Author Pierre Choderlos writes, “revenge is a dish best served cold.” This quote is renown for its popularity across the centuries, often used as a proverbial description of the idea of revenge. Vengeance itself is a popular issue of morality, discussed and portrayed in a multitude of manners throughout literature, film, and live theater. Two playwrights that tackle the matter of revenge are Zeami Motokiyo and the famous William Shakespeare. Motokiyo’s play Astumori takes quite an artistic approach to the idea, telling a one-act play from the perspective of a samurai who is feeling guilty for killing a young opponent on the field of battle. He seeks cleansing for his guilty soul, putting him, potentially, on the receiving end of revenge. Shakespeare, on the other hand, takes a more traditional approach to the idea of vengeance in a number of his tragedies, including Hamlet. The ghost of Hamlet’s father urges his son to avenge his death by murdering his traitorous uncle Claudius. Both of these works exemplify a different aspect of the controversial matter of revenge. However, Astumori shows the audience that there are alternatives to revenge, while Hamlet reveals that revenge comes with a price. Essentially, both plays reach the same conclusion: revenge will not bring satisfaction. Millicent Bell, in her article “Hamlet, Revenge,” discusses the use of revenge in Shakespeare’s famous work, labeling it a “revenge tragedy” (311). She writes, “Shakespeare’s Hamlet has all the
Getting revenge does not always guarantee a satisfactory win in the end. In the famous play Hamlet by William Shakespeare, Hamlet, the Prince of Denmark, returns from school after learning that his father, the king, has died. He later discovers that his uncle has actually killed Hamlet’s father in order to take his throne and wife. Instructed by the ghost of his father, Hamlet seeks out to get revenge on his uncle. In this play, the revenge of Hamlet’s father affects Hamlet’s relationships, actions, and state of mind.
Shakespeare sprinkles subtle lines alluding to Hamlet’s apparent cowardice and failure as a classical revenger. In addition to this, Shakespeare may intentionally delay Hamlet’s revenge and remove emphasis from his passion to break the trend of morally blind, obsessive, psychopathic avengers as traditionally depicted in plays such as “The Spanish Tragedy”.
In Elizabethan times, a type of play known as a "revenge tragedy" became popular. These plays revolved around, "... the revenge of a father for a son or vice versa, the revenge being directed by the ghost of the murdered man..." (Harmon and Holman #6). Other characteristics include real or pretend insanity, philosophic soliloquies, hesitation on the part of the protagonist, conspiracy, and the use of horror. William Shakespeare's Hamlet fully satisfies each of these traits, making it an excellent example of a revenge tragedy. Certainly, the most critical theme in the play by far is that of revenge; it fuels the plot and story of Hamlet, reveals the hamartia of the protagonist, and is used successfully to
Shakespeare’s play tells of how Hamlet’s need for revenge affected his relationships. Hamlet’s revenge has put his relationships with Polonius, Ophelia, Laertes, Gertrude and even Claudius in very dangerous positions. Hamlet feels that what he has done justifies him being right to achieve vengeance, but in reality what he has done to justify his revenge is not an act of honor for his ruthlessness. Hamlet has not taken into consideration what pain it has caused for his family and the people he knows. Hamlet does not know what the ending of all his situations will cause for the future to come.
Quintessentially speaking, revenge is a thing that many have sought in response to a tragic event unfolding. Typically, as a result, vengeance is contemplated upon by the victim as a means of retribution, a way of making things right and seeking justice on the behest of the victim, if the law will not grant justice through due process due to corrupt forces stemmed deep within it- corrupt seeds of a corrupt plant. Therefore, revenge become an apparent option for those willing to walk that path [of no return]. However, instances of revenge not being attained in the “clear cut” way it is ordinarily acquired have occurred from time to time throughout history. One of the most prominent examples of unconventional revenge attainment can be found within the play Hamlet by William Shakespeare, entailing the revenge path walked by its eponymously named main character, Prince Hamlet. Specifically, his intentful delay in attaining his revenge against his uncle Claudius for his direct role in the death of his father, King Hamlet. This literary conundrum has dumbfounded literary critics for over 400 years and counting- due to the fact that a universally accepted consensus amongst them as well as the general public as to why Hamlet delayed his revenge has not yet been reached.
