believe that this is the main theme of the poem, perseverance. “So, boy, don’t you turn back./ Don’t you set down on the steps./ ‘Cause you find it’s kinder hard./ Don’t you fall now-/ For I’se still goin’ honey,” (15-17). In these lines, the mother really drives the idea of diligence and perseverance to her son. Also, in these lines, it can also be seen just how much this mother cares for and loves her child. She advises him to emulate her in the sense that she hasn’t given up and he shouldn’t either, so that they may climb the battered staircase of life together. This causes the mood to be overall relatively jovial and hopeful.

Black poetry is poetry that (1) is grounded in the black experience; (2) utilizes black music as a structural or emulative model; and (3) "consciously" transforms the prevailing standards of poetry through and inconoclastic and innovative use of language.

struggle of the Afro Americans. It is a dream which has not come true and will