Review Of ' Degikup Basket By Louisa Keyser

“Hana’s suitcase”, written by Karen Levine, records a painful memory of a Toronto resident, Gorge Brady, to his lost younger sister in the World War II (WWII), Hana Brady. This memory is provoked by an unexpected package from Japan. Which tells him they are exhibiting his sister’s suitcase as well as her drawing photographs in Tokyo Holocaust Center for a purpose of education about the Holocaust to the Japanese children. And they hope to get more information about his sister, Hana Brady’s life. In the continuing communication with the Japanese children, Gorge gives them all the details about Hana’s short life, and what happens to her in the WWII.

One of the most commonly founded item in the museum were varies kind of basket. There were basket from 1800-20th century. They all came in different shape and size. One basket were from Chitimacha Native American culture found in Louisiana. These baskets are made from local river cane, which is a variety of bamboo. Chitimacha basket colors are red, black, yellow and the natural color of the cane. Another basket were from Lozi culture found at Zambia. This basket were produce from beautiful Makenge tree root. They were used for storing food or personal items. It even stated that basket weaving basket was a more favorable job for the women.

Two exhibits, in particular, interest me, Isabel Manalo’s Stitching the Seam and Lewis Hine’s Kindred Spirits. They were both beautiful exhibits, simple, yet complicated, and had deeper meaning behind the artwork. Isabel Manalo’s exhibit, Stitching the Seam, as a whole stuck with me. I could not pick just one piece because it was all extremely interesting and touching. Made of acrylic, hand-sewn stitching with thread, photographs of vellum, yupo, abaca and mylar, and graphite, the exhibit was released in 2013. The piece is abstract, yet representational as everything used in the work has a purpose and meaning that are dear to Manalo’s heart. The hand-sewn collages reflect Manalo’s life, from a child up until now. The stitching in her work represents her mother and the dresses she would make for Manalo as a child. A pre-colonial Philippine alphabet, called Baybayin, was used to write words and emotions she has had towards her journey in being a daughter, mother, wife,

Islamic craftsmanship incorporates the visual expressions delivered from the 7th century onwards by individuals who lived inside the region that was possessed by or governed by socially Islamic populations. It is along these lines an exceptionally troublesome workmanship to characterize in light of the fact that it covers numerous grounds

This jar have yei’ii design and is at 8 ¾ tall and 8” wide at the handle. This is one of the Faye Tso’s pottery that have won the Second Prize in 1993 during the Museum of Northern Arizona Navajo Artiests Exhibition. This pieces and with other large pieces of pottery like the vase with yei’iis and human figure and the water jar with horned toads. These clay sculpture were made by Myra Tso, Faye’s daughter and it was to honor her grandfather, who sang and prayed for her. The design of horned toads on the pottery are very special because the toads was use in a ritual for praying. All ritual and ceremonies are essential parts of the Navajo way as well as sand painting art that was inspired by those that created ceremony. The dust from gold, diamonds,

The spherical form is decorated with engraved with stylistic depictions of animals in the legends originating from the tribes who where from the area she spent her formative years. Although “Eran” is made of metal, Dr. Thancoupie Gloria Fletcher has created many similar spheres out of ceramics. One such ceramic sphere is called “Moocheth, the Ibis Arough, the Emu Golpondon, the Ibis’s son”. These pieces make use of the beautiful, symmetrical, spherical form, which is an important symbol in Aboriginal culture, as it represents the Earth, fire, motherhood and unity. The spheres are decorated with engravings of animals. It also appears that she has applied some kind of glaze of oxide to the piece, and then washed it back, leaving darker lines in the engravings. Her artworks are powerful as they convey the narratives of her ancestors using stylistic designs and images, often depicting Australian

Throughout history, many different cultures illustrate their history and their beliefs through various artistic objects that they create. These artifacts allow historians to better gage their lifestyle, their beliefs, and how their society operated. One example of this is the “Drum Beater” sculpting created by Karoo Ashevak that is especially famous for its illustrations of the shamans and the spirits. In this research paper, Karoo Ashevak’s “drum beater” will be dissected and analysed; from the Inuit culture itself, to the physical features of the sculpting, as well as the significance and symbolism of the sculpting as it relates to the Inuit culture.

In this essay, I will compare and contrast two different sculptures from two different contexts of art. The first being an Olmec Colossal head (monument 1), from the context of “Art of the Americas,” and the second sculpture being ahead from Rafin Kura. The head from Rafin Kura comes from the context of “Art of Africa.” Both sculptures come from two different time periods and parts of the world. They also are both made with natural materials and have their own symbolic meaning.

