Review Of ' Blackfish ' By Mahalia Burford

Blackfish does a great job at using all three rhetorical appeals in defending their argument for the abolishment of orca captivity. First, ethos is widely used throughout the documentary. Almost every speaker in the documentary had a first hand experience with Tilikum or other captive orcas, giving the document major credibility. Actual SeaWorld trainers who worked the shows gave their personal first hand stories in working with the orcas. They themselves explained how they saw Tilikum’s behavior and health deteriorate. Former amusement park managers who were either worked with Tilikum or dealt with the business in capturing and trading orcas also gave their first hand accounts of what had happened with Tilikum and other orcas. An OSHA expert witness was also included in the documentary speaking about the horrible conditions that SeaWorld had put the orcas in. All of these experts in their respective field talking about the dangers of orcas in captivity is a great use of ethos in Blackfish’s argument against orca captivity.

In the documentary “Blackfish”, directed by Gabriela Cowperthwaite, she discussed the harmful events that have occurred when keeping killer whales contained for show and entertainment purposes. Cowperthwaite argued the fact that the killer whales become aggressive when held captive in an area too small for them and separated from their families. Throughout the documentary there were many horrifying stories about the attacks told by people who had saw the tragedies first-hand.

Blackfish is a documentary centered around the treatment of killer whales held in captivity, most notably that of Tilikum, an orca that was held by SeaWorld at its facility in Orlando, Florida. The documentary begins in 1983 with the capture of Tilikum and sheds light on the deaths involved with the infamous killer whale. Moreover, it features interviews with former SeaWorld employees who interacted with Tilikum and witnesses who were present for some of Tilikum’s reported attacks. Jeff Ventre, a board-certified medical doctor and former SeaWorld Trainer, and John Jett, a marine mammal scientist are also brought onto the documentary to analyze the scientific facts presented and to describe it in a way that is easily understood by the viewer. In the documentary, there are many examples of rhetorical devices used to provoke the viewer to stand against the captivity of killer whales.

A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.

Gabriela Cowperthwaite’s activist documentary, Blackfish, spurred a significant public dialogue following its 2013 premier. The film centers on the role of Tilikum, an orca whale at SeaWorld, in the deaths of three SeaWorld trainers, including, most recently, Dawn Brancheau. Cowperthwaite follows a suit brought against Sea World by the Occupational Safety and Health Administration (OSHA), weaving together testimony of scientists, former trainers, and family members of the deceased, among others, to make a compelling case against SeaWorld’s practice of holding and performing alongside orcas. Nevertheless, after its release, the film drew criticism from some of its participants as well as Sea World itself. Cowperthwaite claims not to have tried to vilify SeaWorld. However, this claim seems dubious given the film’s fairly evident anti-SeaWorld bias.

          The website for SeaWorld Parks and Entertainment is speaking towards anyone that has seen the documentary BlackFish, or anyone who thinks that SeaWorld is abusing or mistreating the orcas or other animals by keeping them in captivity. They also attract the corporate side of SeaWorld as a business. The website gives information about what the business does to give back to the community, how their animals are treated and shows their credibility to draw in customers.  The tab titled “The truth about Blackfish” states multiple points about how the producers of the documentary were lying about their facts or over exaggerating to appeal to multiple viewers. The purpose is to fight back against

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

If you have ever been to Seaworld you would have had to go see the Killer whales in fact its one of the top attractions there. Through the eyes of a child, these gentle giants seem to be happy, healthy, and enjoying a playful game with their trainers. The question is are they really happy, do they get treated the right way, and why have there been deaths and injuries. Many people wonder about these things and after the movie Blackfish came out more and more people began to question how well Seaworld treats their animals. “The truth is that Sea World keeps its animals for entertainment and money and helps no one but themselves.”- Animal Legal Defense Fund

Killer whales, also known as orcas, are the largest member of the oceanic dolphin family. In their natural habitat, killer whales have been described as docile and majestic creatures. Killer whales are known to travel in pods that are composed of matrilines. Matrilines are groups of whales connected by maternal descent. Relationships between killer whale calves and their mother are extremely close knit (“Behavior”). Beginning in 1965, SeaWorld – a marine zoo, began capturing whales from the wild to perform in shows for park visitors’ entertainment (“10 Things You Didn’t Know”). In the documentary Blackfish, director Gabriela Cowperthwaite urges and reassures audience members that keeping these large creatures in captivity is a horrible thing that is dangerous for both the whales as well as the humans that interact with them. To accomplish this persuasion, Cowperthwaite employs the use of rhetorical devices ethos, pathos, and logos to solidify her claims.

