80s Research Paper

The hippie aesthetic era was an important time in rock and roll during the late 60’s and on into the early 80’s. It was a time were rock had a sense of purpose. They sung about the issues that plagued the country. It was also a time where technology would play an important roll in the sound of music, with the advancement in recording and synthesizer technology (Covach, “The Hippie Aesthetic”). The hippie aesthetic was not immune to the advancement of music. This essay will go over three songs that represent the different aspects of this era. It’ll will review a song that is predominately hippie aesthetic, a song that is a little of both, and finally a song that has no trace of hippie aesthetic.

Rock and roll has largely impacted the music industry. The 60’s were the era of feel good music while the 70’s created the disco era. The 80’s called for something new and crazy all together, it was completely different and more complex from the past decades of rock and roll. The 80’s brought visual aspects to music. As a result, MTV aired the first music video ever made on August 1, 1981 which “killed the radio star”. This music video created a new trend for current musical artists and upcoming artists, it created a way for artists to express the meaning of the song. Music videos made radios an accessory mainly used for cars. MTV created a place where unknown and small time artists could become a household name. Some of these artists include

The song of songs it is a well-known but not so well understood book of the Bible, it’s 8 chapters of love poetry and while there are an introduction and a conclusion, the book doesn’t have any kind of rigid literary design and that’s because it is a collection of poems. They are not meant to be dissected or taken apart. They are meant to be read as a flowing whole and simply enjoyed. The first line of the book tells us that it is “the song of songs” which is a Hebrew idiom like, “the holy of holies” or “the king of kings” it is a Hebrew way of saying, “the greatest thing,” this is the greatest song of all songs. We are told in the first line that this “song of songs” is of Solomon, which could mean that he is the author, his name does begin the book after all. But as I read the poems, I discover that the main voice of a woman, called “the beloved.” And while there is also a male voice, it does not seem to be Solomon. Solomon is mentioned a couple times in the poem, but he’s never a speaker, and you do have to admit Solomon is a very strange candidate as the author of this book, given the facts that he seven hundred wines. The “of Solomon” likely means “in the wisdom tradition of Solomon,” he was known for his wisdom, his poetry, his love of learning about every part of life. Also, Solomon became the father of wisdom literature in Israel, his legacy is here carried on, through a collection of love poems that explore the human experience of love and sexual desire. The opening

Whiskey Lullaby is a song sung by Brad Paisley (ft. Alison Krauss) which narrates the story of a soldier coming back from war to find his wife in bed with another man. After this, the man drinks away his life trying to escape the pain until he commits suicide. Then the song continues to talk about how the woman follows down the same path after hearing about his death. In the end of the song they both get buried next to each other which symbolizes how they are finally together. The audience for this country song is those who have served or who have had family members serve. The unexpectedness of how life will figure itself out when the soldiers return. Also, how hard it is for families when their loved ones are out fighting, and they are

One of the best known decades for music was the eighties. During this generation, there were a number of landmark events. This decade set a standard for music to evolve from for years to come.

Although the two decades were different in themselves, there is still a parallel running between the two. Both were times of change, with popular culture culminated for the newly recognised youth, each decade had their own brand of pop music, and their own brand of teenagers.

The 80 's was an eye opener to a lot of new things, new music, new styles, new points of view on life and new technology. Music was a big hit for the 80 's and so was the technology. A home, family, job and fun was basically what everyone needed to live ahappy life. In the 80 's, people saw the American dream, as a simple task of success andthose years defined them. They were the generation in between differences and facing disagreement andnot turning our backs. The 80 's may have made them idealistic, but it 's idealism that will push themand be passed on to their children, the first children of the twenty-first century.

The transition from the multicultural era of the eighties to the postnetwork era of the nineties triggered abrupt changes in American media and culture. [6] From fashions to family life, relationships, and attitudes, many new cultural elements subsequently changed television portrayals of ordinary American culture within this time period. More specifically, the culture of the eighties is often characterized by the rise of MTV and megastars, techno music and club drugs, and popular fashions such as leather, leggings, and Ray Bans. Eighties culture can be described as the ‘bombdigity’ and nineties culture can be described as more toned down, moral, and ‘sweet’.