Native American basketry is a difficult task and it takes a lot of skill. It was utilized for many purposes such as gathering, cooking, storing and drinking. I believe the dealers lore led to the transformation of artwork due to the amount of skill that was put into weaving baskets. These are now displayed

The sculpture portrays the God of Harvest, Dionysus, with his loyal satyr follower, Pan. A considerable amount of detail when into the carving of Dionysus; the multiple grapevines in his hair, his ceremonial staff Thyrsus, the goatskins and the cup of wine he’s holding are all symbols of Dionysus. The composition is very asymmetrical, and creates a contrapposto arrangement, which is distinctly Grecian (Gardner). It was carved out of beautiful fine marble, which also had another purpose in the way of making this piece of art last for many years. Along with the tree trunk between the two men providing support at the base, and the elongated arms providing more structural stability. The God’s head is even reinforced by his hair to make sure the head doesn’t break off. This sculpture is visually and aesthetically pleasing, but doesn’t serve a useful function, like textiles or furniture. Therefore, it is considered a figurative piece of art, which art that is very clearly modeled after real object or person(s), and is therefore representational

In the cooler weather, they wore buffalo skin for warmth. The Mexicans eventually influenced their style of dress. They began wearing vests, white tunics and more colorful clothing made from cotton.Storytelling is very important to the Apache Indian culture. Since they were not governed by any set of laws or rules and there were no jails for poor behavior, the Apache relied on passing down a code of conduct orally, from one generation to the next.The Apache were talented in arts and crafts. They were known for their beadwork in which they used shells, glass, and turquoise. They would often sew good luck beads onto war shirts. Basket weaving one of the Apache's oldest known forms of art . The burden basket and bread basket were the most common baskets. They also made jewelry, necklaces, earrings, and barrettes. Both sexes liked to wear shell jewelry.In the early 1800's, the relationships with the first white men to enter the region were solid. By the 1850's things had changed and as the Apache were being driven out of their homes and hunting and gathering was becoming scarce, raids and scalping began to take

This paper will employ close visual analysis of the The Vase that was created by skilled craftsmen [Tang dynasty (618–907)] describing how it’s minimalist design represents that it was a time when they focused on non-controversial themes when painting.

In “Terwillinger Bunts One,” Annie Dillard illustrates her childhood life while living with her mother. While spending time with her mother and father, Dillard recalls her father listening to the ball game. When the announcer of the ball game cries with passion, “Terwilliger bunts one!” Dillard’s mother starts repeating the phrase multiple times with passion. Dillard states that her mother often used quirky sayings or different dialect to show that her and her sister did not know everything. Dillard’s mother would repeatedly use different sayings and phrasing to keep her family on their toes. Dillard states that in the end everything her mother had done had a purpose to her life. Dillard uses literary elements such as imagery, repetition, and word choice to describe the way her mother affected her life.

Mattingly transformed personal belongings into sculptural forms that she later incorporates into photographs and performative actions. The sculpture is being pulled on the side walk by a woman who is facing down towards the sphere, while the people in the background is facing away from her, could suggest a lack of interest in her possessions being tugged across the floor, her face expression is relaxed yet her body expression shows she is struggling to move the sculpture. Mattingly is trying to show another path to having an ecologically sustainable future. She believes that humanity will survive only if we reduce our footprint on Earth. determined to live with just the essentials, she recording every object she owns and looking back as to why she had the objects from the beginning. Mattingly work is trying to show one’s obsession of a good life. How we exclude the human’s dependency. Showing that we had a responsibility that we don’t think highly of. we do not know that something is wrong until it had been

African art has played an important role in the culture of the world. The sculpture is the most common traditional culture expression for the African art. The different sculptures are shown by their local styles and they serve for the specific functions, such as religion. From some of these old art pieces, we figure out this kind of traditional culture expression already existed in the African for such a long time. In this paper, the art piece I am going to analyze is the Female Figure with Child and it made by Akan-Asante people. The Akan people of Ghana have been recognized for their various and attractive culture and it located in what are today Ivory Coast and the republic of Ghana in Western African. The Akan people are combined by different groups, such as the Anyi, Akawpim, Akyem, Aowin and Asante, and these people have their own dialect, but they share a lingua franca, which called Twi. The sculpture I choose could effectively reflect its own distinctive culture, because of the social connection reflect on the royalty, the comparison with other local art pieces, like Akuaba fertility dolls and its specific art form.