Reversal Of Tragedy In Oedipus The King

The Greek drama “Oedipus The King” evidently leads to the unveiling of a tragedy. Oedipus, the protagonist of the play uncovers his tragic birth story and the curse he had been baring his whole life. Oedipus is notorious for his personal insight that helped him defeat Sphinx, which lead him to becoming the king of Thebes. He is admired by the people of Thebes and is considered to be a mature, inelegant and a rational leader. From his birth, his story began with a prophecy that Oedipus would grow up to kill his father and marry his mother. Through out the play numerous people, who tell him of his unknown past, visit Oedipus. Blind to the truth he casts them away until a blind man named Therisis gives a sight of truth to Oedipus. As Oedipus learns the truth he realizes the great evil his life carries. After finding his wife and also mother hung in her bedroom, Oedipus blinds himself with the gold pins that held Jocasta’s robe. Oedipus blind to the truth is finally able to see when the old blind man visits him and tells him the truth about his life. Both metaphorically and physically sight plays a significant role in understanding the irony of a blind man seeing the truth while Oedipus who isn’t blind doesn’t seem to the truth that’s right in front of him.

As Oedipus rambles on about who has the information that will solve the mysteries of his birth, he starts to get angry or outraged about people in the chorus and Jocasta telling him to stop searching for the answer and leave how everything is. Oedipus is so confident and arrogant that he asserted, “Nothing will move me. I will find out the whole truth.” This remark about finding the mystery of his birth sends Jocasta to storm to the palace and hang herself. As the play goes on further the shepard finally appears and gives him the tragic and heart-wrenching news, Oedipus goes into a state of anagnorisis and dramatically recognizes “O God! It has all come true. Light, let this be the last time I see you. I stand revealed - born in shame, married in shame, an unnatural murder.” When the Oedipus later enters the stage with his eyes gouged he weakly said, “Where am I going? Pity me! Where does my voice range to through the air? O spirit, what a leap you made!” It is this quote that shows peripeteia, it is the where Oedipus turned from confident and arrogant to a pitiful and blind. Sophocles presents the theme that confidence is a great trait but can ultimately led to one’s

The play demonstrates recognition of Othello in Act V, his character changes from gullible and insecure to aware. The ideas of Aristotelian tragic components are discussed in depth in his Poetics. Aristotelian components include; the importance of events, the catharsis, the dramatic form, the reversal and recognition, and the tragic hero giving substantial proof that the play is an Aristotelian tragedy, and that Othello is a tragic hero according to Aristotle.

Fate is defined as the development of events beyond a person’s control. In “Oedipus the King,” Sophocles, tells us about a tragic hero (Oedipus) in which his life is predetermined by fate, because he is deprived of free will. The first act of fate on Oedipus was him being saved by a shepherd when his parents (Queen Jocasta and King Laius) left him in the mountains to die, he then met and killed his father without knowing who he was, and last, he married Queen Jocasta, later realizing that she was his mother. Every action that Oedipus took to prevent his fate, would soon be the ultimate downfall, not only for himself, but for his family and the people of Thebes.

In Poetics, it is explained that a reversal is when the situation of a character is made the complete opposite of what it once was. One example of this is when a protagonist who starts out with everything in his favor later finds himself in the most dire of situations. Aristotle also notes that a reversal is one of the most beneficial devices to use when creating a captivating plot. A reversal evokes shock in the audience, as they had not anticipated such a disaster to occur. Furthermore, reversals are more effective when used in tandem with a device of recognition. Aristotle defines recognition as when a character goes from a state of ignorance to one of comprehension. An example of this fusion of elements is the protagonist making a discovery

Sophocles' play Oedipus the King has endured for over two thousand years. The play's lasting appeal may be attributed to the fact it encompasses all the classical elements of tragedy as put forth by Aristotle in Poetics nearly a century before it was written. According to Aristotle, tragedy needs to be an imitation of life according to the law of probability or necessity. Tragedy is serious, complete, and has magnitude. It must have a beginning, middle, and end and be spoken in language that is fit for noble characters. Furthermore it must be acted, as opposed to epic poetry, which is narrated. Tragedy shows rather than tells. Finally it must result in the purging of pity and fear, or a catharsis. Tragedy is based in the fundamental order of the universe, it creates a cause-and-effect chain that clearly reveals what may happen at any time or place because that is the way the world operates. Tragedy arouses not only pity but also fear, because the audience can envision themselves within this cause-and-effect chain. Tragedy as a whole is composed of six elements: plot, character, language, thought, spectacle and melody. Melody and language are the media by which the effect of imitation of action is carried out, spectacle is the manner or way the tragedy is carried out, and plot, character and thought are the means that initiate the action. Oedipus the King possesses all of these elements.

