Review Of Kurt Vonnegut's Slaughterhouse-Five

Billy Pilgrim is the person that the book is written around. We follow him, perhaps not in a straight order, from his youth joining the military to his abduction on the alien planet of Tralmalfadore, to his older age at his 1960s home in Illum. It is his experiences and journeys that we follow, and his actions we read about. However, Billy had a specific lack of character for a main one. He is not heroic, he has very little personality traits, let alone an immersive and complex character. Most of the story is written around his experiences that seem more like symptoms of Post-Traumatic Stress Disorder from his World War Two days, combined with hallucinations after a brain injury in a near-fatal plane

Willing to go to war without knowing the deeper meaning of the situation? That’s what Vonnegut didn’t want to connect with his views. Vonnegut uses tactics to put the readers into a different dimension than the normal approach such as, using literal terms to bring life into a situation that doesn’t normally have light shed upon. Into much simple terms, war does not make boys into men. But it turns into much more devastating results. And depicts how a mature situation can’t turn boys into men but into mentally ill individuals. "He is in a constant state of stage fright, he says, because he never knows what part of his life he is going to have to act in next."(Vonnegut 23). These young

Vonnegut calls upon his personal experiences to create his breakthrough work, Slaughterhouse Five. Vonnegut expresses his own feeling on war, family, and free will through the non-linear narrative of the protagonist, Billy Pilgrim. His experience as a soldier and death within his family are mirrored into Pilgrim’s character.

People react differently to tragedies: some mourn, some speak up, and some avoid the sorrow. In Slaughterhouse-Five, Kurt Vonnegut suggests the danger and inhumanity of turning away from the discomfort by introducing Billy Pilgrim as someone who is badly affected by the aftermath of the Dresden bombing, and the Tralfamadorians as the aliens who provide an easy solution to Billy. It is simpler to avoid something as tragic as death, but Vonnegut stresses the importance of confronting it. Vonnegut, like many artists, expresses his ideas through his creations. The significance of art is not confined to helping and inspiring the general public; the process of creating art also becomes another form of coping mechanism for artists.

Again, Matheson points out the problem immediately by saying, “the first… [problem] is encountered in the unusual opening chapter where Vonnegut, apparently speaking as himself, gives an account of the novel’s genesis that cannot help but strike us initially as being carelessly written”(Matheson 1). Matheson is not fond of Vonnegut’s work, he not only dislikes the fact that there is not a single meaning to the book, but also the creative and eccentric style Vonnegut used in writing Slaughterhouse-Five. Slaughterhouse-Five is semi-autobiographical; the first and the last chapters are written in first person, and there are many similarities between Vonnegut’s life, and Billy Pilgrim’s life. In the first chapter Vonnegut identifies himself as the author when he is speaking to his friend on the phone by saying, “‘Listen— ’I said, ‘I’m writing this book about Dresden’”(Vonnegut 4). Critics seem to dislike the use of first person and the identification of the author because it is “irrelevant…[and leads] nowhere”(Matheson 1). The first person point of view comes back in the last chapter when Vonnegut says, “Robert Kennedy, whose summer home is eight miles from the home I live in all year round, was shot two nights ago”(Vonnegut 210). Vonnegut uses first person not to be annoying to critics, but to remind the reader that he experienced all of the events in his book, “more or less”(Vonnegut

“Fate is a misconception, it's only a cover-up for the fact you don't have control over your own life.” –Anonymous. In Kurt Vonnegut’s novel, Slaughterhouse-five, an optometrist named Billy Pilgrim becomes unstuck in time uncontrollably and constantly travels between his past, present, and future. Since Pilgrim is unable to control his time warps, he is forced to re-live agonizing moments such as watching his wartime friend Edgar Derby executed for stealing or going through the Dresden bombing repeatedly. However, he is also able to visit pleasant moments like speaking as president in front of the Lions club or his honeymoon with his wife, Valencia. Vonnegut’s use of repetition and vision of war, time and death are crucial to Pilgrim as he

Kurt Vonnegut did a great job in writing an irresistible reading novel in which one is not permitted to laugh, and yet still be a sad book without tears. Slaughterhouse-five was copyrighted in 1969 and is a book about the 1945 firebombing in Dresden which had killed 135,000 people. The main character is Billy Pilgrim, a very young infantry scout who is captured in the Battle of the Bulge and quartered to a slaughterhouse where he and other soldiers are held. The rest of the novel is about Billy and his encounters with the war, his wife, his life on earth, and on the planet Tralfamador.

