Rest Remedy Mitchell Analysis

The narrator falls into a state of deep depression following the birth of her baby, which is currently known now as postpartum depression. During the 1800’s they called it “temporary nervous depression- a slight hysterical tendency” a diagnosis common to women during that era. There was little or no knowledge for the treatment of postpartum depression. The doctors used “rest cure” as a form of treatment, the patient is prohibited from doing any kind of work. All they need is to rest, exercise, eat well and get enough air then they will recover. No external stimulation which lead to the deterioration of the narrator’s mental health in the story. She is ordered by her husband and brother, who are respected physicians to rest. She is isolated from everyone except her husband John and her sister in law Jennie the house keeper. Locked in a room with yellow wall paper, windows facing all direction, all the

The rest cure was one of the treatments given to women with hysteria. The narrator in “The Yellow Wallpaper” by Charlotte Perkins Gilman, experienced the treatment and the outcome of the treatment. In my belief, the rest cure was somewhat a form of punishment toward the narrator and other women in the Victorian Era, in the 1900s. From the beginning of the short story, the narrator stated that her husband John was a physician of high standing and that he prescribed her rest, the rest cure. (Gilman 553) Her condition was hysteria a very common diagnosis in women in the 1900s. The rest cure was the one of the preferred treatments in that era. The rest cure meant that she had to stay isolated from family and friends for three months, placed on a fatty, milk-based diet, and forbidden to work. (Gilman 553) I believe all of these things led her to go insane. “The Yellow Wallpaper” took place in the late 1900s. In the Victorian Era, a woman’s sole purpose in life was to bear children and make their husbands happy. Also, women dressed in very tight corsets which would sometimes cut oxygen and women were fainting. Women also, could not show their ankles, and if they did, they were considered a prostitute.

She has been trained to trust in her husband blindly and sees no other way. He calls her “little girl” (352) and “little goose” (349) and states “She will be as sick as she pleases!” (352) whenever she tries to express her issues. Instead of fighting for what she thinks will make her better she accepts it and keeps pushing her feelings aside, while he treats her like a child. We get an instant feel for her problem in the first page when she says, “John laughs at me, of course, but one expects that” (pg 346). A woman shouldn’t expect her husband to laugh at her concerns. Even after briefly writing about her condition she remembers her husband telling her the very worst thing she can do is think about it and follows his instructions. This is when she begins to focus on the house instead of her problems and the obsession with the wallpaper starts. She has nothing else to think about alone in the home; they don’t even allow her to write, which she has to do in secret.

According to Gilbert and Gubar she is “mad” only by society’s standards, and, more importantly, that she is, in fact, moving into “the open spaces of her own authority” (91). This interpretation seems to just touch on the many social issues the narrator experiences. Keeping the narrator anonymous is one of the key themes to show the reader who the woman really is, because of the assumption at the beginning of her status in society and in her marriage to a prominent doctor. Her husband John does not even acknowledge his wife may have any mental problems and all attempts for the woman to tell him fail. For as she in desperation states “John laughs at me about this wallpaper” (Gilman 803). Thus, if the woman can expect to get laughed at in her marriage, it would be impossible for her to actually talk to her husband, much less convince him to change his diagnosis of her, especially because he is “so wise” and a physician (Gilman 806). Indeed, male-dominant opinion becomes even more prevalent when it seems that all three different men in the story are all close to her and all prescribe the same “rest cure” for her. However, she seems to “disagree with their ideas”, for as she lucidly states, “Personally, I believe that congenial work, with excitement and change would do me good” (Gilman 801).

The “rest cure” was a common treatment for depression in women in the nineteenth and early twentieth century. Women were locked in a room involuntarily and forced to “rest.” The patient was locked in a room and not allowed to leave or function in any type of way. The narrator in Charlotte Perkins Gilman’s story The Yellow Wallpaper is subjected to this cure. The story is written to expose the cruelty of the “resting cure”. Gilman uses the wall paper to represent the narrators sense of entrapment, the notion of creativity gone astray, and a distraction that becomes an obsession.

In The Yellow Wallpaper, Charlotte Perkins describes the story of a woman suffering from a mental illness during the 19th century. The protagonist (an unknown narrator) is a wife and mother suffering from postpartum depression. Her husband John, who is also her doctor, diagnosed her with hysteria and he decided to move away with her to start a “rest cure,” at a mansion, isolated from the village. The narrator was powerless against her husband, and he had the authority of determining what she does, who she sees, and where she goes while she recovers from her illness. Throughout the story, the author used stylistic elements, such as strong symbolism, to show how the mental state of the narrator slowly deteriorates and ends

In 1877, a prominent American physician named Dr. Silas Weir Mitchell developed what he called the "rest cure" for hysterical women. It involved strange restrictions and routines, which in this day and age would be considered cruel and unusual imprisonment. He wrote, "I do not permit the patient to sit up or to sew or write or read. The only action allowed is that needed to clean the teeth." At the end of six weeks to two months of such treatment, he expected that women would be as good as new. It was stated by a medical journal of the time, that a physician must "assume a tone of authority" and that the idea of a "cured" woman was one who became "subdued, docile, silent, and above all subject to the will and voice of the physician." Famous

The brain is a strong but delicate muscle inside the human body. However, if this muscle gets overworked it will affect the overall persona of that individual. Depression or any other mental diseases are not diagnoses or setbacks that should be taken lightly. Back in the 1800’s and 1900’s medicine and the knowledge of the individuals that decided to practice medicine was not extensive. Due to medicine, not being as advanced as it is today, a lot of patients were getting treating improperly. The character within The Yellow Wallpaper is a great example of not only a mental disease but also malpractice. Although the main character within The Yellow Wallpaper may be a woman of high social status, the narrator goes mad for the following reasons: she is extremely drugged with improper medicine, she lacks autonomy, and her post-partum depression escalates. Some might say that the story of The Yellow Wallpaper is simplistic, however, it can also be viewed that the simplicity of the story is what makes it complicated and comprehensive.

