Review Of 'Stiff: The Curious Lives Of Human Cadavers'

A Story About The Body is about a man who think he has fallen in love with an almost sixty-year-old woman. Both the younger man and the woman work at an artist’s colony during the summer. The woman was a Japanese painter, and the man was a composer. The woman’s art captivated the man, the way she moved her body and her hands. It states, “He loved her work, and her work was like the way she moved her body, used her hands, looked at him directly when she made amused and considered answers to his questions.” Then one night, after a concert, the woman abruptly says that she knows that the young man wants to “have her”, but she has to be honest with him and tell him that she has had a mastectomy on both breasts. Shocked, the man states that he cannot handle this and he walks away to his home. The very next morning, the man wakes up to find a blue bowl on the porch that looks like it is filled with rose petals, but when he looks deeper he find that is filled with dead bees which eggs on the audience to do a in depth analysis into what is truly meant by this.

Mary Roach appears at a memorial service for the anonymous corpses of “UCSF Medical School class” of 2004. Though there was the typical funereal preparations, the mutilated bodies are noticeably gone. Even with the bodies absent the memorial service was still a somber occasion. Residents take turns reading and singing, Roach, is specifically affected by one student's genuine acknowledgement to a previous cadaver.

You’ve probably heard the old saying. “Only two things in life are certain: death and taxes” It’s true: at some point, we all will die. Although you may think death is an unpleasant subject, it is something that everybody must cope with. People are different all over the world, but death is one thing that everyone has in common. ( Stair, choosing a career in mortuary science and the funeral industry 6)

In “On Natural Death,” Thomas appeals to the readers by contemplating the subject of death with an academic approach that includes facts, data, and information. Thomas successfully transforms death from an awkward, emotional subject to a more comfortable intellectual one. This engages the readers by placing contemplation of death and dying within the confines of a more manageable and rational context. His gradual exhumation of death eases the audience into pondering the subject in the absence of emotional stress. The essay transitions from the death of an elm tree to that of a mouse. This is followed by Thomas giving a significant amount of attention to a scientific explanation of death, and then finally the description of the near death experience of a human. This use of an academic appeal moves the audience to a comfort zone with the subject of death and circumvents the common response of avoidance. The reader is simultaneously desensitized to the gravity of subject matter and given permission to consider death and dying without the normal societal negative stigma associated with the subject.

Painful as it may be, such experiences brings home the finality of death. Something deep within us demands a confrontation with death. A last look assures us that the person we loved is, indeed, gone forever.” (108) Cable finishes his essay by asking, Tim if his job ever depressed him. Tim in reply says, “No it doesn’t, and I do what I can for people and take satisfaction in enabling relatives to see their loved ones as they were in real life.” (108) After reading this essay I feel as though sometimes we don’t understand death so therefore we do not talk much about it. By reading about what goes on after your loved one dies and is sent to these places to be prepared and ready for burial, it helps to understand why morticians and funeral directors do what they do. Knowing that someone enjoys taking the responsibility in providing that comfort in a sorrowful time makes me appreciate these people in these occupations a bit

“What the dead don’t know piles up, though we don’t notice it at first,” is an insight in Roger Angell’s descriptive memoir, “Over the Wall” (414). Emotional responses, stimulating thoughts and solid feelings are elicited through the use of personal reflection, regarding the death of his wife, Carol. This literary nonfiction, memoir uses the present tense, a constant tone, and an informal view to help add immediacy, by keeping the reader involved step by step as the author connects his personal present and past experiences regarding death. Readers are continually intrigued by Angell’s literary nonfiction essay, with provoking thoughts focusing on death, while using figurative language to keep Carol alive, with the use of vivid personal reflections and descriptive personal experiences.