The phrase “so it goes” is repeated 106 times in Kurt Vonnegut’s Slaughterhouse Five. From “dead” champagne to the massacre at Dresden, every death in the book is seemingly equalized with the phrase “so it goes”. The continuation of this phrase ties in with the general theme on indifference in the story. If the Tralfamadorian view of time is correct, then everyone is continuously living every moment of their life and dying is not the end. However, if Vonnegut believed in this idea, then he wouldn’t have felt compelled to write about the firebombing of Dresden. It is clear that both Billy Pilgrim and Kurt Vonnegut are affected by the massacre they saw, but they have different ways of rationalizing it. Billy finds comfort in the Tralfamadorian view of life, whereas Vonnegut disagrees, and urges the reader to disagree too. The constant repetition of “so it goes” breaks the reader away from the Tralfamadorian point of view, and allows them to come to their own conclusion that although it would be nice to forget the bad parts of life, it is important to remember all of the past. Vonnegut helps the reader come to this conclusion by repeating the phrase after gruesome moments, and showing how meaningless life can be if the Tralfamadorian ideas are believed, as seen through Billy Pilgrim’s bland life..

The major areas of his life that are portrayed in this novel include the following: encounters with the Tralfamadorians, working in Dresden Germany during World War II, his family life, and his experiences working in Schlachthof-fünf or Slaughterhouse Five with his group of so called

The story of Slaughterhouse Five is about a man named Billy Pilgrim who goes through a series of strange events throughout his life time. And it all starts when he is in a war in Germany. Billy is resentful towards the war and he makes it clear that he does not want to be there. During the war, he becomes captured by Germans. Before Billy is captured, he meets Roland Weary. When captured, the Germans took everything from Weary, including his shoes so they gave him clogs as a substitute. Eventually, he dies from gangrene caused by the clogs. Right before Weary dies, he manages to convince another soldier; Paul Lazzaro that it was Billy’s fault that he was dying so Lazzaro vows to avenge the death of Weary by killing Billy.

In the novel Slaughterhouse-Five by Kurt Vonnegut, a fictional character named Bill Pilgrim is used to depict the various themes about life and war. Vonnegut went through some harsh times in Dresden, which ultimately led to him writing about the tragedies and emotional effects that come with war. By experiencing the war first handed, Vonnegut is able to make a connection and relate to the traumatic events that the soldiers go through. Through the use of Billy Pilgrim and the other characters, Vonnegut is able show the horrific affects the war can have on these men, not only during the war but after as well. From the very beginning Vonnegut portrays a strong sense of anti-war feelings, which he makes most apparent through Billy Pilgrim.

Baruch Spinoza once said “Experience teaches us no less clearly than reason, that men believe themselves free, simply because they are conscious of their actions and unconscious of the causes whereby those actions are determined.” He compared free-will with destiny and ended up that what we live and what we think are all results of our destiny; and the concept of the free-will as humanity know is just the awareness of the situation. Similarly, Kurt Vonnegut’s Slaughterhouse-Five explores this struggle between free-will and destiny, and illustrates the idea of time in order to demonstrate that there is no free-will in war; it is just destiny. Vonnegut conveys this through irony, symbolism and satire.

Kurt Vonnegut, Jr., was born on November 11, 1922 in Indianapolis, Indiana, to Edith Lieber, and Kurt Vonnegut, Sr., a well-to-do architect. Most people know Kurt Vonnegut as the author of Slaughterhouse Five or Cat’s Cradle, but Vonnegut is known for far more than that. Kurt Vonnegut was much more than just an author; he was a solider, an engineer, a husband, and a father.

This book can be quite confusing if not read with utmost care. Because the main character, Billy, becomes “unstuck in time,” (29) the book does not go in chronological order. That is solely because of this fact one must analyse the plot, making sure one does not get confused. To start out in the explanation of the plot in Slaughterhouse Five one must first look at where the action starts to incline, otherwise known as the rising action. Rising action would be best represented as Vonnegut’s character Billy “was taken prisoner by the Germans” (30). It is here where the rising action is because suspense is created, which locks the reader into the book, which makes them want to keep reading. This is where the reader becomes apprehensive about the characters safety. After the rising action comes the climax of the story. The climax is the moment of the most intensity in the story. The climax includes the reason why this book was written; Dresden. The most intense moment in this book is when Billy Pilgrim traveled to the time that “...Dresden was destroyed.” (226). To the reader this gives them information which they have been waiting for since they Vonnegut first mentioned it. Although a reader could infer what happened to Dresden the reader didn’t know what happened to Billy in Dresden, including whether he was hurt or not. In this case Billy was not hurt because he was “down in the meat locker…[which] was a very safe shelter.” (226). Although since the plot is always flashing back and forth between the present and past the reader knew that Billy did not die. Lastly is the part where all the loose ends are tied up. This is also called the falling action. The falling actions in this book occurs when Billy is about to present his insight on his findings of the subject of death, which the Tralfamadorians taught him. Billy was finally able to conclude that “we will all live forever, no matter how dead we may seem to be…” (269).

Slaughterhouse-Five, a novel written by Kurt Vonnegut, tells the story of the devastating effects of war on a man, Billy Pilgrim, who joins the army fight in World War II. The semi-autobiographical novel sheds light on one of history’s most tragic, yet rarely spoken of events, the 1945 fire-bombing of Dresden, Germany.