Review Of Contemporary Art Exhibition

Colonization efforts that were overtly racist against indigenous individuals majorly disrupted traditional indigenous communities in an almost inexhaustible list of ways. This resulted in a sustained long-term trauma that affected generations of indigenous people in Canada and, with current policy, will continue to affect future generations. Academics largely

How can you write about a culture whose history is passed on by oral traditions? Better yet, how can you comprehend a culture’s past which a dominant society desired to assimilate? These two questions outline the difficulty in understanding the historiography of Canada’s Aboriginal peoples. In 2003, Paige Raibmon published her article, “Living on Display: Colonial Visions of Aboriginal Domestic Spaces.” Her work, although focused on Canada’s colonial “notions of domesticity,” presents the role of Aboriginals as performers to European notions of indigenous culture and identity. Early social historians believe that Aboriginals’ place in history is in their interactions with European Jesuits. A decade later, historians argue Aboriginals

In the short story “Totem” by Thomas King, the relationship between the totem pole and the museum workers is predominantly negative. The relationship between the totem pole and the museum workers is depicted as being overpowering, authoritative, and entitled when the workers unceasingly try to remove the totem pole from the museum. Ultimately, the totem pole symbolizes the struggles, resilience, and perseverance of the Indigenous people in Canada.

Chelsea Vowel's book "The Myth of Progress" (2016), explains that Canada has a long way to go to overcome the harmful and prevalent stereotypes about Indigenous people. The author supports this argument by discussing how the portrayal of Indigenous peoples in Canadian media has hardly changed over the last 200 years. Based on the language and subject matter, it's clear that the intended audience of this piece is Canadians both Indigenous and non-Indigenous.

The history of Canada is the era of where colonization all began towards aboriginal peoples. Over the past decades, aboriginal peoples have been mistreated and misused by the white-Europeans. They have been oppressed by Canadian society that we are known still by today and continue to live under racism resulting in gender and class oppression. The history of colonialism has been playing a big part in the way of how aboriginal people have been constructed and impacted on how aboriginal people are treated and viewed in Canadian Society. They have been dealing with the struggles, inequality, and discrimination that we have been putting them through for over three centuries, we’ve been also failing them with Canada’s racist policies

Nationalism is an important aspect of national pride and identity for countries around the world. For example, Canada takes pride in its cultural identity, one that is claimed to be different from other ‘Western’ more ‘industrialized’ nations, such as countries in Europe, and the United States. Even though Canada currently has a national identity that differs greatly from that of other more established countries, history has dictated the way in which a particular national identity exists today. In Canada, Samuel De Champlain and the French established colonies that created a cultural clash between the French Europeans, and First-Nations Canadians within the country. However, this notion of French Canadian Nationalism isn’t necessarily embraced by all of the Canadian Population. This paper seeks to analyze important pieces of Canadian History that have contributed to a broken concept of what constitutes Canadian nationalism, with an emphasis on how historic events prevent and affect coherent Canadian Nationalism in modern society. Through the analysis of the notions and histories associated with ‘First-Nations Nationalism’, ‘Quebecois Nationalism’, and a broader ‘Anti-American’ identity embraced by many Canadians, this paper seeks to locate common ground within the culturally diverse Canadian population in order to progress toward a singular coherent

J.R. Miller’s article entitled “Victoria’s “Red Children”: The “Great White Queen Mother” and Native-Newcomer Relations in Canada” was published in July 2008 in the Native Studies Review, Vol. 17 Issue 1, p1 -23. The article examines how even though First Nations people suffered tremendously during Queen Victoria’s reign, they maintained their strong allegiance to the Crown mostly due to their kinship mentality. Miller notes that slowly but noticeably, by the end of Victoria’s reign the Great White Queen’s Red Children were beginning to adjust their rhetoric to use the Crown and imperial government at Westminster as counterweights against national and provincial governments within Canada that were oppressing them.

Native Americans express their voice in films by incorporating their history, culture and traditions for Indigenous purpose. These independent cinema efforts are produced by filmmakers who want to tell a story about their tribes around the world and educate the younger generations. Zacharias Kunuk, filmmaker of Antantarjuat; The Fast Runner and Journals of Knud Rasmussen, “compels non-Inuit spectators to think differently, not only about what constitutes indigenous content in films and more conventional representations of Native Americans in cinematic history, but also about indigenous visual Aesthetics” (Raheji 1168).

Indigenous literacies are used to communicate certain messages that are meaningful to the people in that individual community. These literacies are used to communicate stories, laws, maps, songs and dances to their own society. These forms of literacies are seen as being crucial to the cultural community as they are used to convey the social practices that should be handed down through the generations. Indigenous literacies may be interpreted in western cultures as art but they are actually narratives and recounts that Indigenous people generate. Indigenous literacies derive from different worldviews and connection to a range of components. They are then shaped and reiterated through knowledge systems that highlight knowing one’s stories of kinship. Indigenous Literacies are seen in forms such as on tress, bark, wood, sticks, rocks, carvings, in the soil and on bodies and

In understanding the importance of cultural continuance is it necessary to understand its connection and direct relationship to Canada’s long history of colonialization. Although western art places Indigenous history within in a complete pre-contact lens, Indigenous art and histories are connected and shaped by both pre-contact and post-contact worldviews which have influence and shaped various works and understandings. Yet, one significant separation between settler and Aboriginal world views that is important to notes in the role of cultural continuation is the difference to the linear event based view of history that western society is predicated on. As opposed to many Indigenous nations view of history as always within motion, not static

Among the many artworks I have seen, I decided to discuss about the “Sarcophagus Depicting a Battle between Soldiers and Amazons (Warrior Women)” from the Roman civilization. It was built sometime in between 140 A.D. to 170 A.D and is approximately forty and a half inches in length, ninety-one and a half inches in width, and fifty and a half inches tall in height (“Roman Sarcophagus”). This masterpiece appealed to me because of the unique approach that has been designed to honor the deceased. Many people are familiar with the formatting and inscriptions of a gravestone because it is usually engraved with an individual’s full name, birth date, and death date. During the Roman Empire, a sarcophagus, which is a coffin, was widely used to show decorative themes that includes: battle scenes, hunting scenes, weddings, or other memorable episodes from the life of the deceased individual. The most luxurious ones were made from marble surrounded by symbolic sculptures, figures and inscriptions on all four sides (“Sarcophagus”). Another feature that captured my attention was the large quantity of details used to bring out a lifelike aspect of the deceased individual’s favorable moments in their life. In this artwork, this sarcophagus was dedicated to a Roman commander. The exterior of the sarcophagus has been well-decorated and carved with exquisite details depicting a battle scene

According to Melissa Nelson, why is oral tradition/history so important to cultural preservation and revitalization in American Indian communities? What are some of the challenges of using the term traditional according to Nelson?

Stephen Hume’s ‘The Spirit Weeps’ was a comment on the controversy surrounding ‘The Spirit Sings’. The exhibition ‘The Spirit Sings: Artistic Tradition of Canada’s First People’ was held at Glenbow Museum as a part of the Arts Festival of the 1988 Winter Olympics. The main aim of the exhibition was to educate the Canadian people about the native heritage of their country and to bring the wealth of Canadian native

Writing Indigenous stories takes us to a culturally risky space where writers can write and own stories to which they have no claim, no connection and no obligation (Janke, 2009).

of art as a finished product, signed by the artist and authenticated by the art market,