Restricted freedom

Men with all the power, no jobs for women, women not being able to vote or have a say in their relationship. Women were bounded to their husbands, they were controlled to listen and obey to the men. Confined to the house, women were to cook, clean, take care of children and their husbands. Women's "The Yellow Wallpaper" by Charlotte Gilman reflects how society was in the 1800's in reference to women's rights, as men disregarded women, kept them confined and restricted, and their emotions were devalued. Within the story, Gilman shows examples of these conflicts.

In the 19th century, the female gender faced limited opportunity and the widespread belief of inferiority to the male gender. Women were viewed as being frail, weak, and in constant need of a man to help her do even the most basic tasks. This resulted in devastating effects on the female psyche, including debasement of character and even catastrophic mental illness. Literature written by the women of the aforementioned time period conveys the isolation, humiliation, and agony experienced by the females of that time. The short story, “The Yellow Wallpaper”, by Charlotte Perkins Gilman, serves as an excellent example of such a piece of literature. Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” illustrates subordinate standing of the female role in the 19th century and how such social conditions can have a devastating effects impact on the human mind. (Wilson)

In The Yellow Wallpaper, Charlotte Perkins Gilman discusses the oppression men have towards women through the story of a nameless narrator during the 19th century. In the story, the unknown narrator, a woman, is telling her struggle for freedom and her fight to escape from the subordination in her marriage with a physician. In the story, the narrator suffers an illness that prevents her from doing things she likes such as writing. Throughout her illness, the narrator slowly becomes aware of her situation and then starts to fight to change her living condition with her husband. Through the use of two major symbols established throughout the text, Gilman brings awareness of women’s struggle to end their oppression by men and their fight to change the way society is dominated by men. In addition, the symbols used by Gilman underline the way women suffrage awareness slowly began to spread during the 19th century.

Did you know that discrimination can take many forms from race, gender, religion and sexuality and that “40% of Canadian workers experience bullying on a weekly basis” (Canadian Bullying Statistics)? One of the biggest example of discrimination is female oppression. Even today, women are perceived and shaped generally as fragile and caring. During the 1900’s, and many years before, women were oppressed; some were even hospitalized for wanting to expand their knowledge. The Yellow Wallpaper by Charlotte Gilman, and the author herself, are great examples regarding the oppression of women by a patriarchal power structure during the 1900’s. Throughout the story, Gilman exemplifies the social struggle against male domination that woman faced through her personal experience, the characters in her story and the wallpaper as a symbol of the male authority.

Most women in America nowadays are lucky enough to consider themselves to be an independent individual, but females were not always guaranteed their freedoms. Throughout the early 1900’s, authors would characterize husbands to be controlling figures. In “The Yellow Wallpaper,” Charlotte Perkins demonstrates just how possessive the husband is to his wife in their marriage. This short story shows just how miserable the woman is to be in a marriage with John because John, thinks it would be best that his wife is isolated to get over her postpartum depression.“The Yellow Wallpaper” demonstrates how a male dominated society leads to the woman not being their own individual by using characterization, narrator perspective, and conflict between women and society.

During the 19th century men considered themselves to be the superior sex. Without a valid reason or explanation, men were the providers, the politicians, and the physicians. Men had the power. The power to make the rules and set the guidelines of how things were supposed to be done and women were expected to follow without question. The 19th century was also the start of the women’s activist movement, more and more women were starting to realize that they had a voice and they wanted to be heard. Women were gaining the courage to speak up against the wishes of men and set their own guidelines. To stand up and tell men that contrary to what they believe, they are not always right. Among these opinionated women was Charlotte Perkins Gilman, the niece of Harriet Beecher Stowe and the author of many short stories and books on gender inequality. Gilman is most known for her Short story “The Yellow Wallpaper” published in 1892, where she writes about a wife and now a new mother suffering from depression. Through her work she reveals the strength and influence men had over women, the lack of knowledge pertaining to mental health and gender roles present during the 1800s.

During the nineteenth century, women and men played vastly different roles. While men had the free will to choose the life paths they desired, women lacked such privileges. Women, instead, were expected to tend to domestic responsibilities. Unlike men, they were unable to voice their opinions, instead, myriads of them lived monotonous lives with their, often condescending, husbands. Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper”, portrays a woman in the nineteenth century descending into psychosis. After the birth of her daughter, the unnamed narrator presumably endures postpartum depression and is forced into bed rest as a cure. In her male-dominated society, the narrator often feels as though she is at a loss of control over her life. Despite what she believes is best for her own betterment, her husband, John, overrides her inputs. She is stripped away from the outside world and left with nothing more than her concealed diary entries and the horrid yellow wallpaper of her bedroom. Although John seemingly wants the best for his wife, his dismissiveness towards her mental state and solicitations necessarily cause her to become deranged; her breakdown is a result of feeling powerless as she is encaged in a house she does not care for, restricted from her activities, and her inability to communicate effectively.

