Compare And Contrast Gilgamesh And Medea

I feel as though all of the books show different characters from different places having to deal with their own struggles also having different beliefs such as religion. But what all these books seem to have in common is gender bias against women. Women play pretty important roles in the books we have read this year.

The story starts off with Gilgamesh, the King of Uruk, who is one third man and two thirds god. This story is about a man's quest for immortality in addition to the importance of boundaries between the realms of animal, man and gods. Women symbolize the importance of locative boundaries in the text. These boundaries are set by the harlot Shamhat, Ishtar, Siduri, the tavern keeper, Ninsun and Utanapishtim's wife. By giving women this role of wisdom and boundary enforcement, The Epic of Gilgamesh reflects how Mesopotamian society actually valued women.

In the Epic of Gilgamesh, gender plays a very significant role, because while women were not the most powerful gods nor the strongest or wisest of all humans, they still had tremendous influence over others around them, and even today, over those who study and learn about the women of the time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not necessarily play a minor role. One particular issue that is demonstrated among several others in the Epic of Gilgamesh is the status of women. Since this is a story of women's status many years ago, it is indeed an interesting issue to discuss,

Both Fifth century B.C. playwright Euripides and Roman poet and dramatist Ovid tell the story of Jason ditching Medea for another woman; however, they do not always share a perspective on the female matron's traits, behavior, and purpose. Euripides portrays a woman who reacts to injustice by beginning a crusade to avenge all who harmed her which she is prepared to see through even if it means resorting to the most contemptible methods. Ovid, on the other hand, tells of a much less extreme figure whose humble goal is only to persuade Jason to return. Despite these differences, both Medeas create trouble by acting with emotions instead of with reason, and as a result, put

For thousands of years there has been a strong distinction between the roles of men and women. Often times in stories there will be women that are only mentioned for their beauty and charisma. Hardly ever will you see pages upon pages being spent talking about the true character and accomplishments of women characters. Even though stories like The Epic of Gilgamesh and the Book of Genesis were written thousands of year ago, (when stories were told mostly told from a males perspective) the light shined on women in the texts show them as wise, strong, and greatly influential beings. In The Epic of Gilgamesh and the Book of  Genesis, the writer shows the women as bringers of knowledge,  guidance, and care to the men in the texts that are lacking thereof.

The Epic of Gilgamesh is a story of Gilgamesh, a man who was two-thirds god that was saved by companionship. Gilgamesh was a cruel and careless king, who spent his time raping women, exhausting citizens, and conquering foes and foreign lands until he met, fought and was guided by his great friend and soul mate, Enkidu. With the help of Enkidu and his influence, he learned compassion as well as wisdom and integrity, and eventually Gilgamesh became a great and fair king. Though the story focuses mainly on Gilgamesh and his friendship with Enkidu, there are several roles played by women that help to make and move the story along. Without these important women who show great strength and feminine qualities despite being oppressed by the

About 2700 years ago there lived a king by the name of Gilgamesh who ruled the city of Uruk in Mesopotamia now known to us as modern day Iraq. Parts of his life are written on clay tablets believed to be the oldest existing written story of a man’s life. (XI). “The epic of Gilgamesh”, is the story of his quest for eternal life. In this paper I will be writing about the influence that the women in his life have played in his quest.

In the Epic of Gilgamesh, gender plays a very significant role. While women were not the most powerful gods nor the strongest or wisest of humans, they still had tremendous influence. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not play a necessarily minor role. With all the women that play a role in the Epic of Gilgamesh, gender is a topic worthy of discussion.

The Epic of Gilgamesh chronicles the life of the great warrior and hero Gilgamesh. Gilgamesh is not great hero because he is moral. In fact he is feared because "a goddess made him, strong as a savage bull, none can withstand his arms" (1). This phrase underlines the terrible power of femininity, in the view of the Mesopotamian culture that produced the text. On one hand, the female principle is responsible for creation. On the other hand, the female principle also has the ability to destroy: the epic takes a largely dim perspective of humanity, and often, by extension of women, because the source of all creation is a goddess, Aruru. Aruru creates but she also generates suffering.

