Restricted freedom

During the nineteenth century, women and men played vastly different roles. While men had the free will to choose the life paths they desired, women lacked such privileges. Women, instead, were expected to tend to domestic responsibilities. Unlike men, they were unable to voice their opinions, instead, myriads of them lived monotonous lives with their, often condescending, husbands. Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper”, portrays a woman in the nineteenth century descending into psychosis. After the birth of her daughter, the unnamed narrator presumably endures postpartum depression and is forced into bed rest as a cure. In her male-dominated society, the narrator often feels as though she is at a loss of control over her life. Despite what she believes is best for her own betterment, her husband, John, overrides her inputs. She is stripped away from the outside world and left with nothing more than her concealed diary entries and the horrid yellow wallpaper of her bedroom. Although John seemingly wants the best for his wife, his dismissiveness towards her mental state and solicitations necessarily cause her to become deranged; her breakdown is a result of feeling powerless as she is encaged in a house she does not care for, restricted from her activities, and her inability to communicate effectively.

In the Declaration of Independence, the founding father Thomas Jefferson stated that “We hold these truths to be self-evident; that all men are created equal….” Therefore, men and women are the same, and they have the equal right to pursue their happiness. However, the equality theory is not practical, and women have been fighting for their equal rights for a long history. Back to the late nineteenth century, women’s economic and social standards are much worse than man. In the fiction “The Yellow Wallpaper”, the author Charlotte Perkind Gilman, as the first person, deeply express her inner feelings, thoughts and perceptions, which truly reflects how the man dominated society destroy women’s life. The story tells us, the upper class family spend money living in a colonial mansion for three month. The women is suffering from postpartum depression, and her husband, as a physician, believes exercising, and eating can help her recovery. But the woman wants to write and goes to work, and she doesn’t like her room that covered with the queer yellow wallpaper. She is very depressed because nobody understand her, and her writing is banned by her husband, so she has nowhere to express herself. Towards the end, she sinks into false imagination of the wallpaper, and becomes a psychosis. In this story, setting, characters, and tones well illustrate that in the patriarchy society, women were undergoing sexism and they are suffering from repression and

“The Cult of Domesticity” was alive and well in the United States during the nineteenth century. Men were the leaders and breadwinners, while women were the homemakers and domesticates. Since women were considered physically weaker yet morally superior to men, they were best suited to the domestic sphere (Hughes). It is against this backdrop that Charlotte Perkins Gilman and Kate Chopin write “The Yellow Wall-Paper” (1892) and “The Story of an Hour” (1894), respectively. Each story is an allegory that spotlights female oppression by patriarchal authority and the struggles of women to attain liberty from this oppression. Although these short stories share the same themes, they are told from different points of view. “The Yellow Wall-Paper” is a narrative told from the first person point of view. “The Story of an Hour” is a short story told from a third person point of view. Both authors use space to depict the plight of a repressed wife’s conflict between self desires for freedom and society’s matronly expectations. Gilman and Chopin also use strong symbolism and irony to emphasize the social factors of the period that prevent the satisfaction of such desires for liberty by women.

Most women in America nowadays are lucky enough to consider themselves to be an independent individual, but females were not always guaranteed their freedoms. Throughout the early 1900’s, authors would characterize husbands to be controlling figures. In “The Yellow Wallpaper,” Charlotte Perkins demonstrates just how possessive the husband is to his wife in their marriage. This short story shows just how miserable the woman is to be in a marriage with John because John, thinks it would be best that his wife is isolated to get over her postpartum depression.“The Yellow Wallpaper” demonstrates how a male dominated society leads to the woman not being their own individual by using characterization, narrator perspective, and conflict between women and society.

Did you know that discrimination can take many forms from race, gender, religion and sexuality and that “40% of Canadian workers experience bullying on a weekly basis” (Canadian Bullying Statistics)? One of the biggest example of discrimination is female oppression. Even today, women are perceived and shaped generally as fragile and caring. During the 1900’s, and many years before, women were oppressed; some were even hospitalized for wanting to expand their knowledge. The Yellow Wallpaper by Charlotte Gilman, and the author herself, are great examples regarding the oppression of women by a patriarchal power structure during the 1900’s. Throughout the story, Gilman exemplifies the social struggle against male domination that woman faced through her personal experience, the characters in her story and the wallpaper as a symbol of the male authority.

During the 19th century men considered themselves to be the superior sex. Without a valid reason or explanation, men were the providers, the politicians, and the physicians. Men had the power. The power to make the rules and set the guidelines of how things were supposed to be done and women were expected to follow without question. The 19th century was also the start of the women’s activist movement, more and more women were starting to realize that they had a voice and they wanted to be heard. Women were gaining the courage to speak up against the wishes of men and set their own guidelines. To stand up and tell men that contrary to what they believe, they are not always right. Among these opinionated women was Charlotte Perkins Gilman, the niece of Harriet Beecher Stowe and the author of many short stories and books on gender inequality. Gilman is most known for her Short story “The Yellow Wallpaper” published in 1892, where she writes about a wife and now a new mother suffering from depression. Through her work she reveals the strength and influence men had over women, the lack of knowledge pertaining to mental health and gender roles present during the 1800s.