The 80's were life changing years in music history. They were called the “decade of excess” by some and the way people could enjoy music was forever altered. The 80’s brought music to life with stunning displays of special effects ranging from anything fireworks being blasted off at concerts to using computers to alter the sounds of instruments to make new sounds for people to enjoy. People could now watch music instead of just listening to it.

In the 90’s, the concept of music was a huge explosion compared to previous years, though there were many more acts of creativity. Primarily, music played a huge part in society as apposed to other decades.

As America headed into the 1980s, two decades of social and political upheaval have left the nation rattled and the economy weakened. The Iran hostage crisis shook America's confidence and many looked for a new kind of leader to steer the country into the new decade. Ronald Reagan led America into a new era of prosperity leaving the soul-searching of the 60s and 70s behind. The nation was ready to enjoy itself and with plenty of new toys to play like VCRs and video games, Americans spent more time at home and soon something called cable TV would make it even harder to leave the living room. With the new innovation of the TV, one of the ideas for a channel was a marriage between music and television. This new idea for a channel devoted to something called music videos would end up revolutionizing and often scandalizing an industry that had no choice but to embrace the fact that music in the 1980s had to have a face with videos. By having these music videos, they would change the way we look at music and the way we look at the world. This cutting- edge idea was a new medium perfectly suited to a new generation and that idea was called, MTV. This leads to the question: How did MTV influence pop culture of the 1980’s? This topic is worthy of investigation because the coming of MTV has had a significant impact on the way people see pop culture. Before researching the topic, the writer had limited knowledge on MTV and only knew about the music itself. In the paper, the writer was

“While greed may have been rewarded in the '80s, lust, be it for drugs or sex, proved fatal for thousands.” The 1980’s, because of major development in technology, saw major changes in socioeconomics. Many Americans’ symbolize this time period as the generation of the “yuppie”: a baby boomer with a college degree, a well paying job, and very expensive taste. This decade was more materialistic and self-centered than anyone in their past heritage had ever been. Television shows such as The Big Chill and Bright Lights, Big City portrayed young men and women as very successful but showed them with many insecurities and not much happiness. One of the biggest characteristics during this era is first 24-hour music video channel, MTV, airing the first video “Video Killed The Radio Star” by The Buggles on August 1, 1981. MTV influenced everyone across the country. Everyone wanted to be just like the people in he music videos. Even heavy metal bands such as Metallica and Guns N’ Roses captured the sense of malaise among young people in the 1980’s. Along with new trends in music, came addictive trends in drug use. The most common drug being cocaine, it brought about the phrase, “say no to drugs”. The 80’s also brought a massive epidemic of Acquired Immune Deficiency Syndrome (AIDS) because of high amount of sex that emerged because of VCR rentals of pornography that was popular in the era of the 1980’s.

Music Television gave a generation a voice. With the awakening of MTV, 1983 was a golden age for music television. The inception of hip-hop music videos caused wardrobe to be an important part of an artists “armor”. Rappers used outfits for promotional purposes. Certain outfits would be worn in pictures, performance, and

MTV can be defined as “a cable and satellite television channel which broadcasts popular music and promotional music videos.” (oxforddictionaries.com.n.d.). Launched on August 1st 1981, MTV’s programme started out by helping musicians gain exposure through music videos. This helped TV audiences connect with music by new means. As MTV became more recognised, the network branched out by creating new means of entertainment. MTV has remained relevant by continuously adapting throughout its existence to meet their audience’s entertainment requirements. (International MTV and Globalisation).

The manifestation of a similar worldwide rock music style manifested the end of the invasion in 1967. From the late 1970s until the early 1980s, music from the UK was marked by the reverberations of the ‘punk’ and ‘new wave’ shift, moreover Dire Straits’ and ‘The Police’ charted in the American Top 40, in early 1979. Starting in the summer of 1982 until the autumn of 1986, a second British invasion occurred. Some bands from the first invasion were part of the second invasion as well. For the majority of American songs videos did not exist or were taped concerts, at the same time British music videos had evolved into short films, which represented the artist in an appropriate manner. However, when MTV, a cable music channel, launched on August 1, 1981, American viewers mostly got to see a large number of music videos from British new-wave-acts, since they barely had any other material. The first ever shown music video was “Video Killed The Radio Star” by The Buggles. Numerous ‘Second Invasion Artists’ started in the punk era and craved to transport change to broader audience, which led to music that was characterized by an adventurous spirit.