In the Cormac McCarthy novel “No Country For Old Men”, Llewellyn Moss makes a gruesome discovery while on a hunting trip in Texas. Moss finds dead bodies, bullet ridden trucks, guns, drugs and money in the desert. He decides to steal the bag of money that contains millions of dollars which changes the course of his life and many others. A local sheriff, Ed Tom Bell, and crazy hit-man killer, Anton Chigurh, are both on the hunt for Moss. McCarthy’s novel depicts how society has been adversely affected and desensitized by the exposure to violence and accepts that evil acts are a part of life. As Sheriff Bell narrates his story, his past is revealed which helps explain his emotions. As a veteran and a law enforcement officer, Bell has had …show more content…
As an experienced sniper in the Vietnam war, Moss is used to relying on himself and thinks he can steal the drug money, cover his tracks and live a good life. Vietnam taught Moss how to survive and he feels his skills are worthy of the risk of stealing the money. The war in Vietnam was fought differently than previous wars because “In contrast to World War II, American soldiers in Vietnam served individualized tours of duty rather than remaining attached to their units throughout the war. This sometimes produced difficulties in adjusting to life back at home” (New American Nation). Once Moss is in his survival mode he detaches from others in order to focus on his personal mission. He leaves Carla Jean behind it says that he can not make any promises about the future (McCarthy 66). Moss believes he can overcome any obstacle and will use whatever force necessary to survive when he says “By the time he got up he knew that he was probably going to have to kill somebody. He just didnt know who it was” (McCarthy 87). Moss behaves as though he does not have a choice about killing another person in order to keep the stolen money. In Vietnam the average age of a soldier was only nineteen years old (New American Nation). To be exposed to so much violence at a young age is proven to be destructive. When given the opportunity to save Carla Jean’s life Moss refuses to give himself up. He once again chooses to focus on his personal mission, not thinking of Carla Jean as a part of his team. A study of college age students found that “Diminished empathy at high levels of exposure to violence may also serve as a protective mechanism to shield individuals from assuming more emotional and cognitive burdens than they can handle. Similarly, high levels of personal trauma may make individuals more callous and dismissive of others’ experiences that may be viewed as insignificant compared to one's own”
The award winning film, No Country for Old Men, adapted from Cormac McCarthy’s 2007 novel, is a riveting tale of a brutal chain of events related to money, murder, and drugs, which rolls through West Texas in the 1980’s. Told through the perspective of the stories three main characters – a soulless killer, an old time sheriff, and an experienced country boy – both the novel and the film keep the audience anxiously waiting for the next gun fight or brutal killing. Amazingly, the film’s adaptation, directed by brothers Ethan and Joel Coens, manages to capture the themes and overall essences of the novel by maintaining all distinguishing mannerisms and dispositions of the characters; while also keeping the
In his novel The Road Cormac McCarthy uses a post-apocalyptic setting to help broaden the debate over moral good and evil. Not only do the main characters in his novel display either good or evil in their actions, but so do the people they encounter on their journey. These encounters are shaped by the moral decisions each individual makes. In this novel’s setting it is hard to define good and evil, but the choices made can still be applied to a non-apocalyptic world. McCarthy uses the experiences of the main characters to demonstrate that no matter what the scenario good will overcome evil.
The returning of a dramatic event disables a soldier to adapt accordingly to everyday life. Ones conscious of reality is infringed upon Posttraumatic experiences of warfare, which unleashes an outbreak of inhumane actions directed towards existence and significant others. As the short story progresses after the event of the Vietnam War, the narrator says referring to Henry that:
The Vietnam War was full of men just like Jimmy, teenagers and young men in their early twenties, and a majority of these “kids” were just as inexperienced as he was. Jimmy may have not been the greatest leader at first, but he always had good intentions. As the story continues, he begins to understand that “he is responsible for the lives of his own men”, and he seems to mature significantly towards the end. Although, Up until the end of the story, Jimmy continued to struggle with focusing on leading his platoon, and couldn’t seem to stop himself from fantasizing about Martha.
Hundreds of bodies littered the ground. Sounds of explosions and endless gunfire filled the air. Soldiers, with their uniforms splashed in crimson, fought viciously and ruthlessly. Their main objective, which was to win the battle, took a backseat to their newfound desperation to stay alive. After all, war is not a game, especially one such as the Vietnam War. The Vietnam War claimed hundreds of thousands of lives, and left its survivors haunted by a multitude of atrocious events. Terry Erickson’s father and George Robinson, who were two fictional characters from the short stories “Stop the Sun” and “Dear America”, respectively, were veterans of the Vietnam War. The differences and similarities between Terry’s father and George Robinson are striking, and they merit rigorous scrutiny.
This chapter covers the transition of Mary Anne Bell, of how she changed from being a normal, sweet teenage girl to being one of the Green Berets, filled with enthusiasm for the war and intrigued with the culture of Vietnam. This message is about how the innocence of women is consumed by the war and how once they begin to learn more about it, they are hopelessly entranced by it, far from returning to their usual selves. Rat talks about how, “Anne made you think about those girls back home, how they'll never understand any of this, not in a billion years. Try and tell them about it, they’ll just stare at you with those big round candy eyes. They won't understand zip.”(O’Brien 108), and this shows that women won’t understand what Vietnam really is like, they have to experience it themselves. Women also won’t understand the grueling mental pain that soldiers experience in the war.