A dramatist who explores the theme of revenge throughout his play is Arthur Miller in ‘The Crucible. There are different characters in this play that carry this theme of revenge, Abigail being one in particular, as she seeks revenge against Goody Proctor. This is due to Goody Proctor firing Abigail from her job after she had found out Abigail had had an affair with her husband. This seventeen-year-old girl also has an endless capacity for dissembling. John Proctor, Reverend Parris, and the Putnam’s are also characters in the play that are out to seek revenge for their own reasons. It could through the theme of revenge, be said that Miller tries to enhance your application of the play.

Stories reflect and mirror culture. Some writers write about how things currently are in their own society and the position that certain people hold in that society. It is because of that kind of thought and style of writing that a reader can learn and in some ways better understand the hierarchical position of peoples in a society at a particular time in history. In ancient Mesopotamia, women had fewer privileges and rights then the men. Despite their lack of rights and privileges, women in high position were viewed as temptresses, tamers, and a essential part of Mesopotamian culture.

“The world is still sexist.” — Barbara Broccoli. From the creation story to modern day, women and men still struggle with a power dynamic of inferiority and superiority. The problem of sexism has been ever-present throughout history, and although it has been acknowledged by many, it has not been eradicated or resolved. Although the acknowledgment of sexism has grown over the course of the modern era, it is heavily rooted in society’s developmental process, which makes it continuously difficult to annihilate. Furthermore, throughout many historical texts, women are often represented as objects instead of real people. Within texts, such as the Epic of Gilgamesh, the Bible, the Quran, and the Torah, women are constantly regarded as inferiors instead of equals with men. Throughout these texts, there is a clear separation between the treatment of men and women, with women always being referred to as property.

The deceitful female is epitomized by the character of Aphrodite in Euripidies?s Hippolytus. Due to having her altar neglected (as in the case of Psyche) she plotted to bring ruin to Hippolytus and all those who loved him. At the end of the play, Artemis plots revenge against Aphrodite (also called Cypris) saying:

For centuries, books, television shows, even beloved childhood movies have subtly reinforced the social construct of patriarchy. Classic movies such as Cinderella and Sleeping Beauty follow the typical story line of a damsel in distress, followed by a heroic man coming to her rescue. This conception of a male focused storyline is nothing new and is an aspect that constitutes patriarchy, which has existed since the advent of agriculture and has persisted throughout the centuries. In fact, patriarchy was a major theme that was reinforced in the first story ever recovered; The Epic of Gilgamesh was written as early as 2000 BC in Mesopotamia and is loosely based on the Sumerian king, Gilgamesh. The story tells of Gilgamesh’s adventures with his friend Enkidu as they conquer everything from other men to the Bull of Heaven. Throughout the story, patriarchy is heavily reinforced. Although the driving force behind patriarchy is personal attainment of security and status, a number of objectively undesirable events result such as the subjugation of women and societies that value control and dominance. The narrator reinforces different aspects of patriarchy in The Epic of Gilgamesh by portraying men in a good light and women in a bad one, focusing society around males, withholding agency from female females, normalizing violence, and creating the need for unequal relationships between men and women.

In Euripides’ Medea, Medea is very furious because Juno left her and her children to remarry the princess. Medea does not accept the betrayal and demands punishment for leaving her after all she has done for him. Creon is aware “I’m afraid of you. You could hurt my daughter, even kill her. Every indication points that way”(793). Medea knew she was going to exile and pretended to be a victim and swore that all she said was just out of anger. Little did the king know that she had a vicious plan to kill his daughter and Creon as well. Medea indeed got what she wanted. She obtained revenged by killing her children on top of the bride and the king.“Forget your children. Afterward you’ll grieve. For even if you kill them, they were yours; you loved them. I’m a woman cursed by fortune”(817). This shows how woman did not have power over their children. Medea’s husband was the owner and that’s why she killed them because her children were not in reality hers, she just gave birth to them.