Revenge Does nNot Bring Happiness in The Count of Monte Cristo

Both Shakespeare’s King Lear and Dante’s Inferno explore the reasons for, and results of, human suffering. Each work postulates that human suffering comes as a result of choices that are made: A statement that is not only applicable to the characters in each of the works, but also to the readers. The Inferno and King Lear speak universal truths about the human condition: that suffering is inevitable and unavoidable. While both King Lear and the Inferno concentrate on admonitions and lamentations of human suffering, one of the key differences between the works is that Inferno conveys an aspect of hope that is not nearly as prevalent in King Lear.

While he was successful in his goal, the pain and suffering he caused to innocent people like Edouard, the son of Villefort, and Mercédès, the wife of Fernand, throws the question of whether Dantes was really successful into doubt, as he wanted to reward the innocents and not hurt them. While Dantes was getting his vengeance on the Villeforts, he unintentionally kills Edouard. Dantes immediately regrets what he did when Dumas states, “Monte Cristo paled at the horrible sight. He realized that he had gone beyond the limits of rightful vengeance” (485). Dantes immediately feels regret for killing the innocent boy when he sees him. Dumas emphasizes this regret and sorrow even more by stating how Dantes was pale from the sight of the consequences of his actions, something that only happens when you truly feel terrified of what you’ve done. He acknowledges for the first time in the story that he was wrong in his pursuit of revenge, so he himself admits that he went too far. He realized that while he did get his revenge on the Villeforts, this was too much as Edouard never did anything besides be related by blood to them. Dantes tries to revive Edouard, but he failed to bring him back, which is the first point in the story where he fails during his quest. He punished the bad and was highly successful with that, but the suffering that he caused upon innocent people made him realized his justice was not worth it or even good. Furthermore, the death of Edouard caused Dantes to become the wrongdoer this time, as he unjustly killed a person for no reason. His original idea was to bring justice to all these criminals, but he ended up only becoming one himself and bringing more undeserved tragedy to people. After everything had happened and Dantes achieved the vengeance he wanted, he reflects on his actions when Dumas says, “Having arrived at the summit of his

The concept of revenge is one very known to human nature. Most people are familiar with the desire to get payback, though often individuals choose not to act on it as it is often a more fleeting emotion than lasting fascination. Being such a relatable and commonplace affliction, this feeling is also central in many works of fiction. The Cask of Amontillado by Edgar Allan Poe and The Count of Monte Cristo by Alexandre Dumas both share a common plotline as they explore themes of betrayal, deception, and revenge. The protagonists, Montresor and Edmond respectively, both set out to seek revenge against those who they feel have done them wrong. The writing styles share a similar dark tone as the ideas of justice and deservingness are challenged through the characters’ actions.

In this quote, the author is showing how Dante’s finally learns about how he has gotten mistreated throughout the whole prison affair. I chose this quote because it shows the how gullible and trusting Dante’s was as a person and how it quickly changed into a fury that would not be extinguished.

Faria, a priest, completely changes Dantés' perspective on life when he helps Dantés figure out who put him in prison and why. Faria regretted what he had done to Dantés' innocent mind. Dumas writes, "Faria looked at him [Dantés] steadfastly and said, 'I regret having helped you clarify your past and having told you what I did.' 'Why?' 'Because I have instilled in your heart a feeling that wasn't there before: vengeance" (Dumas 58). When Faria dies, Dantés considers killing himself, but ends up vowing to get revenge instead. After a dramatic escape, Dantés sets out to destroy the lives of those who turned on him using his riches, important friends, and vast amount of knowledge. Dantés states, "He doomed these unknown men to all the tortures his fiery imagination could contrive, but even the cruelest ones seemed too mild and too short for them, for after the torment would come death, which would bring them, if not rest, at least the insensibility which resembles it" (Dumas 42). After life in prison, Dantés was no longer recognizable. He had been changed from the innocent, carefree, living life to the fullest boy of nineteen to a hardened and cynical adult man. Dantés' path of life had now become reversed the second he hits the water. He now lies to and uses everyone around him to further his own agenda of gaining revenge similar to the way

Edmond Dantes: the man of many faces including The Count of Monte Cristo, Chief clerk of Thomson, Abbe Busoni, Lord Wilmore, M. Zaccone and Sinbad the Sailor. Edmond is Incredible resourceful, his plan for vengeance against the people who tarnished his innocents and threw him into jail is so large and so complex. The reader gets distracted by the small things, caught up with what is going on not paying to the big picture then boom Edmond shows us his hand. Edmond hustles and cons everyone in the room to doing what he wants them to do. And develops a serious gods complex throughout the novel till he realize later on that he is not the messenger of god, and the world he has created around himself comes crashing down around

The main theme that is presented within The Count of Monte Cristo is that revenge and manipulation is easily able to hurt someone, but also benefit another. In this case, Edmond Dantès takes the side of benefit and those brought underneath his vengeance had been ruined. After a plan carefully schemed by three of his false friends, Dantes was thrown into prison and placed under a situation of betrayal and resentment. This long wait in the chateau d’If had put a need for revenge into Dantès head which had transformed him into the Count of Monte Cristo. Although the Count was considered bitter and cold, his seek for revenge had only benefitted him into a more creatively malicious character. Furthermore, this manipulation that Dantès had been put

When Dante first begins in this story he was lost and clueless physically and mentally.  Dante was located in a forest with his life ruined and not knowing what was in store for him. Dante had given up on his future and had given up on finding the correct path of life for himself. However, when he sees a sunset and a very important mountain that represent Heaven he will soon change. Dante is given an opportunity to change and turn his life around but to do so he must first experience the darkness of Hell with the assistance of Virgil who helps him and guides him through what is right and wrong.