Women’s Rights has been a point of contention for a very long time. Especially during the late 19th and 20th century, it was a seemingly unorthodox idea in a patriarchal society. This is what makes Charlotte Perkins Gilman’s The Yellow Wallpaper a feminist piece still analyzed to this day. It was a story that was arguably ahead of its time, as was Gilman, with her utopian feminist ideals. She wrote the book with some introspection of her own postpartum depression. The Yellow Wallpaper has been deemed a classic feminist literature piece due to its layers of deeper meaning, achieved through Gilman’s use of symbolism, character, and setting, construed by many to represent the struggles faced by women in the late 19th century.

Life during the 1800s for a woman was rather distressing. Society had essentially designated them the role of being a housekeeper and bearing children. They had little to no voice on how they lived their daily lives. Men decided everything for them. To clash with society 's conventional views is a challenging thing to do; however, Charlotte Perkins Gilman does an excellent job fighting that battle by writing “The Yellow Wallpaper,” one of the most captivating pieces of literature from her time. By using the conventions of a narrative, such as character, setting, and point of view, she is capable of bringing the reader into a world that society

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

“The Cult of Domesticity” was alive and well in the United States during the nineteenth century. Men were the leaders and breadwinners, while women were the homemakers and domesticates. Since women were considered physically weaker yet morally superior to men, they were best suited to the domestic sphere (Hughes). It is against this backdrop that Charlotte Perkins Gilman and Kate Chopin write “The Yellow Wall-Paper” (1892) and “The Story of an Hour” (1894), respectively. Each story is an allegory that spotlights female oppression by patriarchal authority and the struggles of women to attain liberty from this oppression. Although these short stories share the same themes, they are told from different points of view. “The Yellow Wall-Paper” is a narrative told from the first person point of view. “The Story of an Hour” is a short story told from a third person point of view. Both authors use space to depict the plight of a repressed wife’s conflict between self desires for freedom and society’s matronly expectations. Gilman and Chopin also use strong symbolism and irony to emphasize the social factors of the period that prevent the satisfaction of such desires for liberty by women.

During the early 1800’s, the rights of men were still deemed more important than the rights of women. This issue was finally brought into discussion in the late 1800’s, where women now started to fight for their rights. This time period also brought around the start of feminism. The fact that Charlotte Perkins Gilman’s story, “The Yellow Wallpaper,” is a feminine story to make a statement about men controlling women is shown through three main points: what the woman sees in the yellow wallpaper, how the husband treats the woman, and also through the narrator herself.

Individuality and the importance of upholding women’s rights, such as viewing a woman as a respectable, free-willed human being, are the essential truths established in Charlotte Perkin Gilman’s “The Yellow Wallpaper.” Through the development of the narrator Gilman uses symbolism and imagery to awaken the reader to the reality of what a woman’s life was like in the 1800’s. Analysis of the symbolism throughout the story reveals that the author was not only testifying to the social status of the women in society but specifically giving insight into her personal life, and what she was subjected to. What appeared to be a mere, contrite story to many readers, was actually a successful strike at the wrong mindset that society possessed at that

There have been multiple conceptions about “The Yellow Wallpaper” over the true significance of the story and it has been evaluated by many scholarly writers for several generations. The story was written by the poet Charlotte Perkins Gilman in the nineteenth-century and it conveyed ideas about symbolism, feminism and individualism. It provides the reader with her viewpoint on society’s subjugation of women by the patriarchal model that reserved power for men. The gender ideology stressed that women and men were to conform to distinctive roles where males were to handle being the breadwinner of the home and women were to conduct being the housekeeper. Also, women started to rebel against these expected norms of society, it began by women

Charlotte Perkins Gilman’s “The Yellow Wall-paper” serves as a perfect example of how women are treated in the 19th century. The distracting details both surrounding and filling the new house that the main character and her husband move into haunt her. Throughout the story, the main character, as she observes the house while in isolation, notices the true meaning in life, specifically for women. Gilman’s piece unveils the unfortunate requirements that women must meet in order to become accepted into society. The imagery and description of the house mentioned in “The Yellow Wall-paper” holds a much more symbolized sense reassuring the main character about women’s roles in life, according to humanity.