Revelation : A Sinner Saved By Grace

Salvation describes the deliverance by God for those who believe in him. It is the saving of the soul from sin (and its consequences) through Gods will and grace. Though it takes different forms in every religion, the principle is still the same, often emphasising the necessity of both good works, repentance, and asceticism, as well as divine intervention (in this case the action being the grace of God). If assuming that Christ is the full truth, then the only way to gain access to God after death is through the salvation given by the Christian God. Jesus himself has indicated that a person must hear the word, believe it, repent of past sins, and be willing to confess faith before others, be baptized into Christ for the remission of sins, and then continue to live a faithful life throughout this physical life if we are to go to heaven.

The book of Revelation was written by the apostle John, in an apocalyptic literature style. It consists of a series of prophecies about the end times, when Jesus will return and triumph over all the evil residing in the world. Its purpose is to bring hope and encouragement to Christians so that they will continue watching for the return and victory of Jesus Christ, but it is also a warning of the Final Judgment that nonbelievers will endure. The depiction of the cosmic battle that takes place both in heaven and on earth, symbolic language, and introduction of surreal

The Book of Revelation and its fantastic images and gory details has captivated people for centuries. Some have deemed the work of John of Patmos as prophecy, arguing that after its completion it fulfilled historical events or predicted events yet to come. Others view his work as simply another religious prophet’s patriarchal view of “right” behavior for women as it draws a defining line casting women into one of two groups: pure or sexually immoral. And still others proclaim Revelations to be purely “anti-Roman propaganda” as John begins a two point attack against Rome and God’s faithful people who accommodate them, “accomplices in evil”. These points have their merits; however, each view runs the risk of “domesticating” Revelation to the point that it no longer holds positive religious meaning.

Flannery O’Connor was an American author who often wrote about characters who face violent situations. These situations force the characters into a moment of crisis that awakens or alters their fate. Her short stories reflect her Roman Catholic faith and frequently discuss questions of morality and ethics. O’Connor’s Catholic upbringing influenced most of her short stories, often accumulating criticism because of her harsh portrayal of religion. O’Connor incorporates the experience of a moment of grace in her short stories to contribute to the meaning of her works and to represent her faith.

Mrs. Turpin in Flannery O’Connor’s short story Revelation, is a prejudice and judgmental woman who spends most of her life prying in the lives of everyone around her. She looks at people not for who they are, but for their race or social standing. In fact, Mrs. Turpin is concerned with race and status so much that it seems to take over her life. Although she seems to disapprove of people of different race or social class, Mrs. Turpin seems to be content and appreciative with her own life. It is not until Mrs. Turpin’s Revelation that she discovers that her ways of life are no better then those she looks down upon and they will not assure her a place in Heaven.

One can hear a sermon any day of the week, because there are many preachers out there in the world. Many sermons are retold Bible stories from the Old and New Testaments that tell how our ancestors lived, and teach us life applications of how to glorify God while we are living our lives. For over a thousand years God’s word has been preached by many faithful men who follow Him. However, there were some of those faithful men who used God’s Word and their own improvisation to convict sinners and to put their trust in God. Those times resulted in an era called the Great Awakening of the 18th century and they also put an end to the segregation era of the 20th century. Two of the faithful men during those eras were

Religion is a big influence in Flannery O 'Connor 's writing. “The Life You Save May Be Your Own” stresses the idea of good and evil. This can also be viewed at the evil in Christ. The story is set in the early 1900s. “The Life You Save May Be Your Own” begins with a woman and her disabled daughter sitting on their porch and she notices a man walking towards their home. The man, Mr. Shiftlet, sees an old car that he wants. The old woman, Lucynell, is also craving something and takes the opportunity to achieve it. By her use of symbols, imagery, and irony, she reveals that there is corruption within Christ.