The relevance and significance of the revenge tragedy is in the way it explores human nature and forces audiences to evaluate ideologies such as revenge and justice. The concept of revenge is accompanied by moral conflict and Shakespeare demonstrates that by acting immorally society is likely to be riddled with corruption. Hamlet seeks to avenge the death of his father but struggles with the ramifications of seeking righteous revenge through an immoral act. The imposition of revenge instills the existential questioning on Hamlet as it contradicts his with his social expectation. His
Revenge is one’s desire to retaliate and get even. Human instincts turn to revenge when loved ones are hurt. But, these misdeeds of taking upon revenge may lead to serious consequences. In William Shakespeare’s tragedy “Hamlet,” Fortinbras, Hamlet, and Laertes’s each show how their desire for revenge unavoidably leads to tragedy. The loss of their loved ones caused these characters in Hamlet to take action. Young Fortinbras has built an army to get back the lands his father lost to King Hamlet and Denmark. His actions can be compared to the measures Hamlet is willing to take upon Claudius. Hamlet wants to kill his uncle, Claudius, for killing his father to gain royalty status. Laertes has the same anger as Hamlet killed Polonius,
Revenge resembles taking action and justice for what is right. Shakespeare is familiar with this concept that is presented in his play, Hamlet. The characters Hamlet, Fortinbras, and Laertes show the willingness to seek revenge on others through the five assumptions of revenge play.
In his play Hamlet, William Shakespeare frequently utilizes the word “revenge” and images associated with this word in order to illustrate the idea that the pursuit of revenge has caused the downfall of many people. He builds up the idea that revenge causes people to act recklessly through anger rather than reason. In Hamlet, Fortinbras, Laertes and Hamlet all seek to avenge the deaths of their fathers. Hamlet and Laertes manage to avenge their father’s deaths and in doing so, both rely more on their emotions rather than their reasoning, which eventually leads to their downfalls at the end of Hamlet.
“If you seek revenge, dig two graves.” This ancient Chinese proverb explains the mood in Hamlet, a play, written by Shakespeare. The theme of revenge is seen throughout the play as each character extracts one form or another of revenge from a person who has wronged them. In the play the characters Hamlet, Laertes, and Fortinbras all desire revenge for a lost father; however, their motivations for murder differ.
The theme of Revenge has been utilized in numerous works of art throughout history, including books, plays, movies, etc. Revenge is the result of one’s desire for vengeance, however, revenge is known to be implied under high emotions of anger thus not with reason concluding with a horrible outcome. Shakespeare’s play ‘Hamlet’ is no doubt a play about a tragedy caused by revenge; Prince Hamlet’s retribution for his father, King Hamlet’s murder and Laertes vengeance for his father, Polonius’ murder. The theme of revenge in Hamlet is portrayed through various literary techniques such as foreshadowing and irony.
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
In modern society humans stand up and fight for what they think is right and fair. Human beings have the desire to avenge what they think is wrong. The theme of revenge has a major effect in the play Hamlet and is a constant throughout the play, it underlies almost every scene. In the play Hamlet, William Shakespeare examines the theme of revenge through the erratic thoughts and actions of the characters Hamlet, Laertes, and Fortinbras. The main revenge plots in the play is Hamlet’s aim to avenge his father, Hamlet Sr, Laertes’ aim to avenge the murder of his father, Polonius, and Fortinbras’ aim to avenge the death of his father, Fortinbras. Having lost their fathers, Hamlet, Laertes and Fortinbras take vengeance on the people that killed them. These plots play a major role in the play presenting the theme of revenge to the audience.
William Shakespeare’s ‘Hamlet’ is characterised as a tragedy, illustrating an abundance of significant themes, with one of the most important ideas being revenge. Revenge is defined as an action of hurting somebody in return for something that has been done unjustly wrong. The main character, Hamlet, continuously reflects on revenge throughout the play, particularly in his soliloquies. Nevertheless, he has been procrastinating, talking about the situation, but not demonstrating it. In an honour code, it displays coward-like qualities. Revenge is effectively represented in ‘Hamlet’, as it allows to develop a strong understanding of human strengths and frailties. This is because it represents the different forms of deceptive plots that result in the situation of death. This is clearly evident in Hamlet’s interaction with his father’s ghost, convincing him to murder Claudius for revenge, which extends into the play that is acted out, proving that he is the murderer of his father. Also, Hamlet’s third and most famous soliloquy provides the reader with a reflection on death in his melancholic state of mind, and Hamlet also refrains from killing Claudius as he is praying and decides to kill him at another time.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society,