Hysteria was the “go-to, catchall diagnosis” for all women, consisting of any “problem” including, but not limited to, nervousness, faintness, loss of appetite, (lack of) sexual desire, headaches, insomnia, muscle spasms, and trouble-making. For centuries, literature portrayed as submissive and obedient to men and oppressed by society, culture, and even men. In The Yellow Wallpaper, Gilman presents readers with a story of a woman suffering from depression, possibly post-partum, but whose remedy is “rest cure,” a treatment invented by Silas Weir Mitchell for neurasthenia involving isolation and rest as a cure for hysteria in all its forms. The Yellow Wallpaper is a narrative concerning the gradual demise of the mental stability of an unnamed, newly married upper-middle class woman in late nineteenth century rural America. Gilman uses psychological terror to not only portray the narrator’s fall to insanity, but also to shed light on the rather unfortunate role of women in the institution of marriage. The narrator’s husband, John, is a physician who firmly expresses disbelief in his wife’s claims of depression. From the beginning of the story, the reader can tell immediately that the narrator has absolutely no voice. John assures her and others that nothing is wrong but “temporary nervous

The female narrator of “The Yellow Wallpaper,” almost immediately tells the readers that she is “sick.” Being a physician of high standing, her husband diagnosed her condition as a temporary nervous depression with a slight hysterical tendency. He was not able to consider a more severe underlying mental disease that can result to more problems and complications when left unchecked. In her journal, she stated that she does not agree with the diagnosis and has her suspicions that the medical treatment needed for this type of diagnosis will not treat her. Having the correct medical diagnosis is crucial because once formulated, it will dictate the therapeutic actions that will be taken to treat the medical condition. The Yellow Wallpaper’s narrator had post partum depression.

Charlotte Perkins “The Yellow Wallpaper” gives the reader a profound look by using characterization at a wife who is attempting to overcome postpartum depression after the birth of her newborn. The woman thinks she is severely ill, but her physicians, (her brother and John her husband) describe the woman to have “a slight hysterical tendency” (Perkins 1). Her physicians think it is best to keep the new mother locked up in a room with yellow wallpaper and to have little to no interactions. The woman has no say in what she thinks is in her best interest to recover from her depression. The woman says “excitement and change would be good, but what do I know” (1).

After a long, hard day, it is so nice to relax and not think about anything that is too taxing on the brain. However, there is such a thing as too much rest. The author Charlotte Perkins Gilman of “The Yellow Wallpaper” highlights what it was like to be a woman put on the rest cure back in the 1800’s. The woman in “The Yellow Wallpaper” lost all sense of sanity and reality after undergoing her experience with the rest cure.

In “The Yellow Wallpaper” by Charlotte Perkins Gilman the narrator has temporary nervous depression. She is diagnosed by her husband John, who is a high standing physician. Her brother, who is also a high standing physician, agrees with John. Both John and her brother believe that her condition is not serious and there is nothing to worry about, but she believes her condition is much worst then John and her brother are making it out to be. Because of her nervous depression, the young woman, who is the narrator, no longer has any control over her own life.

“The Yellow Wallpaper”, written by Charlotte Perkins Stetson, is a first person narrative told by a depressed wife, who wrote ten short entries in a secret journal. In the narrative, the wife’s physician and husband diagnose her with “temporary nervous depression” (Stetson 648). The narrative took place in the 1900’s when there were minimal treatments to cure nervous depression. The husband was a dominant physician in the story who believed that bed rest and the minimum amount of daily activity would cure the wife’s state of depression. The failed treatments to cure what was assumed to be “nervous depression” later caused the wife to lose her sanity, emotional stability, and mental focus toward the end of the story. There are a plethora of different depression stages whose symptoms match the wife’s, but the closest type of depression associated with her symptoms would be postpartum depression and postpartum psychosis. If not treated correctly, postpartum depression can lead to a more severe type of depression called postpartum psychosis, which causes the patient to have suicidal tendencies and mass hallucination. In researching depression after birth, one may prove that the wife suffered from postpartum depression, which leads to post partum psychosis; this explains her symptoms and loss of sanity throughout the narrative; specialists in the field of after birth depression support this statement.

In “The Yellow Wallpaper” story, the theme is mental illness. The woman in this story clearly is suffering from some sort of mental illness such as post part-partum depression and hysterical tendencies. Which can turn into something much more serious if someone does not intervene and get her some the help she really needs. However, they felt it was the right way to handle it at the time because they were following the old therapy treatment called “rest cure.” You watch her slowly go out her mind. Meanwhile she thinks her husband is taking perfect care of her. It seems like John was purely controlling her and prescribing her things that she probably did not really need. It was like he was making her