Ignorant souls will probably tell you that No Country for Old Men is a film of thirst for blood, material wealth and a sheriff's investigation. Those that suggest this, however, are the same that tune in weekly for their dose of Big Brother: The Evictions and are swayed by the words of their local car salesman. The Coen brothers’ masterful 2005 adaption of Cormac McCarthy's No Country for Old Men is a standout in recent cinema history, pushing aside this year’s spit-out of Transformers from explosion-junkie Michael Bay. Taking a different approach from their usual quirky, humour films littered with three word profanities (cue: Burn after Reading Osbourne Cox fans), the Coen’s have successfully stepped into a dark, deeply disquieting drama
James Webb focuses on three main characters in his novel: Robert E. Lee Hodges, “Snake,” and Will “Senator” Goodrich. The inspiration for these three characters seems to be not the life of any particular historical figure, but rather the common backgrounds of real soldiers who served in Vietnam in general. Characters in the novel are most often developed only after their initial introduction into the story. After introducing a character to the reader, Webb will often follow this introduction with the story of the characters life before the military and how or why he decided to enlist. Those characteristics not mentioned at his introduction or those that change are typically revealed during or after intense, traumatic events, such as near-death experiences or witnessing the death of a friend. Although the novel centers on only three characters, these three characters represent highly prominent reasons that American’s had for enlisting; to continue a family legacy and protect his family’s honor, to escape the steep decline and unhappiness of his life, and by accident or unwillingly being drafted.
Cormac McCarthy’s novel, No Country for Old Men, enlightens the life of Llewellyn Moss, a welder and Vietnam veteran, who happens to stumble upon several murdered bodies, a sufficient supply of cocaine, and two million dollars of cartel drug money. Moss decides to seize the money and consequently sets off a chase for his life against the old hand sheriff Ed Tom Bell and hired psychopathic killer Anton Chigurh. However, McCarthy essentially exploits Moss’ and Chigurh’s escapade only as a subplot and ultimately conveys a deeper meaning. The novelist heavily relies on Bell’s failure to reconcile his morals of the approach crime used to take years before. Through analyzing the characters, moral relativism, and
In this essay, M.D. will analyze the roles and choices the main characters made while relating them to the main theme of good versus evil and fate versus free will in Cormac McCarthy’s No Country for Old Men.)
Bitter about the evolution of the corruption of society, Sheriff Ed Tom Bell plays the official hero clinging to old traditions and reminiscing about the old days in No Country for Old Men by Cormac McCarthy. Delusions of a peaceful utopia during the time his grandpa Jack was a sheriff has left Bell looking at the world through hopeless eyes; a world on its knees with only one explanation for its demise: Satan. Not necessarily a religious man, Sheriff Bell, when asked if he believes in Satan, remarks: “He explains a lot of things that otherwise don’t have no explanation. Or not to me they don’t” (218). Throughout No County for Old Men, Sheriff Bell is determined to save Llewellyn Moss in order to prove that justice can be served in a world
Cormac McCarthy’s No Country for Old Men has created controversial views on the significance of this novel. This piece involves a drug deal gone wrong when Llewelyn Moss, a veteran, happens to stumble upon three dead bodies, heroine, and a briefcase full of 2 million dollars. Told in different perspectives, the story continues with Moss on the run from a psychopathic killer Anton Chigurh in search of the money while also being tracked down by Sheriff Bell. Critics like James Wood from The New Yorker see this novel as “an unimportant, stripped-down thriller” solely based on the novel’s outer surface . On the other hand, William Cobb from the Houston Chronicle refers to McCarthy as the greatest living writer and that this novel “... has conjured up a heated story that brands the reader 's mind...and this is a novel that must be read and remembered”(Cooper 2). The literary merit of the novel becomes noticeable when looking beyond the thriller perspective. McCarthy’s literary merit in the novel is discrete, which is why it just appears to be a western thriller that many believe has no greater purpose other than an entertaining story. No Country for Old Men is a neo western thriller based on its writing style that divides the story into different perspectives containing elements such as fragmented sentences and untypical dialogue. The novel remains within the context of a 1980’s Texas plot which influences the diction so it can reflect a western atmosphere. Although it contains
This passage is very significant to the reality of the soldiers in the Vietnam War and brings to life the setting of the entire novel. The soldiers were primarily teenagers and young men in their early twenties who had not yet had the chance to experience life. They soon had found themselves in the midst of an intense war with nothing but uncertainty and fear. They hated it and they loved the fear and adrenaline that ran through their skin and bones. It
From the moment Mary Anne arrives at the base, the other soldiers know that this was a mistake. But Mark Fossie, blinded by love, doesn’t realize this. He believes that Mary Anne’s innocence could be preserved. But oh how he was wrong. In perhaps the greatest mistake in the entire Vietnam war, a soldier brought his girlfriend to Vietnam. Quickly her innocence disappears, and she turns into something wicked. She wears a necklace of human tongues and begins to take risks not even Ethan Hunt would. She behaves dangerously; she refuses to carry a weapon. This wickedness fundamentally changes Mary Anne’s personality and her attitude toward life. While she feels that she is finding herself, she is instead losing herself. May Anne loses herself to the jungle and the war. Like a hyperbole of the entire Vietnam era, Mary Anne loses her purpose. Around this time, some might say so did the American Dream. Contributing to the entropy of the American Dream, soldiers felt lost, confused, and in a metaphorical fog. Soldiers stopped thinking of the war as just good and bad, and instead as one of lesser
These two worlds Collins and McCarthy created where killing is a form of entertainment and/or necessity for one’s survival, one may assume that expressing any form of humanity is a sign of weakness. Moreover, because the main characters of both novels