Review Of Plato's Suddenness : The Symposium As A Tragic Comedy

Plato’s idea that there was a perfect world of ideas affected this pieces subject and the

In Plato 's “The Apology of Socrates”, Socrates states, “the unexamined life is not worth living” and he would rather be put to death them stop his practice of philosophy (The Apology). In this writing, Socrates is charged with not accepting the gods recognized by the state, devising new gods, and corrupting the youth of Athens. However, the word "apology" in the title is not our modern English interpretation of the word. The name of the speech stems from the Greek word "apologia," which translates as a speech made in defense (SparkNotes Editors). The “The Apology of Socrates” is an account of the speech Socrates makes at the trial in which he defends himself, not apologizes. What Socrates meant by declaring, “the unexamined life is not worth living”, is that a life is worth living only if it is lived in as a pursuit for a life worthy of a man to live (The Apology). Socrates believed what makes a man worthy of life is that he lives up to what is best in him as a man. Therefore this quote can be better translated as, “the unexamined life is not a worthy life for a man to live”. Socrates believes a good or worthy man has virtue. Virtue is behavior showing high moral standards such as honor and nobility. An unexamined life is one that does not examine oneself for these characteristics but claims to have wisdom. This unexamined life can be also compared to living your life on autopilot with the same dull routine and beliefs. According to Socrates, to live an examined life, one

First of all, in the “Laughter on the 23rd Floor”, Aristotle’s 6 elements of drama was included.

A comedic work of literature is often just one that was meant as pure enjoyment for the reader. Other times, comedy is meant to shed light on a serious situation or instance the public refuses or is uncomfortable talking about in a non-comedic setting. However, the greatest type of comedy is one that makes the reader think, one that provokes “thoughtful laughter” from them. “The Importance of Being Earnest”, a satirical play written during Victorian Era Britain by Oscar Wilde, is such a piece literature. By poking fun at the time period in which his characters live in during one particular scene, as well as illustrating the unsubdued hilarity of a character during that scene, Wilde is able to elicit thoughtful laughter from his audience, ultimately showing them that life is far too serious and needs to be taken more lightly.

Sophocles’ Oedipus is one of the most well-known tragic heroes in the history of drama. His strange

In Symposium, a selection from The Dialogues of Plato, Plato uses historical allusions to demonstrate Alcibiades’ frustration with both social expectations for the phallus and his inability to meet these expectations. Alcibiades’ inability to have a productive sexual relationship effectively castrates him and demonstrates the impotence caused by an overemphasis on eroticism. The tragedy of Alcibiades is that he realizes he is unable to gain virtue through sexual relationships and will therefore be forced to remain mortal, yet he is unable to alter his condition.

It is interesting to notice that this Platonic form can be seen in various ways in both the human on a micro scale and in Jesus or God on a higher level. The human body, for instance, (as Plato noted) serves as garb for the soul. We can assume certain gestures, paint our faced, mask our mannerisms and looks; we can play around with our externals, but there is a soul that emanates from within, and this soul emerges through appearances such as looks, tears, or speech.

“Alright Leslie, you’re here!” some lady exclaimed. The whole town was in a type of quiet unison. It was implausibly light outside despite the fact that it was only 6 in the morning. The streets were flawlessly black with no cracks whatsoever. It was so peaceful considering that it was 200 people outside and Leslie was quite frightened by it.

Plato’s Apology is one of the most well-known pieces of Plato’s writing today, perhaps due to a certain dramatic style and context that can appeal to any reader. The ‘Apology’ is the defence speech of Socrates before the court at a trial for his life. He has been accused of deliberately corrupting the young and of non-belief in the Athenians’ gods. It is widely accepted that this is a true event, Socrates was tried, found guilty and put to death. What is not known for certain is the accuracy of Plato’s account of his defence. David Leibowitz tells us that the Greek title is ambiguous and could mean a defence speech either for or by Socrates. From this it is hard to discern if the Apology as

In Socrates’ mind education is not simply an information exchange; rather it is a painful experience, since all that one had previously believed is typically wrong. This painful experience can be seen as the “philosopher” turns around and stares into the light and eventually learning that everything he had experienced in life were just shadows.

As Socrates awaits his upcoming execution; he is visited before dawn by a close old friend Crito. Crito has made arrangements to help Socrates escape from prison. Socrates is grateful to his old friend for his willing to help aide him in the escape. However, Socrates is quite willing to await his execution. Crito tries to change Socrates mind about escaping by presenting him with several arguments. The first is that if Socrates choices to stay, his death will reflect poorly on Crito. The people will think that Crito did nothing to save his friend. If Socrates is worried about the risk or the financial cost to Crito; it’s an expense that he is willing to pay, and that he made arrangements for Socrates to live a life of exile in a pleasant

Plato's metaphor of the divided line is essentially two worlds; the world of opinion (the

Plato’s Symposium attempts to define the eclectic theory of love, a theory that is often believed to be the universal principle that guides mankind’s actions. Plato introduces several narratives in the form of a dialogue that seek to characterize this multifaceted theory of Eros. The meaning of love naturally varies in each narrative. Yet, in this dialogue of love, Plato presents a metaphysical approach to understanding the ambiguous meaning of love. Ultimately, Plato values the perennial quest for knowledge above all else. In Symposium, Platonic love is exhibited in the relationship between virtue and desire, as expressed in Diotima’s ladder. Desire is the vehicle, or the means to an end. The six Athenians ultimately present different

In the Symposium on that night, Socrates’ speech is one of the most important of the night as he is clearly a central figure, admired by the other guests. Socrates begins by presenting his argument that if love is nothing, then it is of something, and if it is of something, then it is of something that is desired, and therefore of something that is not already possessed, which is then usually beautiful and good. Human beings begin by loving physical beauty in another person, then progress to love of intellect and from that level to see the connection among people and ultimately, the lover of beauty enjoys a kind of revelation or vision of universal beauty, which we find ourselves in the pursuit of during our own study of Plato’s work. The

In the ‘Frogs’ and ‘Wasps’ written by the “eminently best” comedian of the fifth century, Aristophanes, we see he utilized humour to exact the important message that Athens is corrupt, and on the verge of chaos. The Athenian audience would expect to be thrust into a world of humour in the City Dionysia, somewhere parallel to their own (e.g. the Athenian jury in the ‘Wasps’, and the failings of the government in ‘Frogs’). It is vital, then, that Aristophanes conveys his political and social views through slapstick, farce, and caricature to interest the audience. This is an important component in both plays as the audience is able to simultaneously accept his diplomatic views whilst being entertained. After all his main point for producing his plays were to produce something with a “little fable, with a moral”.