In the opening two scenes of ‘A Streetcar Named Desire’ by Tennessee Williams, the audience has its first and generally most important impressions formulated on characters, the plot and the mood and tone of the play overall.
The play A Streetcar Named Desire, by Tennessee Williams, is a play about a woman named Blanche Dubois who goes to live with her sister after she loses her home in Mississippi. Between the hardships of her previous life and the way she is treated now, she is not in a good way by the time the play ends. She basically has a mental breakdown. There are three stages of Blanche’s mental state. She lives in a fantasy, Mitch rejecting her, and Stanley raping her, Blanche is mentally unstable by the end of this ply.
Tennessee William is a man known to particularly write about loneliness, irritation, and hopelessness. One of his more famous works, A Streetcar Named Desire, is no exception; it uses many aspects of conflict involving multiple themes, including death and desire, a motif that constantly haunts one of the four major characters in the play: Blanche Dubois. This theme is developed through the repeated conflicts set in her past life and current life. The other three major characters are Blanche’s sister, Stella Kowalski; her brother-in-law, Stanley Kowalski; and her love interest, Harold “Mitch” Mitchell. These figures are involved in multiple strifes that make up the entirety of the play, ultimately leading to what critics immediately recognize as tragic and ironic (Crandell 92).
2016. Many works of literature contain a character who intentionally deceives others. The character’s dishonesty may be intended to help or to hurt. Such a character, for example, may choose to mislead others for personal safety, to spare someone’s feelings, or to carry out a crime. Choose a novel or play in which a character deceives others. Then, in a well-written essay, analyze the motives for that character’s deception and discuss how the deception contributes to the meaning of the work as a whole.
“A Streetcar Named Desire” is a playwright about a woman named Blanche DuBois who goes and visits her sister Stella and her sister’s husband Stanley. She tells them she is just there on vacation, but in reality has lost the family mansion, her job, and a place in the town she lived in. Ms. DuBois lost her job and was kicked out of her town due to the fact that she was caught sleeping with a seventeen-year-old that she was teaching. She lies to her sister and convinces her that she is just visiting and will eventually go back home. Stanley catches on to her lies and calls her out on them and in scene eleven they decide to put her in a mental hospital by convincing her she is going on vacation. Ms. DuBois begins to ramble about her death because she believes she will die from eating unwashed grapes. She says her death will happen on a ship and her body will be “buried at sea sewn up in a clean white sack and dropped overboard…into an ocean as blue as my first lover’s eyes” (1174). Ms. DuBois seems to have rehearsed her soliloquy about her death so that, when she said it aloud everyone would understand that she was at peace with the fact that she would soon die also, the meaning of the unwashed grape, the white sack, and the blue ocean.
Sometimes, an individual’s instinct for self-preservation significantly influences her response to competing demands as it is necessary for her life to go on no matter what obstacle she must face. In Tennessee Williams’ play, A Streetcar Named Desire, he discussed how an individual’s desire for self-preservation creates bias when she is to respond to competing demands as it is necessary for her to go on with her catastrophic life, no matter what demands she is faced with.
In Tennessee Williams’ play A Streetcar Named Desire, Williams explores the internal conflict of illusion versus reality through the characters. Humans often use illusion to save us pain and it allows us to enjoy pleasure instead. However, as illusion clashes with reality, one can forget the difference between the two. When people are caught up in their illusions, eventually they must face reality even if it is harsh. In the play, Blanche suffers from the struggle of what is real and what is fake because of the difficult events of her past. Blanche comes to her sister Stella seeking aid because she has lost her home, her job, and her family. To deal with this terrible part of her life, she uses fantasy to escape her dreadful reality. Blanche’s embracement of a fantasy world can be categorized by her attempts to revive her youth, her relationship struggles, and attempts to escape her past.
A Streetcar Named Desire written by Tennessee 0portray a play center and revolving around characters and New Orleans. The two settings are completely different we are introduced to Elysian Field where the Kowalski live and then Blanche from Belle Reve a high class society. Stella has written to Blanche “She wasn’t expecting to find us in such a small place. You see I’d tried to gloss things over a little in my letters” (31). Blanche meanwhile travelled to stay with the Kowalski on two streetcars which will ultimately determine her faith she longs for desire but could not bear the sign of death.
Everyone has fantasies but most know that is not the true reality. Defining dreams and reality are two different things. Some want to escape the real world and make their own dreams become true, due to seeking happiness. The author portrays Blanche, Stella, and Stanley as characters that are fixated on what they want to believe is the truth; however, the reason being is because they do not want face their fears. Stella and Blanche both desire to make their past non-existent and live in a perfect world, rather than accept the truth and move forward. Stanley does not let his fantasies take over his life as much as the two women. In Tennessee Williams’ A Streetcar name Desire the three protagonists Blanche, Stella, and Stanley exist in a fool’s paradise by using denial and fantasy to display a public facade in desire to obscure the truth; however, the characters want to escape their undesirable reality through their more desirable fantasy.
From the very title of the novel and beginning poem Levi implores us to consider the essence of what it is to be human, presenting to us the thought-provoking question, if this is a man? Levi this way allows us to engage on an emotional level with the events of the holocaust and examine our own consciences, and as he details in his preface ‘furnish documentation for a quite study of certain aspects of the human mind’, and accuses society of subconscious reasoning that ‘every stranger is an enemy’. In explicit stripping the prisoners depicted in the text of their humanity, making this uncomfortably apparent to us as we are consistently encourage to draw comparisons, or rather contrast, with our own lives and hence are perhaps
The play A Streetcar Named Desire, was remade into a movie that was filmed in New Orleans. The film takes place in the 1950s with Blanche who moves in with her sister, Stella, and her brother in law, Stanley. The movie is about Blanche’s experience and eventually demise all in New Orleans.
It is evident in A Streetcar Named Desire, that Williams explores the class differences relating to conflict at this time of post-war America. Through William’s use of stage directions and dialogue to show how the conflict heightens due to the underlying class differences. However, this is challenged partially due to other factors that create conflict and tension. As at this time America was very much a society where class was important and respected and Williams clearly portrays this as Blanche very much confirms to society’s social class standards as she was very much influenced by social class all throughout her life, however the more explicit factor of gender leads up to the conflict in a greater way.
The author, Tennessee Williams, does a phenomenal job of portraying Blanche Dubois as a deceiving, manipulative, arrogant person in his book “A Streetcar named Desire”. Williams first showcases these characteristics during the arrival of Blanche. This introduction not only sets a mood and tone but it gives us our first impression of Blanche. Overall this impression leaves the audience with a sour taste in their mouths and ill feelings towards the new girl. However, don’t be so quick to jump the gun. What if I said Blanche isn’t the villain she’s depicted as in this story?
Some stories are heavily narrated, the story and the characters are described largely upfront and in important details
A tragic hero in literature is a type of character who has fallen from grace, where the downfall suggests feelings of misfortune and distress among the audience. The tragic flaw of the hero leads to their demise or downfall that in turn brings a tragic end. Aristotle defines a tragic hero as “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through error of judgment.” The characteristics of a tragic hero described by Aristotle are hamartia, hubris, peripeteia, anagnorisis, nemesis and catharsis which allows the audience to have a catharsis of arousing feelings.