Response To 'Unrequited Love In The Flea'

The speaker in "The Flea" is a restless, would-be lover who is trying to convince his beloved to give her virginity to him. Therefore, to convince his lover, the speaker

While both Andrew Marvell in “To His Coy Mistress” and Robert Herrick in “To the Virgin to Make Much Time,” both poems express the same idea of Carpe Diem, Marvell wants his mistress to give into his seduction by persuading her with images of worms crawling inside of her and Herrick is asking all young women to deference the idea of embracing their sexuality and to enjoy beauty while one still has it.

Through the use of hopeful repetition, Jonathon Edwards conveys to the readers optimistic thoughts the shows us how God upkeeps. . Edwards stresses the fact that God wants us to be on the right path of life “restrains” (3) from sending us into hell as in giving us a second chance. Edwards uses the word “restraint” to show how God is on our side and he expects great thing out of us, the loving side of God. Furthermore, Edwards uses the word “promise” (5) multiple times to show the readers that God is not just making a promise to let everyone into heaven. Trying to convey the theme of devoting oneself to Christ, Edwards uses the phrase “God made no promise to keep any natural man out of hell one moment” (5) as a reference that only true Christians will get into Heaven. This pressures the unconverted because it makes them think, “Should I convert so I can get into Heaven?” With this thought process in mind, Edwards also exclaims that God’s wrath is “eternal and everlasting” (10). This means that people cannot just call themselves Christians and get into Heaven. They have to show God that they

He suggested at each of us might be able to identify with one or more people within the passage. He suggest that perhaps we need to be like the woman and understand that we are worth of forgiveness and must give praise for that forgiveness. Or like Simon we need to have our perspectives renewed on the availability of grace for everyone. Maybe we need to be like the crowd and follow after the question of “Who is this , who even forgives sins?” Finally concluding with the point that we all are worthy of grace and we are called to receive and reciprocate that grace in our

Donne’s poem warns that the woman that the man seeks is not necessarily worth catching. That idea is seen in lines

The point that he is trying to make is that God has afforded humanity the opportunity to rectify their sins. This act of restraint has given humanity the chance to fixed their ways and return to Christ.

The theme of this poem was easily determined after reading through the poem. The poet has a certain desire of the woman he’s trying to get into his bed, making sex seem like no big deal, “How little that which thou deniest me is” (Donne); sex wasn’t taken lightly in the 17th century for unmarried woman and he attempts to make it seem as small as a flea. He is straightforward with his offer; rather than attempting to arouse the woman, he attempted to appeal to her sense of reason. Donne is in belief that she was tempted, so he attempts to coerce her into the deed. Marriage is a reoccurring theme and use of persuasion go get the woman to have sex with him, “O stay, three lives in one flea spare. Where we almost, yeah more than married are” (Donne). He uses the second stanza to focus on marriage.

In stanza four the pronoun “you” is introduce. We assume its Collin prior relationship, as its only stanza that doesn’t contains Collin pet analogy and first evidence contributing to the theme. The metaphor shift to abstract when Collin deny her worthiness and what she meant to his life. But, as he subtracted himself to the “combination”, he was able to discover her value rather measuring his spouse love and intimacy. Repetitions occur, such as “awkward and bewildering” to represent the time when his spouse was companion to him, but he couldn’t reciprocate those same nurturing feelings back to her. In addition, his spouse “held” him more than he ever did. He regrets it now when he is holding his dog but the dog is incapable to measure that same actions and words because of law of nature. The last stanza line, “..now we are both lost in strange and distant neighborhood.”, is another metaphor reference the way a lost dog might feel to his lost love that can’t ever be the same

Comparing Attitudes Toward Love in First Love, Shall I Compare Thee, Porphyria's Love and The Flea Love is an uncontrollable emotion experienced by everybody at some

The poem “To My Coy Mistress” author Andrew Marvell try to convince a young lady to give him her virginity. Marvell illustrates the themes of time, love, lust, men and women. In his pursuit of his mistress Marvell uses different tones throughout the story as well as figurative language to connect to the readers . Time is a theme that is illustrated throughout the poem, and amount of time Marvell wants to spend with his mistress loving her, as well as courting her. The narrator of the story puts a time limit for the mistress to be indecisive with her feelings.

Comparing The Flea and Valentine "The flea" is a metaphysical poem about a man trying to argue a virgin into bed to have sexual intercourse with him. This poem was most likely written to amuse the readers and probably more for a larger male audience. The poem was written in the late 17th century in a period where sex within marriage was like a household chore, but socially, sex before marriage was like a sin, because society was extremely religious. John Donne is attempting to get these thoughts out of her head and persuade her to have sex with him.

The Flea and To His Coy Mistress are two poems written by poets living during the Renaissance Period. To His Coy Mistress was written by Andrew Marvell and The Flea was written by John Donne. Both of these poets were well-educated 'metaphysical poets', and these poems illustrate metaphysical concerns, highly abstract and theoretical ideas, that the poets would have been interested in. Both poems are based around the same idea of trying to reason with a 'mistress' as to why they should give up their virginity to the poet.

Asking for forgiveness and forgiving to many is the hardest thing to do but we must remember in the book of Matthew (18:21-22) Peter said to the Lord: “Lord if another member of the church sins against me, how often should I forgive? As many as seven times?” Jesus said to him, “Not seven times, but, I tell you, seventy-seven times.” In this paper, the chosen case study will give the reader a better understanding of what forgiveness is to Jesus. Forgiveness is a big part of the Bible and if Jesus forgives us of our sins we too must learn to be as forgiving as him.

     Donne seems to suggest that the experience in separating for those who are of a “refined love” is a positive one. Although we commonly associate separation with sorrow and despair, he seems to associate it with strength and greatness. In this separation their love is expanded, it grows and travels around the globe with them. He implies this experience of separation through his metaphor of “gold to airy thinness beat.” In the experience of separation their love is worked and expanded. The compass metaphor seems to suggest also that the two lovers gather their strength from one another, as the one foot stays planted ensuring which “makes my circle just.” In feeding strength to and from each other, their separation simply allows them to express and experience their love in a new and equally positive way, knowing that eventually they will end up where they began.

Near the end of the poem, Donne makes an unlikely comparison between the couple and a draftsman's compass. This is one of his most famous metaphysical conceits because the two elements which are being compared appear completely different, and yet, amazingly, Donne is able to connect them. He explains that his wife is his "fixed foot" that leans towards him as he roams and straightens again as he returns, but remains his center. Her firmness is what makes his circle complete, "[a]nd makes [him] end where [he] begun"(line 36). The imagery of the circle and the spheres in this poem solidify the eternity of their love and the knowledge that the speaker will always return to the place where he began. Donne's comparisons create an image of celebration rather than mourning.