In The Yellow Wallpaper, Charlotte Perkins Gilman discusses the oppression men have towards women through the story of a nameless narrator during the 19th century. In the story, the unknown narrator, a woman, is telling her struggle for freedom and her fight to escape from the subordination in her marriage with a physician. In the story, the narrator suffers an illness that prevents her from doing things she likes such as writing. Throughout her illness, the narrator slowly becomes aware of her situation and then starts to fight to change her living condition with her husband. Through the use of two major symbols established throughout the text, Gilman brings awareness of women’s struggle to end their oppression by men and their fight to change the way society is dominated by men. In addition, the symbols used by Gilman underline the way women suffrage awareness slowly began to spread during the 19th century.

Women’s Rights has been a point of contention for a very long time. Especially during the late 19th and 20th century, it was a seemingly unorthodox idea in a patriarchal society. This is what makes Charlotte Perkins Gilman’s The Yellow Wallpaper a feminist piece still analyzed to this day. It was a story that was arguably ahead of its time, as was Gilman, with her utopian feminist ideals. She wrote the book with some introspection of her own postpartum depression. The Yellow Wallpaper has been deemed a classic feminist literature piece due to its layers of deeper meaning, achieved through Gilman’s use of symbolism, character, and setting, construed by many to represent the struggles faced by women in the late 19th century.

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

The gender roles of the 19th century formed the foundation of societal norms for marriages. The prescribed idea of what marriage should look like focused on the wife’s obedience to her husband and family. This obedience that the speaker has for her husband, John, in Charlotte Perkins Gilman’s short story “The Yellow Wall-Paper” undermined the woman’s mental health, refusing her the ability to express and speak for herself. The speaker’s diagnosis and treatment of her “nervous condition” was completely in her husband’s control, taking away her independence as a person.

The way woman were treated in the late 1800’s is totally different than today. At that time woman and men were not equal to each other. Women were confined to particular roles. The men usually played the dominant role which led women to just listen and follow their spouse. During that time woman were at the bottom of the social class. The regular household consisted of a male who handles all the important decision making things while the women were housewives. In the story “The Yellow Wallpaper” the author Charlotte Perkins Gilman who is a feminist who purposely shows examples of the roles women played in society in the late 1800’s. Gilman wanted to prove a major point that confining women to only womanly roles of the time, will drive woman crazy. The woman in the short story was forced to follow her husband instuctions. She was not able to make her own decisions and this infantilized her which drove her insane.

Individuality and the importance of upholding women’s rights, such as viewing a woman as a respectable, free-willed human being, are the essential truths established in Charlotte Perkin Gilman’s “The Yellow Wallpaper.” Through the development of the narrator Gilman uses symbolism and imagery to awaken the reader to the reality of what a woman’s life was like in the 1800’s. Analysis of the symbolism throughout the story reveals that the author was not only testifying to the social status of the women in society but specifically giving insight into her personal life, and what she was subjected to. What appeared to be a mere, contrite story to many readers, was actually a successful strike at the wrong mindset that society possessed at that

Within the very first lines of Charlotte Perkins Gilman’s “The Yellow Wall-paper,” the modern reader is slapped in the face with this off-handed remark, “John laughs at me, of course, but one expects that in marriage,” (792). Although the readers of today might not expect such belittlement in marriage, Gilman must have known that her contemporary readers would. Gilman published “The Yellow Wall-paper” in 1892, a time when all American women were expected to adhere to strict roles in society chosen by the men, who dominated society. Gilman’s contemporary readers would have indeed expected John’s actions. “The Yellow Wall-paper” is a work which addresses the effects of the lack of female agency in marriages during

The Yellow Wallpaper is a feminist piece of literature that analyzed women’s struggle in the 1900s, such as medical diagnosis and women’s roles. Over the years, women struggled to attain independence and freedom. In order to achieve these liberties, they were females who paved the way and spoke out about these issues to secure equal rights for women. In addition, these powerful females used their vulnerability to challenge the male domination through their literary work. The Yellow Wallpaper is a direct reflection of Charlotte Perkins Gilman and her political view on women’s health, both mental and physical.

Life during the 1800s for a woman was rather distressing. Society had essentially designated them the role of being a housekeeper and bearing children. They had little to no voice on how they lived their daily lives. Men decided everything for them. To clash with society 's conventional views is a challenging thing to do; however, Charlotte Perkins Gilman does an excellent job fighting that battle by writing “The Yellow Wallpaper,” one of the most captivating pieces of literature from her time. By using the conventions of a narrative, such as character, setting, and point of view, she is capable of bringing the reader into a world that society