Though this Southern Christian white woman is superficially pleasant and well-mannered, she conceals her ugly thoughts of class stratum cognizant of what is below her pedestal. A church going woman who treats slaves fairly, she believes her time volunteered and philosophy of doing things for others are enough to sanctify her ugliness on the inside. The omniscient narrator observes that “Mrs. Turpin felt at awful pity… it was one thing to be ugly and another to act ugly” (473) Ironically, Mrs. Turpin is the one who acts ugly. Arrogant about her station in life, when faced to choose between “a nigger or white-trash” she would plead with Jesus to “let [her] wait until there’s another place available” (472). Silently judging others she is pleased to not be anything less socially acceptable than she already is, and often occupies herself at night classifying people. Mrs. Turpin believed that you “had to have certain things before you could know certain things;” this consequently places her on a higher plane (474).

"Revelation" is a short story by Flannery O'Connor. It was published in 1965 in her short story collection Everything That Rises Must Converge. O'Connor finished the collection during her final battle with lupus. She died in 1964, just before her final book was published. A devout Roman Catholic, O'Connor often used religious themes in her work.

The concept of judging other individuals based on their looks and class status is a reflection seen within Flannery O’Connor’s short story called “Revelation.” In this story O’Connor illustrates a women who is extremely arrogant, and believes that she is superior to others because of her white skin and wealth. This

Symbolism is evident in many fictional and nonfictional works. However, it is rare for symbolism to have religious aspects. Flannery O’Connor is one author who is noteworthy for creating religious symbolism. O’Connor runs the gamut using crooked crosses, portraying a Mr. Shiftlet, and a purgatory, portraying a waiting room. In the story, “The Revelation”, Flannery O’Connor used religious symbolism through a waiting room, the character of Mary Grace, and the sun.

Among many diseases, judgment is an epidemic virus within the human mind; more dangerously with the lack of discernment can create a toxic atmosphere and such intoxication is highlighted within the short story, Revelation, by Flannery O’Connor. The story is set in the south, and revolves around an irrational yet religious character, name Mrs. Turpin, who overlooks her own flaws to cast judgments on others. The author uses language, irony, and archetypes within the story to present that judgement is a form of unconscious self deception that causes hypocritical behavior and ultimately self agitation. The author demonstrates this by having the characters cast judgment upon each other, which makes the act of passing judgment on to others an infectious disease fed by society.

Many had their own opinions of O 'Connor 's work. "The literary works of Flannery O 'Connor often contend that religious belief can only be consummated by direct confrontation with evil and for those uncommitted and unprepared, tragedy seems inevitable." (Cook Online). Many of the early critics never realized that O 'Connor 's worked with revelation, which at the time, others did not (Reagan Online). As Frederick Asals once said, "Conflict, often violent conflict, is the very center of Flannery O 'Connor 's fiction"(93). Although O 'Connor 's work was awarded greatly, it was also often "dismissed" because of its "Gothic Violence" (Reagan Online). I have to agree with Dorothy Walters when she says, "...nothing is more striking than her remarkable capacity to blend the comic and the serious in a single view of reality." (13).

Flannery O 'Connor’s works are nothing short of extraordinary. They frequently step into the realm of the extreme to make a statement or prove a point. The result is that her messages are stark and vivid, and O 'Connor is able to make bold positions on controversial subjects. She achieves this effect through a number of means, which consist primarily of Christian symbolism, character foils, and literary irony. Combined, they create rich, intense environments in which radical events push and twist characters. As a result of this stress, the characters are defined more clearly. In many instances, they achieve a kind of self realization, and their revelations usually come with an ironic factor or consequence. O 'Connor’s stories, notably

Flannery O’connor is one of the most shinning stars in American literature. Her distinct writing style makes her work recognizable and outstanding from other literature works. Many critics have commented on Flannery O’connor’s narrative voice. Louise Blackwell discovers Miss O’Connor often wrote according to southern tradition by using symbols in people’s daily life to convey the theme in a more profound way. From the perspective of the O’connor’s writing technique, Shirley Foster speaks highly of Miss O’connor’s works: O’connor’s skilled technique establishes the complicity between the readers and narrators. These two evaluations reveal the most important characteristics of Flannery O’connor’s works, directing readers to understand O’connor’s works much easier. Readers can understand the two critics’ comments by exploring the special narrative voices in Flannery O’connor’s well- known stories: “ Everything That Rises Must Converge” and “A Good Man is Hard to Find”.