After reading Stiff, it was surprising to discover that there are so many different ways that cadavers can be used. For example, cadavers are used to see the different stages of decomposition, as test dummies, as compost, and as art. Until I read this book, I thought that you were simply buried or cremated when you die. Further, I

Death is one of the most avoided topics because of the finality that comes with it and the fear of the unknown after death. However, there are quite a number of authors such as AtulGawande, Elisabeth Kubler-ross and Ira Byock who have attempted to go ahead and deal with death as a topic and other connected topics.Each of these authors have delved into one of the most revered topics that is death including related topics that come with it such as the dying process itself. Ira Byock’s Dying well: Peace and possibilities at the end of life is a book that looks at the moment prior to death when an individual is terminally sick and is at the point of death. A

In “Lives of the Dead”, O’Brien’s own innocence is preserved through the memory of Linda, a memory that remains untarnished by the inevitable corruption that results from life. O’Brien’s writings “save Linda’s life. Not her body--her life” (236). Storytelling and memories preserve the value of Linda’s existence while simultaneously allowing O’Brien to process death and destruction in a way that maintains a degree of optimism regarding his own life and future. Juxtaposing the images of body and life emphasizes his desire to save the idea of Linda while accepting the loss of her physical presence. O’Brien rejects the idea of death as absolute and final; instead he suggests that “once you are alive, you can never be dead” (244). Linda’s death solidifies her importance in O’Brien’s own development; she teaches him about life and real love as much as in death as in life. O’Brien’s paradoxical statement defines the lasting impact of Linda on him; her presence in his stories keeps her alive through memory; memories that even her death

No one can escape death. It’s one of so few unavoidable certainties in our lives and has held an important position in every human culture since time immemorial. Of course, this position has is different from culture to culture, and shifts over time. This is particularly evident in western culture. The shift is discussed at length in two essays: “Behind the Formaldehyde Curtain” by Jessica Mitford, and ‘The Fear of Dying’ by Elisabeth Kübler-Ross. Both explore different aspects of these themes – Mitford’s essay being deconstruction of a the uniquely North American process of embalming, and Kübler-Ross’ being an indictment of the clinical depersonalization of contemporary western attitudes toward death. Each utilize many different tools as writers, such as rhetorical modes. Rhetorical modes they share are exemplification, description, and compare-and-contrast.

In Being Mortal, Atul Gawande uses his experiences as a surgeon, professor and public health professional to discuss many facets of Western end-of-life care and the process of growing old in a modern age. Overall, I have found that three overpowering themes in this novel are security versus autonomy, a need for pragmatism surrounding the concept of death, and our medicalized society’s devaluation of hospice and palliative care. Regarding these themes, I have chosen to reflect on my grandparents, death in the West and social role valorization, respectively.

Trudy Harris has written another outstanding read to the follow-up of her first book Glimpses of Heaven. If you cherish the first book as much as I do you will not feel any different about the second. This book has a interesting new twist she reached out to other medical professionals voicing their stories along with her own. The prose is exemplary without a single flaw. Trudy writes about death in such a special way that it pulls at your emotions yet not negatively. Yes, it is sad that people are dying but, she portrays death in such a beautiful manner it is enlightening to the reader.

For the past two-hundred years, dissection of the human cadaver has been the gold standard for teaching aspiring medical professionals the networking and layout of the human body. Surprisingly, cadaver usage has had a rather curious history.

There is a choking, bitter stench in the pine woods this evening. Thick and suffocating, it crawls towards me like a fog. Broken bodies are littered everywhere, and not just the dead kind. We wander around, sniffing the air, hugging ourselves in search of some feeling of warmth and comfort. Bodies cannot feel, we do not have a personality. We lost those privileges when we lost our souls. Now we can only remember what it was to be your own person and to experience emotion. We seek out the nearest available alternative while feeding.

How should we accept inevitable progression of growing old and finally death? In today’s modern society the very subject of aging is often taboo and shrouded in anxiety and shame. The same holds true in regards to the death. The Mere mention of dying tend to make most people uncomfortable therefore the subject is rarely ever talked about unless as part of a classroom or at the end someone’s life. Mitch Albom’s inspiring bestseller brings to light these trials and tribulations of the aging and dying process. Tuesdays with Morrie offers advice for positive living with the aging and dying process through anecdotes and examples from the author’s interview with his elderly and dying professor Morrie Schwartz. Morrie teaches us to face up to the real problem of aging and dying in order to remain youthful in spirits.