Review Of ' Mid Century Movie Craze ' Essay

During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that,

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

Film has revolutionized the world as we know it. In the current day and age film is quite advanced. You can watch movies with special effects and insane resolution there were never thought possible before. But film has not always been this way. Over the decades since around the 1900s when the first film was made there been amazing advances in technology and in acting. An examination of the past hundred or so years will show the amazing advances film has taken to come to what we know of it today.

Even though a vast majority of us wish that it was possible to turn back the hands of time and change or rewrite history. However, the truth of the matter is that we simply cannot. Everything happens for a reason, and we should learn to accept it. Accept it for what it is, rather than what we would like it to be.

New and exciting technologies have always played a huge role in the culture of American people. When the motion picture came out it was no surprise that both consumers and producers were more than happy to get in on the action. Back in the 1920’s film was still pretty new and was only in black and white with no sound, but the films were always accompanied by orchestral pieces to help set the mood. The art of movie-making has come a long way since then with the addition of not only color and audio, but new techniques and new ideas. Both The Kid and Iron Jawed Angels are very popular films about the early 1900’s. Although they share some common thoughts, but because they were made in two completely different time periods their focuses are

Rarely has a film impacted an audience and held the test of time as the film Gone with the Wind. I have always been curious if director, Victor Fleming and producer, David O. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. Interestingly enough there were some who thought the film should not be made, as Irving Thalberg said to Louis B. Meyer in 1936, “Forget it Louis, no Civil War picture ever made a nickel” (Ten Films that Shook the World).

The Golden Age of Hollywood was a time when Hollywood hit its peak successfully and economically, starting with the late 1920s, and met its decline due to corruption in the late 1950s. One would ask the question: “Where did the name Hollywood come from?” The name came from Harvey Henderson Wilcox and his wife, Daeida, who were owners of a small ranch west of Los Angeles. According to u-s-history.com, “Daeida, who, while on a train trip east met a woman that described her country home in Ohio, that had been named for the Dutch settlement of Hollywood. Liking the name, Daeida christened their ranch 'Hollywood,' upon her return.” (History of Hollywood, California) Movies during this time period became a vital form of entertainment for all Americans during this time period. By the 1910s, Hollywood was combined into its neighboring city Los Angeles, and many motion-picture studios began to open. Moviemakers rushed to Hollywood, and competition started to become widespread between directors and producers. By 1910, the first motion picture was made in Hollywood, titled In Old California, and soon enough, Los Angeles became second to New York in producing films also because of it’s quintessential weather for movies to be made in all year long during this time. As Hollywood began to industrialize, filmmakers began to work on the image of a “star”; they would continuously use these highly-paid actors in order to achieve a form of comfort for the general audience of the movies. Seeing

One important scene in the film ‘The Age of Aids’ is “Port Au Prince, Haiti”. In this scene it outlines the conditions in Haiti, which were very poor and it turn left the city defenseless against the new disease. In 70’s and 80’s the disease began to be seen by doctors and priests who were being sought after to cure a unseen disease which left the people with the “look of death, [making them] so skinny you could see their bones”. The scene then goes on to take a look at one of the first HIV clinics in Port Au Prince, which was opened in the roughest parts of town. One of the surprising things that this clinic found when they were looking at the patients coming in was that the mean they were analyzing had more

What is the first thing one does after they have just finished a movie? After exiting the theatre and throwing out popcorn bags, something that typically happens after the film’s end is a discussion between moviegoers. Typically this discussion attempts to poke holes at the film, searching for anything that could be perceived as slightly off-centre. In this back-and-forth conversation, usually someone says something along the lines of “What was the point of this scene?”. In a certain sense, this question is very conventional, that is, assuming the film followed Classical Hollywood convention.

The earliest record of the uses of a camera obscura can be found in the writings and drawings of Leonardo da Vinci (1452-1519). At about the same period Daniel Barbaro, a Venetian, recommended the camera as an aid to drawing. He wrote:

How does it feel starting over in a completely new place? In the movie “The Karate Kid”, Daniel, the main character, and his mom moved to the California from New Jersey because of his mom’s new job offer. Daniel started going to school in California and met a girl named Ali, whom he started to like. He started going out with her. Daniel was getting beat up by some bullies; one of them was Ali’s ex-boyfriend. They knew karate very well, but Daniel did not. So Daniel decided to learn karate. Daniel and his mom were living in an apartment and one day he discovers that the handyman at his apartment, Mr.Miyagi, knows karate very well. He asked Mr.Miyagi to teach him karate, and Mr.Miyagi became his karate teacher.

The Romanian Cultural Institute and the East Central European Center of Columbia presented an unusual yet compelling production. The Ghost of Elsinore: Every Tzara Has His Dada incorporated many unexpected elements separating it from most theater performances. The most impressive and surprising addition used two entertainment mediums that usually work in opposition—theater and film. The Ghost of Elsinore included a projector set-up that resided in the middle of the stage. The projections helped transport the audience to different locations along with props and it created shadow imagery that conveys a transition or surreal actions. At first, the projector played clips that looked as if they came from a black and white film. However, upon further examination, it seemed that they pre-recorded the footage. An example is Tristan/Sami and his friends going to the Voltaire party; the actors disappeared behind the projector’s structure only to reappear on the screen. Also, Tristan is brought to the doctor’s

The movie I chose to watch is Courageous. The precipitating event in this movie is the car accident that takes the life of Emily Mitchell. Her father, Adam Mitchell, and the rest of her family are traumatized by the sudden death of their 9 year old daughter/sister. In thinking about information that would be gained in the first contact with Adam Mitchell, one thing that stands out about his previous state of mind/functioning is that he was somewhat uninvolved with his children, taking them for granted. This fact can also be a trigger for how he processes this event, causing a crisis for him as he realized his

The release of Gordon Hollingshead and Alan Crosland’s The Jazz Singer in 1927 marked the new age of synchronised sound in cinema. The feature film was a huge success at the box office and it ushered in the era David Bordwell describes as ‘Classical Hollywood Cinema’; Bordwell and two other film theorists (Janet Staiger and Kristin Thompson) conducted a formalist analysis of 100 randomly selected Hollywood films from the years 1917 to 1960 in order to fully define this movement. Their results yielded that most Hollywood made films during that era were centred on, or followed, specific blueprints that formed the finished product. Through this analysis of Hollywood films the theorists were able to establish stylised conventions and modes of

Genre is a reflection of society. Film noir is a genre that has a distinctive relationship with the American society from 1941 - 1958 because it reflects America’s fears and concerns from when they experienced major upheaval after The Great Depression and during World War I. In particular, the unstable atmosphere from the aftermath of World War 1 as Bruce Crowther, author of the book ‘Film Noir: Reflections in a Dark Mirror’, elaborates on how Film Noir films produce “a dark quality that derived as much from the character's depiction as from the cinematographer’s art.” These dark moods are transparent through the key features of the femme fatale, the film techniques and the impact of the Hay’s code on American film and American society.