Revenge as a theme is cleverly built upon throughout Hamlet; with it being the driving force behind three of the key characters in the play. Revenge is a frighteningly vicious emotion, which causes people to act blindly and without reason. In Poe’s, “The Cask of Amontillado”, Montresor enacts revenge for reasons unknown. Hamlet in contrast, has all the motive in the world to complete his task; yet he constantly hesitates. The text reveals that the need for revenge creates a stranglehold on the genuine emotions, thoughts, and actions of three characters: Hamlet, Prince of Denmark, Laertes; son of Polonius, and Fortinbras; Prince of Norway. This hold makes the characters act beyond their standard ethical positions and makes them helpless to

Reason, logic, and pure thought are the compasses of humanity. Unfortunately, today no one even bothers to look at the compass or to ask for directions. The lack of logic and reason in our everyday decisions leads to the larger scale chaos that results from apathetic actions. Slowly, almost imperceptibly, as in Dante's case, we have slipped from our guide of Reason and shown pity to people, like Francesca and Paolo, who fall to carnal lusts, or to those like in the Wood of the Suicides. Like Dante, we are only too eager to hear their stories and report back to those above, still in the Dark Wood, of their fate. We feel as though the punishment which God, in His great Wisdom, has dealt out for them were unfair. And we fear for our own

Journeys can be taken many ways. Some people take the path less traveled and some people take the easy way out. Dante happens to be on journey that is less traveled, by exploring the depths of Hell in the Inferno. The epic poem’s story is about self-realization and transformation. It sees Dante over coming many things to realize he is a completely different person from the start of the Inferno journey. Dante sees many things that help him gain courage in order to prove to himself and the reader that accepting change and gaining courage can help one to grow as a person and realize their full potential. After seeing people going through certain punishment Dante realizes that he must not seek pity on himself and others in order to fully realize his true potential.

Thesis statement: In Dante's Inferno, the first part of the Divine Comedy, Dante develops many themes throughout the adventures of the travelers. The Inferno is a work that Dante used to express the theme on his ideas of God's divine justice. God's divine justice is demonstrated through the punishments of the sinners the travelers encounter.

Edmond Dantes was a 19 year old man who became captain of a ship name the Pharaon. He was much loved by everyone. He is pretty gullible and becomes vengeful when the one guy he considered his friend betrayed him the other two who he was not to fond of ruined his life. He was a respectable young man who showed that numerous times like when he had to leave Morrel while he was talking to him; he said “I beg you excuse me, Monsieur Morrel (Dumas 5). He was to be betrothed to a girl named Mercedes who he’d loved very much but he loved his father most of all. He felt bad when he found out his father was broke from paying his debt causing him to fall to his knees and said “may God forgive me” (Dumas 9). Dantès is a pretty unique character who

In other words, reign and glory does not last forever. “Seas would rise when I gave the word. Now in the morning I sleep alone…” (Coldplay 2-3). While he was king, King Louis XIV felt like he had control over everything, but now he does not. The songwriters used a hyperbole to exaggerate the king's authority over his people. While he couldn’t actually make seas rise it adds to the effect of how he had all he wanted, and now he does not. Some people might not even know who King Louis XIV was or what he did, and that is because it does not last forever. Old kings are replaced and we adapt and change. “Who like Satan, believed himself for an instant to be equal to God…” (Dumas 530). While the Count manipulates his enemies, he believes he is justified in his actions against them and goes so far to think he is doing the works of God. By the end of the novel he realizes that he has done too many wrongs, and is not godly. He thought he had control over world, and more than that he felt like he had the power of God, but in reality he did not. Alexandre Dumas uses a simile to describe how Dantes feels about himself after his reign is over. He realizes that while he did have the domination he did not use it all for good, and it meant nothing in the end. It went all went

In such discussion I only met with further obfuscation and confusion. Rather this initial difficulty can be overcome with some ease by consulting a letter Dante retrospectively wrote to his patron, Can Grande, where he offers the following guide in reading the whole `Comedy': ."..The subject then of the whole work, taken in the literal sense only, is the state of souls after death pure and simple. If however the work be regarded from the allegorical point of view the subject is man according as by his merits or demerits in the existence of his freewill he is deserving of reward or punishment by justice" . Dante is stating that the description of spirits which he meets in the other world carries implications about the moral significance of the type of behaviour which they exemplify. This is an important point and if we lose sight of it we lose sight of the poem and of what makes it historically significant. Indeed, I will argue that it is this underlying moral significance which makes the `Comedy' a work of the middle ages but a work for all time. Judging contemporary characters, through lyrical poetry, in consultation with the classics on a question that transcends his own time and place I feel qualifies the comedy as a work of great historical significance. However let us not digress untimely, rather I will now examine the contemporary experience which Dante's