During the Ancient Greek period, Aristotle, a great philosopher, wrote a book called the Poetics to describe what makes a great tragic play. Using the Oedipus Rex by Sophocles as the basis for his book, Aristotle goes into great detail about plot, character, and much more, breaking up the components of a tragedy. Since Oedipus Rex had a huge part in the creation of Aristotle’s book, it fulfills many of the Greek philosopher’s requirements for a tragic play.

Evidence: “ How i weep for you -- I cannot see you now… just thinking of all your days to come, the bitterness, the life that rough mankind will thrust upon you… such disgrace and you must bear it all! Who will marry you then? Not a man on earth. Your doom is clear: you’ll wither away to nothing, single, without a child. (Line 1625-1645)

Oedipus is one of the most famous tragic heroes in drama history. His bizarre fate leads him to a tragic defeat that leaves the audience and reader feeling emotionally overwhelmed. According to Aristotle’s definition, Oedipus’ story makes him as a tragic hero. Oedipus is the personification of Aristotle’s characterization of a tragic hero through his ability to maintain and keep his virtue and wisdom, despite his shortcomings and situation in life. Aristotle’s observation of a tragic hero does not reveal the lack of morality or the evil of the character, based on an error in judgment. The tragedy and drama fit the Aristotelian characteristics of Oedipus.

Oedipus the King is an excellent example of Aristotle's theory of tragedy. The play has the perfect Aristotelian tragic plot consisting of paripeteia, anagnorisis and catastrophe; it has the perfect tragic character that suffers from happiness to misery due to hamartia (tragic flaw) and the play evokes pity and fear that produces the tragic effect, catharsis (a purging of emotion).

Aristotle, the great fourth-century Greek philosopher labeled this tragedy as “an imitation of an action of high importance, complete and of some amplitude: in language enhanced by distinct and varying beauties…by means of pity and fear effecting its purgation of these emotions” (qtd. in Kennedy & Gioia 885). Aristotle was portraying the epic Shakespearean drama, Othello. Aristotle prescribed three main elements for a disastrous theater recipe: First is a hamartia, or a tragic flaw in the main character that leads to the demise; second, catharsis or an emotional release of the audience’s sensations derived from the actors, so they seem to have felt they have learnt something about the play; and lastly, anagnorisis or the character’s astonishment of something that may have not before realized (Kennedy & Gioia 856-857). The protagonist in Shakespeare’s Othello satisfies all of Aristotle’s necessities for a tragic hero, as Othello is the character of magnificent status, which falls from that status of power to one of shame because of his hamartia. Furthermore the plot of Othello contains an influential katharsis through its peak and deduction, and an anagnorisis when Othello comprehends that Desdemona and Iago are not who they appear to

Following the victories of the Greeks invading the Persians at Marathon in 490 B.C. and Salamis in 480 B.C., Athens experienced a period of social optimism and period expansion during the first half of the fifth century B.C. The second half of the fifth century B.C. was also very successful in that Athenians tremendously developed culturally and intellectually. This was the era of Sophocles and a period where everything and anything seemed possible through man effort and reason. Sophocles wrote a trilogy of tragedies, which contained of 3 Theban plays. Oedipus Rex, the first play in the trilogy, was written during a period of political instability and plague. In Oedipus Rex by Sophocles, many themes such as the quest for identity, the nature of innocence and guilt, and the abuse of power are portrayed and are pivotal for the play to build up to the tragic ending.

Brockett and Hildy describe Aristotle’s definition of tragedy, stating it emulates actions stimulation fear and pity in the audience. Oedipus fears the prophecy is true, and that he will be his parents’ demise; through learning who his father actually is, and driving his mother to suicide, his fears are realized. When Oedipus sees Jocasta’s body hanging from the noose, and stabs his eyes out, the audience feels his pain. In Lesson two, the individual experience is highlighted, separating drama from ritual. Oedipus’s perspective is at the forefront of this play, and the audience follows his journey as the tragic hero.

is a trait viewed as being favorable to a character at first, but it leads to their later downfall. It was often used in ancient Greek tragedies to show that mankind was susceptible to flaw. This was present in Sophocles 's tragedy, Oedipus the King. The protagonist of the tragedy,Oedipus, was not exempt from his own flaws. Oedipus’s traits of excessive pride and desire for knowing the truth were advantageous to him in the beginning, yet were the very things that contributed to his tragic downfall.

Oedipus the King would not have been successful throughout centuries as a tragic play, if Oedipus were clearly responsible for his own tragedy. The play's ongoing success was do to Oedipus' innocence which immediately makes one think he can not be fully responsible and to blame. I do not believe Sophocles would have wrote the story, or I do not think people would have ever read it or studied it had it simply been a story of a criminal's retribution. Sophocles himself believed Oedipus to be the innocent victim of an ironic tragedy, and built the play around this belief. This story was destined to happen and I believe the author would agree. The story revolves around destiny, the resistance of people to it and the ultimate ending of destiny