Review Of The Poem The Living Exhibit Under The Museum's Portal

The Shoshone and Nez Perce tribes are local tribes in Idaho. In earlier days the Shoshone settled along the Snake River. The Nez Perce tribe came from northern Idaho. Both of these tribes weaved products for their own use, but the Shoshone tribe also sold them, and they still do today. The Shoshone tribe also “used their basketry as a utilitarian object, rather than selling them or using them for barter” (Basketry).

Richard Blanco is a Cuban- American poet who was given the oppurunity to write an inaugaration poem for Barack Obama's second swearing-in. He wrote a poem titled "One Today" that praised the good and unique things about the United States and also the everyday people who's daily routines help to make America the proud country that it is.

| Copper bracelet and beads, amber pendant, 3 colored pots, colored pottery figurine and colored bowl with charred barley

However, trading for beads provided Indigenous people with a new material. By using beads, Ruth Cuthand both provides a visual representation for colonialism, while also showing how Indigenous people and cultures have survived in spite of colonialism.

“Navajo trading has been a crucial component of that tribe's localized economy for generations and has been the subject of much scholarship over the years (Kiser, 2012).” Trading is what has really distinguished the Navajo from other cultures. They traded with the Spanish at first and then on to other tribes. They were first introduced to a horse from being able to establish trade with the Spanish in the 1620’s. Many other native cultures went

Native Americans are the indigenous people of the North American continent and the cultural traditions and art forms are unique to these regional groups. The people in these groups have several names and the first adopted name Indian by Spanish explorers proved erroneous, however, now accepted names include either American Indian or Native American. I will refer to these groups as Native Americans or by their tribal affiliation. There are diverse tribal groups original to North America who lived on the Great Plains, in the Woodlands, on the Northwest coast, and in the Southeast or the Southwest regions. Various Native American tribes created art forms such as the Apache, Cherokee, Pueblo, and Hopi communities. In my research, I found that the Navajo also contributed in many ways to Native American art through making jewelry, beading, drawing, painting, sculpting, carving, and weaving. These art works provided their tribe notoriety with countless “years of experience through their creativity and sense of design”, lending to an “astonishing volume and variety of artwork which has created a lasting legacy”, per NativeAmerican-Art.com (2010). Understandably, art comes in various forms and from various cultures, but the Native American Navajo tribe contributed vastly and merits mention for its beautiful contributions. Therefore, I

This very well-known poem ‘Sanctuary’ was written in the early ‘50s by Judith Wright. Judith was a prolific Australian poet, critic, and short-story writer. She was also an uncompromising environmentalist and social activist campaigning for Aboriginal land rights. She believed that the poet should be concerned with national and social problems. The poem ‘Sanctuary’ was written as a great expression of environmental concern from her. The poem begins with a shocker. Sanctuary, implicitly, is a place of habitation which is safe. However, the first lines of the first stanza, “The road beneath the giant original trees sweeps on and cannot wait” represents a contrast. Here the road is used metaphorically to symbolise today’s modern developments taking place at the cost of all round natural destruction. The poem then unfolds the gloomy mood of the poet in the description of dangerous driving in the night on the road through the Sanctuary to the city: “only the road ahead is true.” In the last line then she is simply sarcastic: “It knows where it is going: we go too.” In fact the road never knows where it is going, but we know where we are going! The poet subtly asks: do we know where we are going by destroying our own habitation, native forests, plants and animals?

Leila Aboulela writes “The Museum” in a way that can make the reader feel like they are connected and present with the characters. Held in a prestigious university in Scotland, the University of Aberdeen, “The Museum” highlights many difficult challenges that can be faced in a lifetime, and that makes the story even more relatable. Leila Aboulela really knows how to capture her readers, which makes her story so memorable. Aboulela uses explicit adjectives to describe common things that advance the story even more. For example the reoccuring color blue on page 372 that evokes the sad feeling that Shadia develops throughout the story.

In order to gain a better understanding of the practice, Page recommends Fontaine speak with Peter Kadosa, a workshop employee. Kadosa was a good worker, had a good attitude, and was moving to a new position on the West Coast in January. Upon questioning "off the record," Kadosa provided the following information: he was unsure of the history regarding the practice; implied the more experienced and better craftsmen were involved; and only occasionally would one of the workers ask him to set aside a bigger piece of scrap. Fontaine also learned of the unwritten code of conduct in the workshop which applied to the gift / ornament making: new material could not be used (scraps only); before anyone started a project they were expected to obtain approval from one of the senior craftsmen; selling projects was frowned upon; and the plant foreman did not care to know about the practice.

While weavers from the early 20th century and contemporary weavers differ in some aspects, they both use the loom to depict Navajo designs. Navajo weaving has evolved in terms of technique, materials, artistic style, and spiritual meaning. Despite the changes, weaving has and will always be a key component in Navajo culture. When I interviewed Jaren Numkena, he said, “Weaving is my job right now but I only weave when it feels right. To me, weaving is life.”

When visiting the McKissick Museum I was engrossed by the American Folk Art, ceramic Face Jugs, also known as ugly or grotesque jugs. There are gaps in the history in regards to how the face jugs were made, what they were used for, and the meaning of the face vessel pottery. However it is believed that these vessels were original, useful, creative expressions of the African slave culture of the time created as early as the seventeenth century. Few artists of face jugs have been identified and their inspirations for producing the vessels are not completely known. According to Hirst, it is believed that this art form originated in Edgefield County South Carolina, from African slaves who worked on the plantations as potters. They worked on

A. The basic elements of the piece interior of Tintern Abbey by J.M.W. Turner is

Culturally, the symbolism of a quilt is understood to be an heirloom piece that is closely guarded and highly prized. The ownership of the quilt and the generational lines it passes down is known before the piecing is begun. Stitching the pieces together is done by groups of women. The tiny bits of cloth each carry a memory, one from grandpa's shirt, one square from an aunt's Christmas dress, a piece from the flannel nightgown a mother wore as she pulled her sick child close to her bosom. The pieces are carefully and artistically pieced together into a collage of

Perez Art Museum was my choice for museum visitation paper. Perez Art Museum in Miami is a modern and contemporary art museum dedicated to collecting and exhibiting international arts of the 20th and 21st centuries. Perez Art Museum continue tradition of Miami Art Museum, known as The Center of Fine Arts first opened in 1984. Perez Art Museum have a goal to improve life for visitors and residents of Miami Dade County by showing some of the most progressive visual arts of our time.

Maybe the artist was trying to show that the Chief was more interested in material items now rather than his family or his tribe?