Blackfish (2013), a mesmerizing, psychological documentary with 7 film awards and 38 nominations, presents an extensive look into the negative effects captivity has on Orca whales. The director and writer Gabriela Cowperthwaite calls her audience to action, similar to documentaries such as Food, Inc., The Cove, and Super Size Me. In all of these documentaries, the director and writers reach out to an audience that is not fully knowledgeable on a certain topic, in order to persuade them into taking a stance on a certain topic. In Gabriela’s film, she illustrates the story of Tilikum, a performing Orca who killed many people while at SeaWorld, Orlando. Though at times graphic, the film investigates the harmful effects captivity has had on these wonderful creatures and their trainers. Blackfish uses credible interviewees, powerful voice-overs, and influential outside evidence to persuade those who are un-informed of the negative effects of captivity on killer whales. The ultimate goal in doing this is to urge these individuals to take a stance against aquatic captivity.

For several years, Americans have been visiting amusement parks, like SeaWorld and Six Flags, to observe large animals like orcas, also known as killer whales. These whales are quite difficult to view in the wild, but can now be seen for a simple fee. Orcas are known to be one of the smartest mammals. They are friendly, and this has caused people to take advantage of them. For the past sixty years, people have brought these massive creatures into their aquariums to make a profit from their exhibitions. Often, without considering the orcas' quality of life. While kept in captivity, killer whales are forced to do many tricks they normally wouldn’t do in the wild. Over the years, there have been numerous controversies regarding killer whales

In the well-known documentary, Blackfish portrays what really happens behind the closed walls of SeaWorld and the enclosure of killer orcas. The purpose of this film was to give an inside look into the controversial life of whales and trainers. The audience was able to witness unfortunate events during SeaWorld shows and the capturing of the mammals. Many witnesses were interviewed to give factual and opinionated evidence. The usage of rhetorical devices in the documentary such as Ethos, Logos and Pathos contributes to its persuasive stance that although orcas can be kind and friendly mammals, being kept as performing animals can have deadly consequences.

However all of those things have begun to surround SeaWorld’s name and its legacy. The debate surrounding SeaWorld begins at whether the orcas should be freed or remain in captivity through the viewpoints of three different opinions: against SeaWorld, for SeaWorld, and a neutral standing. The two deaths that have occurred at SeaWorld are extremely tragic incidents, and the blame has been put onto

Many people believe that orcas, commonly known as killer whales, do not belong in forty foot tanks, when the have over 300 million cubic feet of ocean in the wild. Others see Sea World as an opportunity to view animals in an intimate way that would not be possible elsewhere. “A Whale of a Business: Pro-Captivity Views” offers insight on the pros of animal captivity from Jim McBain and Brad Andrews, both employees at SeaWorld. “A Whale of A Business: Anti-Captivity Views” encompasses views from animal advocates, Ric O’Barry and Naomi Rose. As I side with the Anti-Captivity groups, I argue that captivity of large, migratory animals for the pleasure of humans is inhumane and ultimately non-comparable to life

Journalist Stephanie Collins addresses the worldwide phenomenon of the 2013 documentary Blackfish and discusses the constructed truth we are persuaded to believe. The bias presented in this documentary works very effectively and the audience is left to feel the pity for the killer whales of SeaWorld. However, can we believe everything director Gabriela Cowperthwaite presents to us? Have we just fallen victim to the constructed truth of extreme animal activists? Documentaries are known for constructing their own version of the truth they wish to portray.